A manta is a rectangular textile that was worn as a blanket or as a wrap-around dress. [2] When worn as a dress, the manta is held together by a woven sash.
Mantas are worn by such indigenous peoples as the Navajo, [2] Hopi, and Pueblo peoples. Today they are worn during important ceremonies, such as weddings, [3] dances, and feast days
Clothing in India is dependent upon the different ethnicity, geography, climate, and cultural traditions of the people of each region of India. Historically, male and female clothing has evolved from simple garments like kaupina, langota, achkan, lungi, sari, gamcha, and loincloths to cover the body into elaborate costumes not only used in daily wear, but also on festive occasions, as well as rituals and dance performances. In urban areas, western clothing is common and uniformly worn by people of all social levels. India also has a great diversity in terms of weaves, fibers, colours, and material of clothing. Sometimes, color codes are followed in clothing based on the religion and ritual concerned. The clothing in India also encompasses the wide variety of Indian embroidery, prints, handwork, embellishment, styles of wearing clothes. A wide mix of Indian traditional clothing and western styles can be seen in India.
The Mitchell Museum of the American Indian is a museum in Evanston, Illinois that focuses exclusively on the history, culture and arts of North American native peoples. It is a Core Member of the Chicago Cultural Alliance, a consortium of 25 ethnic museums and cultural centres in Chicago.
Songket is a Tenun fabric that belongs to the brocade family of textiles of the Malay world. It is hand-woven in silk or cotton, and intricately patterned with gold or silver threads. The metallic threads stand out against the background cloth to create a shimmering effect. In the weaving process the metallic threads are inserted in between the silk or cotton weft (latitudinal) threads in a technique called supplementary weft weaving technique.
Maya textiles (k’apak) are the clothing and other textile arts of the Maya peoples, indigenous peoples of the Yucatán Peninsula in Mexico, Guatemala, Honduras, El Salvador and Belize. Women have traditionally created textiles in Maya society, and textiles were a significant form of ancient Maya art and religious beliefs. They were considered a prestige good that would distinguish the commoners from the elite. According to Brumfiel, some of the earliest weaving found in Mesoamerica can date back to around 1000-800 B.C.E.
Navajo rugs and blankets are textiles produced by Navajo people of the Four Corners area of the United States. Navajo textiles are highly regarded and have been sought after as trade items for over 150 years. Commercial production of handwoven blankets and rugs has been an important element of the Navajo economy. As one expert expresses it, "Classic Navajo serapes at their finest equal the delicacy and sophistication of any pre-mechanical loom-woven textile in the world."
A sampot, a long, rectangular cloth worn around the lower body, is a traditional dress in Cambodia. It can be draped and folded in several different ways. The traditional dress is similar to the dhoti of Southern Asia. It is also worn in the neighboring countries of Laos and Thailand where it is known as pha nung.
The Andean textile tradition once spanned from the Pre-Columbian to the Colonial era throughout the western coast of South America, but was mainly concentrated in Peru. The arid desert conditions along the coast of Peru have allowed for the preservation of these dyed textiles, which can date to 6000 years old. Many of the surviving textile samples were from funerary bundles, however, these textiles also encompassed a variety of functions. These functions included the use of woven textiles for ceremonial clothing or cloth armor as well as knotted fibers for record-keeping. The textile arts were instrumental in political negotiations, and were used as diplomatic tools that were exchanged between groups. Textiles were also used to communicate wealth, social status, and regional affiliation with others. The cultural emphasis on the textile arts was often based on the believed spiritual and metaphysical qualities of the origins of materials used, as well as cosmological and symbolic messages within the visual appearance of the textiles. Traditionally, the thread used for textiles was spun from indigenous cotton plants, as well as alpaca and llama wool.
A photo blanket is a large, rectangular piece of fabric displaying images, pictures, or designs, often with bound edges, used as a blanket or decorative object. Historically photo blanket were made of thick cloth depicting people, objects, and symbols intended to tell a story or reveal historical events.
Visual arts by indigenous peoples of the Americas encompasses the visual artistic practices of the indigenous peoples of the Americas from ancient times to the present. These include works from South America and North America, which includes Central America and Greenland. The Siberian Yupiit, who have great cultural overlap with Native Alaskan Yupiit, are also included.
Joe Ben Wheat (1916–1997) was an American archaeologist, curator, teacher, and author known for his expertise on blanket weavings and textiles of the Navajo and other Indians in Arizona, New Mexico, and Colorado. His research focused on Mogollon, Anasazi, Great Plains Paleo-Indian, and African Paleolithic archaeology.
The Millicent Rogers Museum is an art museum in Taos, New Mexico, founded in 1956 by the family of Millicent Rogers. Initially the artworks were from the multi-cultural collections of Millicent Rogers and her mother, Mary B. Rogers, who donated many of the first pieces of Taos Pueblo art. In the 1980s, the museum was the first cultural organization in New Mexico to offer a comprehensive collection of Hispanic art.
Textile arts of indigenous peoples of the Americas are decorative, utilitarian, ceremonial, or conceptual artworks made from plant, animal, or synthetic fibers by native peoples of both North and South America.
Art of the American Southwest is the visual arts of the Southwestern United States. This region encompasses Arizona, New Mexico, and parts of California, Colorado, Nevada, Texas, and Utah. These arts include architecture, ceramics, drawing, filmmaking, painting, photography, sculpture, printmaking, and other media, ranging from the ancient past to the contemporary arts of the present day.
The national costume of Indonesia is the national costume that represents the Republic of Indonesia. It is derived from Indonesian culture and Indonesian traditional textile traditions. Today the most widely recognized Indonesian national costumes include batik and kebaya, although originally those costumes mainly belong within the island of Java and Bali, most prominently within Javanese, Sundanese and Balinese culture. Since Java has been the political and population center of Indonesia, folk costume from the island has become elevated into national status.
Clothing in Myanmar varies depending on the ethnicity, geography, climate and cultural traditions of the people of each region of Myanmar (Burma). The most widely recognized Burmese national costume is the longyi, which is worn by both males and females nationwide. Burmese clothing also features great diversity in terms of textiles, weaves, fibers, colours and materials, including velvet, silk, lace, muslin, and cotton.
Melissa Cody is a Navajo textile artist from No Water Mesa, Arizona, United States. Her Germantown Revival style weavings are known for their bold colors and intricate three dimensional patterns. Cody maintains aspects of traditional Navajo tapestries, but also adds her own elements into her work. These elements range from personal tributes to pop culture references.
Grace Henderson Nez was a Navajo weaver, known for her traditional designs. Her main styles were old designs from the 19th century and Ganado style. Some of her work was demonstrated at the Hubbell Trading Post, which is home to an archive of works from various Navajo weavers. Before her death in 2006, she was able to win two lifetime achievement awards for her work, including a National Heritage Fellowship from the National Endowment for the Arts.
TahNibaa Naataanii is a Native American traditional artist and a member of the Navajo Tribe. She has espoused a belief that creativity should be allowed to be the source of art and that artists should not have to confine themselves to a particular style. Naataanii has also stated that weaving art and tradition should be passed along to present and future generations, with her art techniques and mediums being the traditional form, and artistic style dependent on the artist.
Kate Peck Kent, born Kate Stott Peck, was an American anthropologist who studied the history of Pueblo and Navajo textiles.
Barbara Teller Ornelas is an American Navajo weaver, instructor, and author. She is also a cultural ambassador for the U.S. State Department. She exhibits her fine art textiles and traditions at home and abroad.