Maria Cristina Tavera

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Maria Cristina Tavera ("Tina") (born 1965) is a contemporary Latino artist, curator, and cultural organizer who lives and works in Minneapolis, MN. [1] Influenced by her dual citizenship, as well as her transnational movement between her residing Minnesota and Mexico families, she combines historical and contemporary texts and images from recognizable Latin American myths, legends, and present news. Tavera uses her prints, paintings, installations, and Dia de los Muertos ofrendas, or altars, to explore the way that national and cultural icons symbolize complex identities and can construct shared communities at home and abroad. [2] Her artwork is both humorous and confrontational as she invites her viewers to question constructs of race, gender, ethnicity and national and cultural identities. [3] She has exhibited her artwork and curated shows all around the world, and has artworks permanently installed in several art exhibits throughout Minnesota. [1]

Contents

Education and career

Tavera was born in 1965. In 1990, Tavera earned a B.A. in Spanish and a B.A. in Latin American Studies, from the University of Minnesota. [1] She later achieved a master's degree from the University of Minnesota Humphrey School of Public Affairs, with an emphasis on Leadership in the Arts. [3]

Tavera currently works at Augsburg University in Minneapolis, MN, where she serves as the Director for the TRIO-McNair Scholars program, which is a program that helps low income, first-generation and underrepresented students with admission to graduate school. [4] Before working at Augsburg, Tavera founded the Mira Gallery at the Instituto de Cultura y Educacion at El Colegio in South Minneapolis, where she worked for two years curating exhibitions by Latino artists. She has also previously worked as the Community Organizer for Latinos en Accion, a community outreach program that serves the Latinx community in the Twin Cities. [4]

Tavera is the author of the book "Mexican Pulp Art" published in 2007. [5]

Artwork

Tavera is a multidisciplinary artist, who often works with screen printing because of the medium's long history of spreading ideas to the masses. [6] Her work explores how Latinx immigrants are seen and how they want to be seen. [6] Tavera's art focuses on Latinx iconography, symbols, physical traits, and paraphernalia to analyze Latinx ethnicity and culture. Through her art, Tavera aims to make possible conversations about difficult topics for which words don't always exist. [6]

In 2018, her work was featured on the cover and in an artist spotlight in the academic journal, Diálogo: An Interdisciplinary Studies Journal, published by the University of Texas Press. [7] Her art works are included in the collections of the Hagfors Center at Augsburg University; the Tweed Museum of Art in Duluth, MN; the Plains Museum in Fargo, ND; and the Weisman Art Museum in Minneapolis, MN.

La Conneccion/The Connection

In 2021, Tavera created a billboard for display in George Floyd Square as part of the Social Justice Billboard Project. [8] Her billboard titled La Conneccion (The Connection) features an indigenous woman with braids wrapping around images of a bag of groceries, a person wearing a face mask, and a silhouette of a protesting group. The braids connect with an early telephone switchboard. Tavera's billboard is a celebration of how communities are able to move forward by working together. [9]

Curatorial work

Tavera has curated a number of exhibitions in the Twin Cities and beyond. In 2016, she curated an exhibition, entitled "Sus Voces," or "Their Voices," at the Highpoint Center for Printmaking in Minneapolis, which presented the work of nine women printmakers from Mexico. [10] In 2015, she was instrumental in organizing local galleries and artists to be a part of the Twin Cities Takeover by feminist art and performance group, the Guerrilla Girls. [11] She has additionally curated exhibitions at the Minnesota Museum of American Art, Macalester College, and has served as a curatorial panelist for both the Minneapolis Institute of Arts and the Walker Arts Center. [3]

Interviews

Exhibitions

YearExhibition NameGallery / MuseumLocation
2022Mestizaje: Intermix-Remix [15] Minnesota Museum of American ArtSaint Paul, MN
Traitor, Survivor, Icon: The Legacy of La Malinche and the Conquest of Mexico [16] Denver Art MuseumDenver, CO
La Línea [17] Plains Art MuseumFargo, ND
2021Homeward Bound (solo) [18] Staniar Gallery, Washington and Lee UniversityLexington, VA
ADVOCATES: Portraits of Activists [19] Minneapolis Public LibraryMinneapolis, MN
By Return [20] Prøve GalleryDuluth, Minnesota
La Movida/The Hustle (solo) [21] NE Sculpture GardenMinneapolis, MN
2020Promesas de Papel/Paper Promises (solo) [22] Oglethorpe Museum of ArtAtlanta, GA
Prints on Ice [23] Highpoint Center for PrintmakingMinneapolis, MN
Fabulista 2 [24] NE Sculpture GalleryMinneapolis, MN
Talleres Sin Fronteras [25] Taller Arte de Nuevo AlmanecerWoodland, CA
2017WARHOL: Minnesota Goes Pop [26] Rochester Center ArtsRochester, MN
Latino Art Migration [27] Concordia Art CenterSaint Paul, MN
2016Un-Typing Casta (solo) [28] Tweed MuseumDuluth, MN
Reconfiguring Casta (solo) [29] Christiansen Gallery, Augsburg UniversityMinneapolis, MN
2013Americo: Celebrating the Spirits (solo) [30] Cargill Gallery, Walker Art CenterMinneapolis, MN

