Margarita Cabrera

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Margarita Cabrera
Born1973 (age 5051) [1]
Monterrey, Mexico
Known forsoft sculptures, border art

Margarita Cabrera (born 1973) is a Mexican-American artist and activist. As an artist, the objects and activities she produces address issues related to border relations, labor practices and immigration. Her practice spans smaller textile-based soft sculptures to large community-involved public artworks. In 2012 she was a recipient of the Knight Artist in Residence at the McColl Center for Visual Art in Charlotte, North Carolina. Cabrera was also a recipient of the Joan Mitchell Foundation Grant.

Contents

Early life and education

Cabrera was born in the city of Monterrey in the state of Nuevo Leon, México. [1] She moved to Salt Lake City, Utah in the United States [2] at around the age of 10, when her family was in search of better opportunities. She describes this period of life as very isolated and would do art in her free time. Her inspiration to become an artist began in her childhood, when she was exposed to the Montessori system of education. [2] [3] In high school her family moved to El Paso where she developed an awareness about immigration and border-related issues. [2] She is now an assistant professor at School of Art at Arizona State University. [4]

Cabrera received a BFA degree in 1997 and an MFA degree in 2001 from Hunter College in New York, New York. [5] [6]

Work

Brown Blender (2011) by Margarita Cabrera at the Renwick Gallery in Washington, DC in 2022 Brown Blender Margarita Cabrera 2011.jpg
Brown Blender (2011) by Margarita Cabrera at the Renwick Gallery in Washington, DC in 2022

Cabrera's artistic output includes both contemporary sculpture and public artworks.

Cabrera's soft sculptures are modelled on the shape of common appliances and machines, created from fabric and thread. [7] She has made soft sculptures of coffee makers, [8] bicycles, [9] sewing machines, [10] backpacks, [9] as well as the Hummer [11] and Volkswagen beetle [12] [13] automobiles. Cabrera has stated that these works are intended as an insight into the lives of laborers working in the Mexican appliance factories, or maquiladoras, that produce the real articles just south of the US-Mexico border. [14] [15] [16] In the process of creating her soft sculptures, Cabrera often works with displaced immigrants living on the American side of the border. [17] [18]

Cabrera's use of community involvement in the production of her soft sculptures has led her to create more engaged public artworks. Since 2010 she has run workshops on the production of art projects in Arizona and Texas, inviting the participation of new immigrants. [19] [20]

Cabrera other work includes a permanent public work named Árbol de la Vida: Memorias y Voces de la Tierra which was unveiled in 2019. It is a tree sculpture with a diameter of 80 feet. The branches support 700 hand made clay sculptures made by members of the San Antonio community. [21]

Cabrera is an assistant professor in the Herberger Institute for Design and the Arts at Arizona State University. [22]

Public Art

Collections

Selected Solo and Group Exhibitions

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References

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  9. 1 2 Writer, Betty Ligon El Paso Inc (19 February 2007). "It's Margarita's turn for applause – for her sagging Hummer". El Paso Inc.
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