Maria Anna Angelika Kauffmann, usually known in English as Angelica Kauffman, was a Swiss Neoclassical painter who had a successful career in London and Rome. Remembered primarily as a history painter, Kauffmann was a skilled portraitist, landscape and decoration painter. She was, along with Mary Moser, one of two female painters among the founding members of the Royal Academy in London in 1768.
Andrea Solari (1460–1524) was an Italian Renaissance painter of the Milanese school. He was initially named Andre del Gobbo, but more confusingly as Andrea del Bartolo a name shared with two other Italian painters, the 14th-century Siennese Andrea di Bartolo, and the 15th-century Florentine Andrea di Bartolo.
Giovanni Battista Cima, also called Cima da Conegliano, was an Italian Renaissance painter, who mostly worked in Venice. He can be considered part of the Venetian school, though he was also influenced by Antonello da Messina, in the emphasis he gives to landscape backgrounds and the tranquil atmosphere of his works. Once formed his style did not change greatly. He mostly painted religious subjects, often on a small scale for homes rather than churches, but also a few, mostly small, mythological ones.
Pellegrino Tibaldi, also known as Pellegrino di Tibaldo de Pellegrini, was an Italian mannerist architect, sculptor, and mural painter.
Ludovico Mazzolino - also known as Mazzolini da Ferrara, Lodovico Ferraresa, and Il Ferrarese - was an Italian Renaissance painter active in Ferrara and Bologna.
Joos van Cleve was a leading painter active in Antwerp from his arrival there around 1511 to his death in 1540 or 1541. Within Dutch and Flemish Renaissance painting, he combines the traditional techniques of Early Netherlandish painting with influences of more contemporary Renaissance painting styles.
Giampietrino, probably Giovanni Pietro Rizzoli, was a north Italian painter of the Lombard school and Leonardo's circle, succinctly characterized by Sidney J. Freedberg as an "exploiter of Leonardo's repertory."
The Madonna and Child with St John and Angels (c. 1497), also known as The Manchester Madonna, is an unfinished painting attributed to Michelangelo in the National Gallery, London. It is one of three surviving panel paintings attributed to the artist and is dated to his first period in Rome. The painting's attribution to Michelangelo was in doubt for much of the 19th and 20th centuries, but now most scholars are in agreement. The work first came to public attention in the Art Treasures Exhibition in Manchester in 1857, hence the title the “Manchester Madonna”.
Andrea del Sarto was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces, portraitist, draughtsman, and colorist. Though highly regarded during his lifetime as an artist senza errori, his renown was eclipsed after his death by that of his contemporaries Leonardo da Vinci, Michelangelo, and Raphael.
Harriet Gouldsmith was an English landscape painter and etcher.
Heinrich Bürkel (1802–1869) was a German genre and landscape painter
Joseph Charles Cogels, a landscape and marine painter, was born at Brussels in 1786. He studied at the Academy of Düsseldorf; and, after spending some time in France, returned to Belgium in 1806, and wiis admitted a member of the Royal Society of the Fine Arts at Ghent. In 1810 he went to Munich, where he was employed by the King and Queen and the Duke of Leuchtenberg in painting cabinet pictures for their private collections, and for the Gallery at Schleissheim. His paintings, which are principally landscapes, water-falls, and old monuments cf his native country, are held in high estimation. In the Cassel Gallery is a view of the St. Salvator Platz, Munich (1819),
DenisCalvaert was an Antwerp-born Flemish painter, who lived in Italy for most of his life, where he was known as Dionisio Fiammingo or simply Il Fiammingo. Calvaert was a profound student of architecture, anatomy, and history, his works are characterized by their advanced composition and colouring.
Friedrich Hohe was a German lithographer and painter. Born in Bayreuth, Bavaria, in 1802, his first painting teacher was his father, who was himself a painter. In 1820 he entered the Royal Academy of Fine Arts, Munich. Thereafter, from 1823 till near the end of his life, he devoted himself to lithography.
Ludwig des Coudres was a German history and portrait painter. He also served as a Professor at the Academy of Fine Arts, Karlsruhe. His son, Adolf Des Coudres, was a well-known landscape painter.
Johann Christian Michel Ezdorf or Etzdorf (1801–1851), a German landscape painter, was born at Pösneck, in the duchy of Saxe-Meiningen. He studied landscape painting in Munich and its environs, and displayed an especial talent in representing gloomy forests, taking as his models the works of Ruisdael and Van Everdingen. He visited Norway, the North Cape, Sweden, Iceland, and England. One of his best paintings is in the Modern Gallery at Munich; it represents a Forge by the side of a Waterfall. He died at Munich in 1851.
Joseph Anton Fischer (1814–1859) was a German painter born at Oberstorf, Algäu.
Jan Baptist Francken was supposed to be a painter from the Francken family and/or the son of Sebastian Vrancx, but is now considered to have been an error and to have never existed. The confusion was created by the many painters named Francken, some poor attributions, and a portrait by Anthony van Dyck of a certain Johannes Baptist Franck, aged 32, of whom nothing more is known. He is sometimes said to be the same as Hans Francken, another obscure member of the same family.
The Holy Family with Saint John the Baptist is an oil painting by Italian artist Giovanni Francesco Bezzi, also known as Nosadella, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. Painted roughly 1550-1560, it depicts Jesus, Mary, Joseph, and John in a powerful, Mannerist style.
Johann Baptist Stuntz was a Swiss-German landscape painter and lithographer.
