Margaret L. Carney (born 1949, Iowa, USA) is a ceramic historian who holds a Ph.D. in Asian art history. She is the founding director and curator of the International Museum of Dinnerware Design in Kingston, New York.
Margaret L. Carney has served as director and curator of numerous museums, including the Blanden Memorial Art Museum, Fort Dodge, Iowa, 1986–1990; founding director and curator of the Alfred Ceramic Art Museum, New York State College of Ceramics at Alfred University, Alfred, New York, 1991–2002; [1] the Blair Museum of Lithophanes, Toledo, Ohio, 2004–2012; [2] before establishing the International Museum of Dinnerware Design in Ann Arbor, Michigan, 2012. [3] The museum relocated to Kingston, New York, 2024.
She has authored over 100 books, catalogues, journal articles, and essays; curated over 100 exhibitions, presented numerous lectures worldwide, and juried a dozen exhibitions. The overarching scope of these various professional activities is the subject of ceramics. [4]
Born in Iowa City, Iowa, Carney received a B.A. in anthropology/archaeology from the University of Iowa in 1971 and an M.A in Asian art history from the University of Iowa in 1981. She received a Master of Philosophy degree from the University of Kansas, Lawrence, Kansas, in 1986, and a Ph.D. in Asian art history, with a focus on Chinese ceramics and museum studies, from the University of Kansas, Lawrence, Kansas, in 1989. She has the honor of being the last student chosen to study with Laurence Sickman, director emeritus of the Nelson-Atkins Museum of Art in Kansas City, Missouri.
Interwoven with her academic training and passion for ceramics, is her devotion to a museum career for herself as a director and curator, and for sharing collections. [5] This museum journey began with her first museum position in 1973 at Herbert Hoover Presidential Library and Museum, where she fell in love with the Hoover's Chinese ceramics collection and thus began her art history and studio pottery studies while she worked in the curator's office.
Her research and studies took her to Taiwan as well as China in the 1980s, where she studied in the Archaeology Department at Zhengzhou University Zhengzhou, Henan Provence, China and worked with the leading Chinese authority in museum studies.
Her doctoral dissertation about the ceramics recovered from the buried marketplace of Julu, Hebei Province, China, was translated into Chinese in 2018, and she was invited back to Julu to become the Advisor on the Ancient City of Julu, which is an ongoing project.
The Alfred Ceramic Art Museum at Alfred University in Alfred, New York, United States houses nearly 8,000 ceramic and glass objects by internationally known ceramic artists. While originally housed in 1,500 sq. ft. of exhibition space in the New York State College of Ceramics' Binns-Merrill Hall, the museum's new building was constructed in 2014 by KMW Architects to allow the museum to grow since the village of Alfred is known as a ceramics mecca.
Studio pottery is pottery made by professional and amateur artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves. Studio pottery includes functional wares such as tableware and cookware, and non-functional wares such as sculpture, with vases and bowls covering the middle ground, often being used only for display. Studio potters can be referred to as ceramic artists, ceramists, ceramicists or as an artist who uses clay as a medium.
D. Wayne Higby is an American artist working in ceramics. The American Craft Museum considers him a "visionary of the American Crafts Movement" and recognized him as one of seven artists who are "genuine living legends representing the best of American artists in their chosen medium."
Franciscan Ceramics are ceramic tableware and tile products produced by Gladding, McBean & Co. in Los Angeles, California, US from 1934 to 1962, International Pipe and Ceramics (Interpace) from 1962 to 1979, and Wedgwood from 1979 to 1983. Wedgwood closed the Los Angeles plant, and moved the production of dinnerware to England in 1983. Waterford Glass Group plc purchased Wedgwood in 1986, becoming Waterford Wedgwood. KPS Capital Partners acquired all of the holdings of Waterford Wedgwood in 2009. The Franciscan brand became part of a group of companies known as WWRD, an acronym for "Wedgwood Waterford Royal Doulton." WWRD continues to produce the Franciscan patterns Desert Rose and Apple.
Charles Fergus Binns was an English-born studio potter. Binns was the first director of the New York State School of Clayworking and Ceramics, currently called the New York State College of Ceramics at Alfred University. He began his position in 1900 and retired in 1931. His work included authorship of several books on the history and practice of pottery. Some of his more notable students included Arthur Eugene Baggs, William Victor Bragdon, R. Guy Cowan, Maija Grotell, Elizabeth Overbeck, and Adelaide Alsop Robineau. This has led Binns to be called "the father of American studio ceramics".
