Mambo Mambo – The Best of Lou Bega

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Mambo Mambo - The Best of Lou Bega
Mambo Mambo Best of Lou Bega.jpeg
Greatest hits album by
ReleasedOctober 5, 2004
Genre Latin pop, mambo
Label BMG
Lou Bega chronology
King of Mambo
(2002)
Mambo Mambo - The Best of Lou Bega
(2004)
Lounatic
(2005)

"Mambo Mambo - The Best of Lou Bega" is the second compilation album by Lou Bega released in 2004. It includes songs from his previous albums A Little Bit of Mambo' and "Ladies and Gentlemen". [1]

Contents

Track listing

  1. "Mambo No. 5 (A Little Bit of...)"
  2. "Tricky, Tricky "
  3. "Mambo Mambo"
  4. "Can I Tico Tico You"
  5. "Icecream"
  6. "Trumpet, Pt. 2"
  7. "Lady"
  8. "Yeah Yeah"
  9. "Club Elitaire "
  10. "People Lovin' Me"

Credits

Composers

Frank Lio
Lou Bega
Peter Hoff
D. Fact
Christian Pletschacher
Prado Perez
Pérez Prado

Related Research Articles

Mambo is a genre of Cuban dance music pioneered by the charanga Arcaño y sus Maravillas in the late 1930s and later popularized in the big band style by Pérez Prado. It originated as a syncopated form of the danzón, known as danzón-mambo, with a final, improvised section, which incorporated the guajeos typical of son cubano. These guajeos became the essence of the genre when it was played by big bands, which did not perform the traditional sections of the danzón and instead leaned towards swing and jazz. By the late 1940s and early 1950s, mambo had become a "dance craze" in Mexico and the United States as its associated dance took over the East Coast thanks to Pérez Prado, Tito Puente, Tito Rodríguez and others. In the mid-1950s, a slower ballroom style, also derived from the danzón, cha-cha-cha, replaced mambo as the most popular dance genre in North America. Nonetheless, mambo continued to enjoy some degree of popularity into the 1960s and new derivative styles appeared, such as dengue; by the 1970s it had been largely incorporated into salsa.

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David Lubega Balemezi, better known by his stage name Lou Bega, is a German singer. His 1999 song "Mambo No. 5", a remake of Pérez Prado's 1949 instrumental piece, reached no. 1 in many European countries and was nominated for a Grammy Award. Bega added words to the song and sampled the original version extensively. Bega's musical signature sounds consist of combining musical elements of the 1940s and 1950s with modern beats and grooves.

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References