Critical reception
In his review of the poetry collection in Westerly Malcolm Leven wrote: "Mr. Thiele's poems do not rock our ears with motion or swamp our eyes with light, nor do they, at a different level, strike up a hallucinatory ringing in the conceptual spheres. Thus the fascination of image cadenzas and concept improvisations seems to be unavailable to the turgid, thick-rimmed cells of his poetic imagination, and the poems seem more a parasol of violent verbs lowered over a vague and struggling sense of a situation instinct with movement and life." He then went on to allow a little praise for the author when stating that some poems, "especially 'Bert Schultz', are the clearest expressions in the book of Mr. Thiele's attitude towards his poetry and its subjects — Australia and the Aussie. He feels part of the continent, moulded by its contours, sustained by its rugged power. He loves it in his bones. It is when he says this, indirectly but without evasion, that he succeeds." [2]
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