This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these template messages)
|
Marcial Gala | |
---|---|
Born | 1963 (age 60–61) |
Occupation | Novelist, short story writer, poet |
Language | Spanish |
Period | 1990s—now |
Notable works | Llámenme Cassandra, La Catedral de Los Negros |
Marcial Gala (born 1963) is a Cuban writer, poet, and architect, who has received numerous prizes for his literary works.
Marcial Gala was born in Havana, Cuba in 1963. He first trained in behavioral psychiatry (ergoterapia psiquiatra) at Politécnico de la Salud de Santiago de Cuba in 1983, and received additional training as an architect in Universidad Central de las Villas , Santa Clara in 1992. [1]
He has received the Premio Alejo Carpentier for his novel La Catedral de los negros. His books have been translated into numerous languages, including English, German, Polish, Italian and Portuguese.
He currently resides in Buenos Aires, Argentina.
The tres is a three-course chordophone of Cuban origin. The most widespread variety of the instrument is the original Cuban tres with six strings. Its sound has become a defining characteristic of the Cuban son and it is commonly played in a variety of Afro-Cuban genres. In the 1930s, the instrument was adapted into the Puerto Rican tres, which has nine strings and a body similar to that of the cuatro.
Dulce María Loynaz Muñoz was a Cuban poet, and is considered one of the principal figures of Cuban literature. She was awarded the Miguel de Cervantes Prize in 1992. She earned her Doctorate in Civil Law at University of Havana in 1927.
The guaracha is a genre of music that originated in Cuba, of rapid tempo and comic or picaresque lyrics. The word has been used in this sense at least since the late 18th and early 19th century. Guarachas were played and sung in musical theatres and in working-class dance salons. They became an integral part of bufo comic theatre in the mid-19th century. During the later 19th and the early 20th century the guaracha was a favourite musical form in the brothels of Havana. The guaracha survives today in the repertoires of some trova musicians, conjuntos and Cuban-style big bands.
Contradanza is the Spanish and Spanish-American version of the contradanse, which was an internationally popular style of music and dance in the 18th century, derived from the English country dance and adopted at the court of France. Contradanza was brought to America and there took on folkloric forms that still exist in Bolivia, Mexico, Venezuela, Colombia, Peru, Panama and Ecuador.
Luisa Valenzuela Levinson is an Argentine post-'Boom' novelist and short story writer. Her writing is characterized by an experimental style which questions hierarchical social structures from a feminist perspective.
Nancy Morejón is a Cuban poet, critic, and essayist. She was a recipient of the Struga Poetry Evenings Golden Wreath Award. She has been called "the best known and most widely translated woman poet of post-revolutionary Cuba".
Fernando Ramón Martínez Heredia was a prominent Cuban revolutionary thinker and politician. Martínez was a founding member of the Cuban Communist Party, and as a member of the July 26 Movement, he took part in the Revolution which overthrow the Batista dictatorship.
Daniel Chavarría was a Uruguayan revolutionary, writer and translator, who lived in Cuba since the 1960s. He had a son with Dora Salazar, Daniel Chavarria, and raised his sister.
Wendy Guerra, formally Wendy Guerra Torres, is a Cuban poet and novelist, based in Miami.
Susana Calandrelli was an Argentine writer and teacher.
Luis (Leopoldo) Franco was an Argentine autodidact, a self-made intellectual, essayist, and poet.
Cuban musical theatre has its own distinctive style and history. From the 18th century to modern times, popular theatrical performances included music and often dance as well. Many composers and musicians had their careers launched in the theatres, and many compositions got their first airing on the stage. In addition to staging some European operas and operettas, Cuban composers gradually developed ideas which better suited their creole audience. Characters on stages began to include elements from Cuban life, and the music began to reflect a fusion between African and European contributions.
Claudio José Domingo Brindis de Salas Garrido was a Cuban concert violinist. His father was the violinist and bandleader, Claudio Brindis de Salas. The son surpassed his father, and was a violinist of world renown. He studied under his father, and then with maestros José Redondo and the Belgian José Van der Gutch. In 1863 he first performed in public, in Havana, with Van der Gutch as accompanist. Ignacio Cervantes also played at the same function.
Cecilia Arizti Sobrino was a Cuban composer, pianist and music educator.
David Mitrani Arenal is a Cuban writer, poet and researcher
Juana Rosa Pita is a poet, writer, editor and translator. She was born in Havana on December 8, 1939. She left Cuba in 1961. Since then, she has lived in many cities, including Washington, Caracas, Madrid, New Orleans, Miami, and Boston, where she currently resides. From 1989 to 1992 she was Visiting Professor at Tulane University. She is considered one of the most important contemporary Cuban and Latin American poets. The late Nicaraguan poet Pablo Antonio Cuadra hailed her as "one of the outstanding voices of Cuba’s pilgrim culture. Book after book Juana Rosa Pita has been creating a mysterious realm of love and prophecy: an island of enchantment where words restore all that hatred turned to ashes."
Ernesto Mallo is an Argentine writer. He was born in La Plata in the province of Buenos Aires. He has published in a wide variety of genres including stage plays, cinema scripts, essays and short stories. However, he is best known for his novels, the first of which appeared in 2006. Since then, he has published several more novels.
Nancy Alonso was a Cuban biologist, university professor, and writer. She is an Alba de Céspedes Female Narrative Prize laureate and received an honorable mention in the David Short Story Prize. Among her notable books are Tirar la Primera Piedra (1997), Cerrado por reparación (2002) and Desencuentro (2009).
Ena Lucía Portela is a Cuban novelist, essayist, and short story writer. She focuses on lesbian subjects.
Josefina García-Marruz Badía, known artistically as Fina García Marruz, was a Cuban poet and literary researcher.