Baiju Bawra

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Baiju Bawra
Birth nameBaij Nath
Born 1480
Champaner, Gujarat
Died 1541
Chanderi, Madhya Pradesh
Genres Hindustani classical music
Occupation(s)Singer and Composer

Baiju Bawra (Lit. "Baiju the Insane", born as Bacchu Nath or Baij Nath) was a dhrupad musician and composer from medieval India. Nearly all the information on Baiju Bawra comes from legends, and lacks historical authenticity. [1] According to the most popular legends, he lived in the Mughal period during the 15th and 16th centuries. He was one of the court musicians of Raja Man Singh Tomar of Gwalior. He was the counterpart of Tansen in Gwalior Kingdom and considered as a bete noire to him.

Contents

Gwalior-Chanderi legend

According to legend, mentioned by Susheela Misra in Some immortals of Hindustani music, Baiju Bawra was born as Baij nath in a poor Brahmin family in Champaner, Gujarat Sultanate. After his father's death, his mother, a devotee of Krishna, went to Vrindavan. There Baiju met his teacher Swami Haridas, a court musician of Gwalior Kingdom and was trained in a Sangeet Vidyalaya in Gwalior. [2]

Gradually, Baiju become famous in Gwalior and invited by the Raja of Chanderi to join his court as musician. In Chanderi, he also adopted an orphaned boy and named him Gopal. He became famous musician in Chanderi. Gopal married to one of his disciple Prabha and both had a daughter named Meera.

Later, Baiju was invited and became a court musician in Gwalior Kingdom under the patronage of Raja Man Singh Tomar, during this period Baiju musical career reached its zenith. He also met a girl named Kalavati and fell in love with her. The queen of Gwalior Rani Mrignayani also become his disciple. When Baiju was in Gwalior his adopted son Gopal left Chanderi permanently, lured by some Kashmiri merchants who wanted him to serve their king as court musician. When Baiju returned to Chanderi, he was shocked to find his entire family gone. After knowing all this and searching for his family for months he went back to Gwalior to meet Kalavati just to know that she got married and has already left the city. He became a mendicant, and wandered from place to place, looking for his beloved grandchild Meera. People thought of him as an insane person, and thus, he came to be known as "bawra". (Alternative legends say that he came to be known as "Bawra", because he was obsessed with classical music. [3] )

Tansen, another famous disciple of Swami Haridas, had heard Baiju's praise from his teacher. He asked his own patron Raja Ramachandra Singh of Rewa to organize a musical contest, in hope that Baiju would come to this contest to salvage his reputation. Baiju came to the contest, and performed extraordinary feats such as hypnotizing deer through his rendering of Raag Mrigranjini and melting a stone slab through Raag Malkauns. Tansen recognized him and embraced him. [2]

The legends in the books preserved in Jai Vilas Palace in Gwalior state that Baiju Bawra could light oil lamps by singing Raag Deepak; make it rain by singing the raag Megh Malhar, or Gaud Malhar; and bloom flowers by singing raga Bahar.[ citation needed ]

Baiju Bawra has written two books namely ekadasha and ramsagar.

Baiju Bawra died in Chanderi after suffering from typhoid on Vasant Panchami day in the year 1541. A purported samadhi of Baiju Bawra is located in Chanderi.

Legend of Bacchu

Some medieval narratives, mentioned in works such as Mirat-i-Sikandari (17th century), describe an incident about a Gujarati singer called Bacchu (also known as Bakshu or Manjhu). According to the narrative, Bacchu was a musician in the court of Sultan Bahadur Shah of Gujarat. When the Mughal emperor Humayun attacked Bahadur Shah's contingent in Mandu, Bacchu fell in the hands of a Mughal soldier. He was about to be killed, when he was recognized by a Raja allied with the Mughals. The Raja introduced him to emperor Humayun, who was pleased with his singing and granted his wish to release the Gujarati prisoners. Bacchu remained in service of the emperor for some days, but then ran away to Sultan Bahadur Shah, who had escaped from Mandu to Champaner. [4] [5]

Bacchu is identified with Baiju by a section of scholars. [6] [7] Howevers, others believe that Bacchu and Baiju were two distinct persons. [5]

Baiju Bawra , a 1952 Hindi-language movie depicts a completely fictionalized version of Baiju's life. The film was a big commercial success. In the movie, Tansen is known to be the greatest musician alive. Nobody is allowed to sing in the city unless he or she can sing better than Tansen. Anyone who attempts to sing, without doing it better than Tansen, is executed. Baiju's father dies when Tansen's sentry tries to stop him from singing. Years later, Baiju avenges his father's death by defeating Tansen in a musical duel.[ citation needed ]

References

  1. ↑ Amala Dāśaśarmā (1 December 1993). Musicians of India: Past and Present : Gharanas of Hindustani Music and Genealogies. Naya Prokash. p. 99. ISBN   978-81-85421-18-6.
  2. 1 2 Susheela Misra (1990). Some immortals of Hindustani music. Harman. pp. 26–30. ISBN   978-81-85151-14-4.
  3. ↑ Lalita Ramakrishna (2003). Musical heritage of India. Shubhi Publication. p. 82. ISBN   978-81-87226-61-1.
  4. ↑ Sikandar ibn Muḥammad (called Manjhū Akbar); Sikandar ibn Muḥammad Manjhū; ʻAlī Muḥammad Khān; Sir Henry Yule (1886). The History of India as Told by Its Own Historians: The Local Muhammadan Dynasties. Gujarát. W.H. Allen and Company. pp. 388–390.
  5. 1 2 Ram Avtar (1987). History of Indian music and musicians. Pankaj. pp. 54–55. ISBN   9788187155645.
  6. ↑ Indurama Srivastava (1 January 1980). Dhrupada: a study of its origin, historical development, structure, and present state. Motilal Banarsidass. p. 121. ISBN   9780842616485.
  7. ↑ Amrita Priyamvada (1 January 2007). Encyclopaedia of Indian music. Anmol. p. 101. ISBN   978-81-261-3114-3.
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