Jacopo Amigoni, also named Giacomo Amiconi, was an Italian painter of the late-Baroque or Rococo period, who began his career in Venice, but traveled and was prolific throughout Europe, where his sumptuous portraits were much in demand.
Gerbrand van den Eeckhout was a Dutch Golden Age painter and a favourite student of Rembrandt. He was also an etcher, an amateur poet, a collector and an adviser on art.
GovertTeuniszoon Flinck was a Dutch painter of the Dutch Golden Age.
Manius Curius Dentatus was a Roman general and statesman noted for ending the Samnite War and for his military exploits during the Pyrrhic War. According to Pliny, he was born with teeth, thus earning the surname Dentatus, "toothed."
Nicolaes Pieterszoon Berchem was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces.
The Rembrandt House Museum is a museum located in a former house in the Jodenbreestraat, in the center of Amsterdam. Between 1639 and 1658, the house was occupied by the Dutch painter Rembrandt van Rijn, who also had his studio and art dealership there.
Gerrit van Uylenburgh, or Gerrit Uylenburgh, was a Dutch Golden Age painter and art-dealer. He was the eldest son of Hendrick van Uylenburgh and took over the family art-dealing business after Hendrick's death and burial in the Westerkerk church in 1661. This business, then in a house on Lauriergracht, formerly owned by Govaert Flinck, played a key role in the art world of the Dutch Golden Age.
The Portrait of the Family Hinlopen or Family of burgomaster Gillis Valckenier is a painting in the Berlin Gemäldegalerie by the Dutch Golden Age painter Gabriël Metsu of about 1663. There have been various ideas among art historians as to which family is actually represented, with the two main candidates being the families of Jan J. Hinlopen or Gillis Valckenier, both wealthy and powerful figures in Amsterdam at the time.
Museum Bredius is a museum named after Abraham Bredius on the Lange Vijverberg in The Hague. It is remarkable for its collection of etchings and paintings, but is most attractive to visitors for its accurate restoration of the 18th-century Herenhuis interior with period furnishings.
Self-portrait wearing a white feathered bonnet is an oil painting attributed to the Dutch painter Rembrandt. It is signed and dated 1635. It was traditionally regarded as a Rembrandt self-portrait until 1968, when it was rejected on stylistic grounds in the Rembrandt catalogue raisonné by Horst Gerson. In 2013, art historian Ernst van de Wetering re-attributed the painting as an original Rembrandt. It is one of over 40 painted self-portraits by Rembrandt.
The Lute Player is an oil-on-canvas painting from 1623 or 1624 now in the Louvre by the Haarlem painter Frans Hals, showing a smiling actor wearing a jester's costume and playing a lute.
Portrait of Sara Wolphaerts van Diemen is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted around 1630–1633 and now in the Rijksmuseum, in Amsterdam. It is considered a pendant to the portrait of Sara's husband Nicolaes Hasselaer.
View of Bentheim Castle is an oil on canvas painting of Burg Bentheim by the Dutch landscape painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Rijksmuseum.
The pendant portraits of Maerten Soolmans and Oopjen Coppit are a pair of full-length wedding portraits by Rembrandt. They were painted on the occasion of the marriage of Maerten Soolmans and Oopjen Coppit in 1634. Formerly owned by the Rothschild family, they became jointly owned by the Louvre Museum and the Rijksmuseum in 2015 after both museums managed to contribute half of the purchase price of €160 million, a record for works by Rembrandt.
A Mayor of Delft and his Daughter (1655) is the common name of an oil-on-canvas painting by the Dutch painter Jan Steen. It is an example of Dutch Golden Age painting and is part of the collection of the Rijksmuseum. Since 2006 it has been determined that a more historically correct title is Double portrait of Adolf Croeser (1612-1668) and his daughter Catharina Croeser (1642-....).
The Lacemaker is an oil on canvas painting by the Dutch painter Nicolaes Maes, created c. 1656. It is an example of Dutch Golden Age painting and is part of the collection of the Metropolitan Museum of Art, in New York.
TheMemorial Guild Cupby Adam van Vianen is a 1614 silver-gilt covered ewer in the Rijksmuseum, commissioned by the Amsterdam goldsmiths' guild to commemorate the death of Adam's brother Paulus van Vianen. It is an iconic symbol of the auricular style developed by the two brothers.
Portrait of Petronella Buys (1610–1670) is a 1635 portrait painting painted by Rembrandt. It shows a young woman with a very large and impressive millstone collar. It is in a private collection.
The Lauriergracht is one of the canals of Amsterdam, located in the Jordaan, west of the Grachtengordel.
Landscape with Arched Bridge is a circa 1637-1638 landscape painting by the Dutch Golden Age painter Rembrandt in the collection of the Gemäldegalerie, Berlin.
