Marco Visconti | |
---|---|
Directed by | Aldo De Benedetti |
Based on | Marco Visconti by Tommaso Grossi |
Starring | |
Cinematography | |
Production company | Montalbano Film |
Distributed by | Montalbano Film |
Release date |
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Country | Italy |
Languages | Silent Italian intertitles |
Marco Visconti is a 1925 Italian silent historical drama film directed by Aldo De Benedetti. It was based on the 1834 novel of the same name by Tommaso Grossi, which was later adapted into a 1941 sound film. [1]
Luchino Visconti di Modrone, Count of Lonate Pozzolo was an Italian filmmaker, theatre and opera director, and screenwriter. He was one of the fathers of cinematic neorealism, but later moved towards luxurious, sweeping epics dealing with themes of beauty, decadence, death, and European history, especially the decay of the nobility and the bourgeoisie. Critic Jonathan Jones wrote that “no one did as much to shape Italian cinema as Luchino Visconti.”
Michele Placido is an Italian actor, director and screenwriter. He began his career on stage, and first gained mainstream attention through a series of roles in films directed by the likes of Mario Monicelli and Marco Bellocchio, winning the Berlinale's Silver Bear for Best Actor for his performance in the 1979 film Ernesto. He is known internationally for portraying police inspector Corrado Cattani on the crime drama television series La piovra (1984–2001). Placido's directorial debut, Pummarò, was screened Un Certain Regard at the 1990 Cannes Film Festival. Three of his films have competed for the Golden Lion at the Venice Film Festival. He is a five-time Nastro d'Argento and four-time David di Donatello winner. In 2021, Placido was appointed President of the Teatro Comunale in Ferrara.
Giovanni Visconti is a former Italian professional road racing cyclist, who last rode for UCI ProTeam VF Group–Bardiani–CSF–Faizanè.
The Nastro d'Argento for Best Director is a film award bestowed annually as part of the Nastro d'Argento awards since 1946, organized by the Italian National Association of Film Journalists, the national association of Italian film critics.
Adriana Asti is an Italian stage, film, and voice actress.
Pasquale "Pasqualino" De Santis was an Italian cinematographer.
The list of the A hundred Italian films to be saved was created with the aim to report "100 films that have changed the collective memory of the country between 1942 and 1978". Film preservation, or film restoration, describes a series of ongoing efforts among film historians, archivists, museums, cinematheques, and non-profit organizations to rescue decaying film stock and preserve the images they contain. In the widest sense, preservation assures that a movie will continue to exist in as close to its original form as possible.
Madonna of the Sleeping Cars is a 1928 French silent film directed by Marco de Gastyne and Maurice Gleize and starring Claude France, Olaf Fjord and Maurice Dekobra. It is an adaptation of Maurice Dekobra's 1925 novel of the same title, which was later turned into a 1955 sound film.
Light Cavalry is a 1935 French-German musical film directed by Werner Hochbaum and starring Mona Goya, Gabriel Gabrio and Constant Rémy. It is the French-language version of Light Cavalry, part of a trend during the 1930s to make Multiple-language versions of productions. Like the German original, it uses music from the operetta Light Cavalry.
The Associate is a 1979 comedy film directed by René Gainville and starring Michel Serrault, Claudine Auger and Catherine Alric. A co-production between France, Hungary and West Germany it is an adaptation of the 1928 novel The Partner by Jenaro Prieto. The film served as the inspiration for a 1996 American remake The Associate.
Change of Heart is a 1928 French silent film directed by Marco de Gastyne and starring Philippe Hériat, Annette Benson and Olaf Fjord. It is based on the novel Mon coeur au ralenti by the French writer Maurice Dekobra.
The Mysteries of Paris is a 1935 French historical drama film directed by Félix Gandéra and starring Lucien Baroux, Madeleine Ozeray and Marcelle Géniat. It is based on the novel The Mysteries of Paris by Eugène Sue. The film's sets were designed by the art directors André Barsacq and Robert Gys.
Musoduro is a 1953 French-Italian drama film directed by Giuseppe Bennati and starring Fausto Tozzi, Marina Vlady and Cosetta Greco.
Eugenia Grandet is a 1953 Mexican drama film directed by Emilio Gómez Muriel and starring Marga López, Julio Villarreal and Andrea Palma. It is based on the 1833 French novel Eugénie Grandet by Honoré de Balzac with the setting shifted from nineteenth century France to mid-twentieth century Mexico. It was shot at the Tepeyac Studios in Mexico City. The film's sets were designed by the art director Francisco Marco Chillet.
Marco Visconti is a 1941 Italian historical drama film directed by Mario Bonnard and starring Carlo Ninchi, Roberto Villa and Mariella Lotti. It is based on the novel of the same name by Tommaso Grossi which had previously been made into a 1925 silent film.
The Son of the Red Corsair is a 1943 Italian historical adventure film directed by Marco Elter and starring Vittorio Sanipoli, Luisa Ferida and Memo Benassi. It is an adaptation of the 1908 novel The Son of the Red Corsair by Emilio Salgari. It was shot at Cinecittà Studios in Rome. The film's sets were designed by the art director Gino Morici.
Guilty? is a 1951 French mystery film directed by Yvan Noé and starring Raymond Pellegrin, Junie Astor and André Le Gall. It was shot at the Victorine Studios in Nice. The film's sets were designed by the art director Emile Alex.
Marco Visconti is an Italian television series which originally aired in one series of six episodes in 1975. A historical adventure, it is based on the 1834 novel of the same title by Tommaso Grossi which had previously been made into 1925 and 1941 films.
Marco Visconti may refer to:
Marco Visconti is an 1834 historical adventure novel by the Italian writer Tommaso Grossi. It is set in the Duchy of Milan in the fourteenth century. Part of the patriotic cultural revival that led to the Risorgimento, Grossi dedicated the work to the Italian Nationalist Giuseppe Mazzini.