Salamone Rossi or Salomone Rossi was an Italian Jewish violinist and composer. He was a transitional figure between the late Italian Renaissance period and early Baroque.
Francesco Gasparini was an Italian Baroque composer and teacher whose works were performed throughout Italy, and also on occasion in Germany and England.
Simone Bartolini is an Italian sopranist.
Fabio Vacchi is an Italian composer.
The concerto delle donne was an ensemble of professional female singers of late Renaissance music in Italy. The term usually refers to the first and most influential group in Ferrara, which existed between 1580 and 1597. Renowned for their technical and artistic virtuosity, the Ferrarese group's core members were the sopranos Laura Peverara, Livia d'Arco and Anna Guarini.
Lorenzo Ferrero is an Italian composer, librettist, author, and book editor. He started composing at an early age and has written over a hundred compositions thus far, including twelve operas, three ballets, and numerous orchestral, chamber music, solo instrumental, and vocal works. His musical idiom is characterized by eclecticism, stylistic versatility, and a neo-tonal language.
Roberto Regazzi is a notable contemporary violin maker and scholar who received his initiation in the craft from Otello Bignami. Regazzi lives and works in Bologna.
Nicola Campogrande is an Italian composer and music journalist. He is the artistic director of the MITO SettembreMusica festival. He writes for the newspaper Corriere della Sera. His music is published exclusively by Breitkopf & Härtel.
Vincenzo Antonio Manno was an American tenor opera singer and voice teacher. He was of Italian descent.
The Diapason d'Or is a recommendation of outstanding (mostly) classical music recordings given by reviewers of Diapason magazine in France, broadly equivalent to "Editor's Choice", "Disc of the Month" in the British Gramophone magazine.
Cappella Neapolitana is an early music ensemble based in Naples and dedicated to the recovery of Neapolitan musical heritage, primarily from the baroque era.
Early music festivals is a generic term for musical festivals focused on music before Beethoven, or including historically informed performance of later works. The increase in the number of music festivals specializing in early music is a reflection of the early music revival of the 1970s and 1980s. Many larger festivals such as that an Aix-en-Provence Festival also include early music sections, as do, inevitably, festivals of sacred music; such as the Festival de Música Sacra do Baixo Alentejo, in Portugal. Although most early music festivals are centered on commercial performance, many include also workshops. This articles includes an incomplete list of early music festivals, which may overlap with topics such as list of Bach festivals, list of maritime music festivals, list of opera festivals, and in some cases list of folk festivals.
Giovanni Antonini is an Italian conductor and soloist on the recorder and baroque transverse flute. He studied in his native Milan, and attended the Civica Scuola di Musica in that city and the Centre de Musique Ancienne in Geneva. In 1985, along with Luca Pianca, he co-founded Il Giardino Armonico, a pioneering Italian early music ensemble based in Milan.
Cappella Artemisia is an Italian all-female vocal group specializing in the music of the convents of 17th-century Italy. The group was founded by the American, but resident in Italy, singer and musicologist Candace Smith. Smith is also co-publisher, with her husband cornettist Bruce Dickey of editions of this music through Artemisia Editions. The main repertoire of the group focuses on nun composers themselves - including Raphaella Aleotti, the first nun to publish as a composer, Maria Xaveria Perucona and Isabella Leonarda, Chiara Margarita Cozzolani and Rosa Giacinta Badalla, Sulpitia Cesis, Alba Tressina, Lucrezia Orsina Vizzana and Caterina Assandra. The ensemble also performs works of the male composers - some monks, some secular - who dedicated works to the convents.
Christina Pluhar is an Austrian theorbist, harpist, conductor, and director of L'Arpeggiata ensemble.
Domenico Morgante is an Italian musicologist, organist and harpsichordist.
The Antunes family were Portuguese harpsichord- and early piano builders in the 18th and 19th centuries.
Jill Feldman is an American soprano who has acquired an international reputation for her interpretation of medieval, baroque and classical repertoires.
La Doriclea is a 1672 opera in three acts by Alessandro Stradella, first performed in Rome. It was Stradella's first opera. The libretto is probably by the Roman aristocrat and scholar Flavio Orsini. Giovanni Filippo Apolloni may also have been involved. The manuscript score was lost, rediscovered in 1938, then lost again until its recent re-discovery. According to Brian Robins, writing in the British magazine Opera, the libretto "is a brilliantly sardonic and sharply observed depiction of the vicissitudes and pleasures of love as seen through the joys and misadventures of three couples."
Bettina Hoffmann is a German viola da gambist and cellist, musicologist, and music pedagogue. A specialist in Renaissance, and Medieval music, she is the leader of the Renaissance and Medieval ensemble of Modo Antiquo. She has an extensive discography, primarily on the Brilliant Classics and Tactus labels and participated in two Grammy-nominated recordings.
