Related Research Articles
New Theatres is an Indian film studio. It was formed in Calcutta by producer B. N. Sircar. It was formed on February 10th, 1931. The company motto was "Jivatang Jyotiretu Chhayam," meaning, "Light infusing shadows with life." Sircar preferred to function roughly analogous to an executive producer. He built a processing laboratory, and acquired staff. Once a film subject was selected and a team assembled to create the picture, Sicar ensured that adequate funds were provided, while refraining from interfering with its execution. He made New Theatres a symbol of Bengali cinema's artistic good taste and technical excellence.
Deep Jwele Jaai is a 1959 Indian Bengali-language film directed by Asit Sen. The film is based on a Bengali short story titled Nurse Mitra by Ashutosh Mukherjee. It was remade in Hindi in 1969 by Sen himself as Khamoshi. Before that it had been remade in Telugu in 1960 as Chivaraku Migiledi. The 1984 Kannada movie "Asha Kirana" starring Shankar Nag has a similar storyline
Dhoop Chhaon or Bhagya Chakra is a 1935 Hindi movie directed by Nitin Bose. It was a remake of the Bengali film Bhagya Chakra. Dhoop Chhaon was the first Hindi film to use playback singing. It was Bose who came up with the idea of playback singing. He discussed with music director Raichand Boral and Bose's brother Mukul Bose, who was the sound recordist in New Theatres, and who implemented the idea.
Birendranath Sircar was an Indian film producer and the founder of New Theatres Calcutta. He made Bengali-language films that were noted for introducing many film directors who later became famous. He was awarded the Dada Saheb Phalke Award in 1970 and the third highest civilian award in India, the Padma Bhushan, in 1972.
Pagal is a 1940 Indian Hindi-language film. It was the fourth highest grossing Indian film of 1940. The psycho-social melodrama was directed by A. R. Kardar for Ranjit Movietone. Kardar also wrote the dialogues and story for the film. Khemchand Prakash composed the music with lyrics written by D. N. Madhok. The film's protagonist was Prithviraj Kapoor playing a doctor with psychological problems, working in a "lunatic asylum". The rest of the cast included Trilok Kapoor, Madhuri, Sitara Devi, Noor Mohammed Charlie, Khatoon, and Sunalini Devi.
Vidyapati is a 1937 Bengali biopic film directed by Debaki Bose for New Theatres. It starred Pahari Sanyal as Vidyapati. His costars in the film were Kanan Devi, Prithviraj Kapoor, Chhaya Devi, Leela Desai, K. C. Dey and Kidar Sharma. The music was by R. C. Boral and lyrics by Kidar Sharma. Debaki Bose and Qazi Nazrul Islam wrote the story, screenplay and dialogues. The story is about the Maithili poet and Vaishnava saint Vidyapati. The songs of the film became popular and the lyrics though encapsulating Vidyapati's poetry were considered bold for its time. This however ensured the film garnered crowds at the theatres making it a big success of 1937.
Chandidas is a 1934 Hindi social drama film directed by Nitin Bose. The film was produced by New Theatres Calcutta and was their first big success. It was remake of the 1932 Bengali film of the same name directed by Debaki Bose. This 1934 Hindi version starred K. L. Saigal, Uma Sashi, Pahari Sanyal, Nawab and H. Siddiqui. The music direction was by R. C. Boral with the lyrics written by Agha Hashar Kashmiri. The credit roll of the film states that the film is "Based on the life problems of the poet Chandidas –A problem India has not been able to solve", which involved the caste schism in India. The story revolves around the 15th century poet-saint Chandidas who acts out against the deep-rooted bigotry against caste, untouchoubility and the hypocrisy of society, and a washer woman with whom he falls in love.
Puran Bhagat is a 1933 Hindi devotional biopic film from New Theatres Ltd. Calcutta. The film was Debaki Bose's debut direction in Hindi. The film starred K. L. Saigal, Uma Shashi, Kumar, Molina Devi, K. C. Dey and Tarabai. The film was based on a popular Punjabi devotional story of Puran Bhagat, which was a change for New Theatres from their regular films based on traditional Bengali stories, saints and novels. It was a "great success all over India".
Karwan-E-Hayat is a 1935 Urdu/Hindi costume action-adventure film. The film is directed by Premankur Atorthy, with assistance by Hemchandra, for New Theatres Ltd. Calcutta; and it was produced by Lahore branch of New Theatres. The cast included K. L. Saigal, Rattan Bai, Pahari Sanyal, Rajkumari, Shyama Zutshi, Gul Hamid, Rajkumari, Molina, Shyama Zutshi, Siddiqi, Kapoor and Rana. The cinematographer was Krishna Gopal, with music composed by Mihir Kiran Bhattacharya and his brother Timir Baran Bhattacharya, with lyrics by Hakim Ahmad Shuja Pasha. The film, a costume drama, involved the Prince Pervez on the run from an arranged marriage to a princess, only to fall in love with her when they meet in unusual circumstances.
Dulari Bibi is a 1933 Hindi/Urdu comedy film. It was directed by Debaki Bose and produced by New Theatres Ltd. Calcutta. A short 3 reel film it centred on the story of Our Wives. The film starred K. L. Saigal, Molina Devi, Mir Jan and the music was composed by R. C. Boral. It was listening to K. L. Saigal in this film that Pahari Sanyal realised the uniqueness of Saigal's voice as heard through the microphone. He found it more effective, "sweeter", as compared to him singing live.