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References

  1. 1 2 3 "About the Artist: Maria Cristina Tavera" . Retrieved May 1, 2018.
  2. ↑ "Visualizing women's stories - Minnesota Women's Press". www.womenspress.com. Retrieved May 1, 2018.
  3. 1 2 3 "Maria Cristina Tavera - Mn Artists". www.mnartists.org. Retrieved May 1, 2018.
  4. 1 2 "Introducing Tina Tavera, Community Organizer for Latinos En Acción". Twin Cities Daily Planet. Retrieved May 1, 2018.
  5. ↑ Tavera, Maria Cristina (2007). Mexican pulp art. Los Angeles: Feral House. ISBN   978-1932595222.
  6. 1 2 3 Boarini, Cristeta (2020). "Artistry, Scholarship and Identity". Bush Foundation.
  7. ↑ "About the Artist: María Cristina Tavera". Diálogo. 21 (1): 113–114. April 11, 2018. doi:10.1353/dlg.2018.0011. ISSN   2471-1039.
  8. ↑ "Social Justice Billboard Project". Northeast Sculpture.
  9. ↑ Boogren, Jill (July 8, 2021). "Billboards at George floyd square show connection, unity: Social Justice Billboard Project begins as crowd-funded effort". Longfellow Nokomis Messenger.
  10. ↑ Combs, Marianne. "Prints from Mexico shine light on disenfranchised artists" . Retrieved May 1, 2018.
  11. ↑ "Guerrilla Girls Twin Cities Takeover". mcad.edu. Retrieved May 1, 2018.
  12. ↑ Jenson, Maija. "Radio Gallery: Un-Typing Casta" . Retrieved May 1, 2018.
  13. ↑ "Discovering Your Creative Voice: An interview with artist Tina Tavera". Stephen Dupont. September 6, 2016. Retrieved May 1, 2018.
  14. ↑ "Tina Tavera". In Progress. Retrieved May 1, 2018.
  15. ↑ "Mestizaje: Intermix-Remix". Minnesota Museum of American Art.
  16. ↑ "Traitor, Survivor, Icon: The Legacy of La Malinche". Denver Art Museum.
  17. ↑ "La Línea". Plains Art Museum.
  18. ↑ Turman, Erica (November 3, 2021). "Staniar Gallery Presents 'Homeward Bound'". The Columns.
  19. ↑ "ADVOCATES, Portraits of Activists". Hennepin County Library. October 1, 2021.
  20. ↑ "By Return". PRØVE COLLECTIVE.
  21. ↑ "La Movida/The Hustle By Tina Tavera". Northeast Sculpture.
  22. ↑ "Promesas de Papel/ Paper Promises: Maria Cristina Tavera". OUMA. Retrieved December 20, 2021.
  23. ↑ "Prints on Ice 2020". Highpoint Center for Printmaking.
  24. ↑ "Fabulista 2". Northeast Sculpture.
  25. ↑ "New Exhibition: Talleres Sin Fronteras". TANA.
  26. ↑ Szucs, Suzanne (April 24, 2017). "Minnesota Goes Pop". Mn Artists.
  27. ↑ Dunham, Tad (January 23, 2017). "Concordia Art Gallery Hosts "Latino, Art Migration" Exhibit, Jan. 30-Feb. 24". Concordia University - Saint Paul | University Announcements.
  28. ↑ Gruhlke, Laura. "Un-Typing Casta". The Statesman Archive. Retrieved December 20, 2021.
  29. ↑ "Reconfiguring Casta by Maria Cristina Tavera". Augsburg University. March 4, 2016. Retrieved December 20, 2021.
  30. ↑ "Free First Saturday: Celebrating the Spirits". Walker Art.
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