Norm Schulman was an American ceramic artist who lived in Penland, North Carolina. He was born in New York City in 1924. He operated his own studio, Norman Schulman Studio, in Penland.
Edris Eckhardt was an American artist associated with the Cleveland School. She is known for her work in Ceramic art and glass sculpture, her work with the Works Projects Administration's (WPA) Federal Arts Project of Cleveland, and her teaching.
Heather Mae Erickson is an artist, a craftsperson, and a designer. Erickson earned her BFA at The University of the Arts, majoring in crafts specializing in ceramics with a concentration in art education. Continuing her studies at Cranbrook Academy of Art, she earned an MFA in ceramic art.
Beth Lo in Lafayette, Indiana is an American artist, ceramist and educator. Her parents emigrated from China.
Kirk Mangus (1952–2013) was an internationally renowned ceramic artist and sculptor "known for his playful, gestural style, roughhewn forms, and experimental glazing". His murals, works in clay, on paper, in wood, and other media pull from a rich and diverse set of influences: ancient Greco-Roman art, mythology, Japanese woodblock prints, comic books, folk stories, from Meso-American through Middle-Eastern and Asian ceramic traditions as well as the people he saw, the places he travelled, and his own dreamworld. He loved experimenting with new mediums, local materials, clay bodies, slips, kiln-building and the firing process.
Susan Collett RCA IAC is a Canadian artist in printmaking and ceramics. In 1986, she graduated from the Cleveland Institute of Art, earning a B.F.A. in printmaking with a minor in ceramics.
Lisa Kay Orr is an American potter and a teacher of ceramics. Orr has work in both public and private collections, and shows her work nationally as well as internationally. Orr's work can be seen in the Fine Arts Museum of San Francisco and in Korea in the collection of the WOCEF.
The International Museum of Dinnerware Design (IMoDD) is a design museum located in Kingston, New York. It was established in 2012 by Margaret L. Carney. IMoDD is a 501(c)(3) organization that "collects, preserves, and celebrates masterpieces of the tabletop genre created by leading artists and designers worldwide. Through its collections, exhibitions, and educational programming," IMoDD's mission statement says, "it provides a window on the varied cultural and societal attitudes toward food and dining and commemorates the objects that exalt and venerate the dining experience." IMoDD has over 9,000 objects in its permanent collection, consisting of work by contemporary artists as well as the leading designers for industry, with an additional focus on fine art referencing dining.
Sana Musasama is an African-American ceramic and mixed-media artist based in New York City. Her artistic practice parallels her work as an educator and commitment to human rights causes especially the human trafficking of women. Musasama is an associate adjunct professor at Hunter College.
Don Schreckengost was an American industrial ceramic designer who was active from the 1930s through the 1990s. He is considered to be the first American industrial ceramic designer.
Marie Woo is a Chinese-American ceramicist and educator.
Kay Hackett was an artist and ceramic designer most known for her work for Stangl Pottery.
Mary K. Grant, was an American industrial designer. Grant is known for her ceramic designs for Franciscan Ceramics manufactured by Gladding, McBean & Co. Grant designed several fine china and earthenware shapes for Gladding, McBean. Grant designed the American Franciscan dinnerware shapes for Desert Rose, Apple, and Ivy. Grant's Franciscan fine china shape Encanto was chosen by the Metropolitan Museum of Art for good design in 1951.
Glidden McLellan Parker, Jr. was an American artist and designer who is best known for his work in ceramics and stained glass. He established Glidden Pottery in Alfred, New York and later was chief designer for Glass Art Studio in Scottsdale, Arizona.
Glidden Pottery produced unique stoneware, dinnerware and artware in Alfred, New York from 1940 to 1957. The company was established by Glidden Parker, who had studied ceramics at the New York State College of Ceramics at Alfred University. Glidden Pottery's mid-century designs combined molded stoneware forms with hand-painted decoration. The New Yorker magazine described Glidden Pottery as "distinguished by a mat surface, soft color combinations, and, in general, well-thought-out forms that one won't see duplicated in other wares". Gliddenware was sold in leading department stores across the country. Examples of Glidden Pottery can occasionally be seen in television programs from the era, such as I Love Lucy.