Rajrani Meera is a 1933 Hindi devotional film. It was directed by Debaki Bose for New Theatres Ltd. Calcutta. The cinematographer was Nitin Bose with music composed by R. C. Boral. The film was a bilingual, made in Bengali as Meerabai and directed by Hiren Bose and Basanta Chatterjee. The film starred Durga Khote, Prithviraj Kapoor, K. L. Saigal, Pahari Sanyal, Molina Devi and Indubala. K. L. Saigal had a small part that of a devotee in the film with Prithviraj Kapoor playing the male protagonist role. The film made Prithviraj Kapoor who played the role of the King of Mewar, Mirabai's husband, a big star and is cited as one of his career's best films.
Daku Mansoor also called Karishma-E-Kudrat is a 1934 Hindi/Urdu costume action drama film directed by Nitin Bose. The film was produced by New Theatres Ltd. Calcutta and the music director was R. C. Boral. The cast of the film included K. L. Saigal, Uma Shashi, Prithviraj Kapoor, Husnbanu, Pahari Sanyal and Nemo. Daku Mansoor was actress Husn Banu’s debut film.
Karodpati is a Hindi 1936 comedy film directed by Hemchander Chunder. The film was produced by New Theatres Ltd. Calcutta, and the music was composed by R. C. Boral with the assistance of Pankaj Mullick. The lyrics were written by Kidar Sharma who also acted in the film. The film starred K. L. Saigal, Sardar Akhtar, Molina Devi, Pahari Sanyal, Nawab, Trilok Kapoor, Rajkumari, and Kidar Sharma. The film showcased K. L. Saigal performing a farcical-comedy role which was a different format from his normal tragedy based stories. The story revolves around a cinema-crazy young man who wins a lottery, leading to a series of comedic situations when his friends join him.
Pujarin is a 1936 Hindi social film. It was directed by Prafulla Roy for International Film Craft. The film was based on a story by writer Sarat Chandra Chattopadhyay from his story "Dena Paona". The film was the remake of the Bengali film Dena Paona directed by Premankur Atorthy. The music direction was by Timir Baran with lyrics by Pandit Bhushan and Kidar Sharma.The film starred K. L. Saigal, Chandrabati Devi, K. C. Dey, Pahari Sanyal and Rajkumari. The story is about a reckless immoral youth who marries for money then deserts his wife due to circumstances, only to return as an aristocrat and reform through the love of his wife.
Sathi is a 1938 Indian Bengali film directed by Phani Majumdar and produced by New Theatres. It was the Bengali version of Street Singer and the film was the debut of Phani Majumdar as a director. The film's cast includes K. L. Saigal, Kanan Devi, Boken Chatto, Amar Mullick, Sailen Chowdhury, and Shyam Laha. The story involves two young street children growing up together, singing in the streets and hoping to make it big in the show world. The film was one of Saigal's "most famous films" and a "classic" as far the music and songs of the films were concerned. The music was composed by R. C. Boral with lyrics by Ajoy Bhattacharya.
Mohabbat Ki Kasauti also called Rooplekha in Bengali was a 1934 Indian "semi-historical" bilingual film in Hindi and Bengali, directed by P. C. Barua for New Theatres. Though Barua is consistently mentioned as the director, according to author J. K. Bajaj, Debaki Bose directed Rooplekha in 1934. It had music by R. C. Boral and the cast included Rattanbai, K. L. Saigal, Pahari Sanyal, Noor Mohammed Charlie and Vishwanath. Jamuna started her career with a small role in the Hindi version.
Milap (transl. the union is a 1937 Indian social drama film directed by A. R. Kardar. Produced under the Moti Mahal Pictures banner, it had music composed by K. C. Dey. Milap was a big success for the actress Rampyari.
Abhagin is a 1938 Hindi film directed by Prafulla Roy for New Theatres Ltd., Calcutta. A bilingual, it was made in Bengali language as Abhigyan. The film was based on a story by Upendranath Ganguly, with dialogue by A. H. Shore. R. C. Boral provided the music composition with lyrics for the Hindi version by Munshi Arzu, and by Ajoy Bhattacharya for the Bengali. The screenplay was by Phani Majumdar for whom it was his first independent film as a scriptwriter. Bimal Roy, who was to make a name for himself as a prominent Bengali and Hindi director, was the cinematographer for the film. The cast included Molina Devi, Prithviraj Kapoor, Vijay Kumar, Nemo and Bikram Kapoor.
Sabita Devi (1914–1965) was a Hindi film actress in Indian cinema. She is stated to be one of the "prominent" leading ladies of the "pioneering era" of Indian cinema along with Mehtab, Bibbo, Durga Khote, Gohar, Devika Rani and Seeta Devi. A Jewish by birth, she changed her name to find acceptability in Hindi cinema like the other Anglo-Indian and Jewish actresses of her time, Sulochana, Seeta Devi, Madhuri, and Manorama. After initially working with British Dominion Films Ltd., Calcutta, she shifted to Bombay and performed mainly in films produced by Sagar Movietone with her co-star in most films being Motilal. Some of the popular films with Motilal were Dr. Madhurika (1935) and Kulvadhu (1937) directed by Sarvottam Badami. Their first film together was Shaher Ka Jadoo (1934), which was also Motilal's debut film, and then Lagna Bandhan (1936) both directed by Kaliprasad Ghosh. She acted in Silver King (1935) with Motilal. It was an action film directed by C. M. Luhar, which became a "huge success".
Husn Banu was a Bollywood actress famous as a stunt actress after "Hanterwali Nadia", and later worked as a supporting actress in films from the 1930s to the 1970s. She was born in 1919 in Singapore.
References
- ↑ CITWF. "Manzil 1936". citwf.com. Alan Goble. Retrieved 19 August 2014.
- 1 2 Rajadhyaksha, Willemen, Ashish, Paul (2014). Encyclopedia of Indian Cinema (2 Revised ed.). Routledge. ISBN 9781135943257 . Retrieved 19 August 2014.
{{cite book}}: CS1 maint: multiple names: authors list (link)
