Maria Molin

Last updated

Maria Molin was a Venetian pastellist of the eighteenth century.

Little is known of Molin's life or career. The daughter of Marco Molin, a senator of Venice, she is identified in an inscription on one of her works as the wife of Gian Tommaso Balbi. It has been proposed on the basis of style that she was a pupil of Rosalba Carriera. Seven pastels by her hand, including a self-portrait, are currently in the collection of the Bayerisches Nationalmuseum in Munich, [1] while another is in the collection of the Museo del Settecento Veneziano in Venice. [2]

Related Research Articles

<span class="mw-page-title-main">Saverio Bettinelli</span> Italian Jesuit writer (1718–1808)

Saverio Bettinelli was an Italian Jesuit writer. He became known as a polymath, dramatist, polemicist, poet, and literary critic. He was a friend of some of the leading authors of his times: Voltaire, Francesco Algarotti, Vincenzo Monti and Ippolito Pindemonte. Théodore Tronchin, Guillaume du Tillot, Melchiorre Cesarotti, Giacomo Filippo Durazzo, Pietro Verri, Giammaria Mazzucchelli and Francesco Maria Zanotti were among his correspondents.

<span class="mw-page-title-main">Ca' Rezzonico</span> Palazzo and art museum in Venice, Italy

Ca' Rezzonico is a palazzo and art museum on the Grand Canal in the Dorsoduro sestiere of Venice, Italy. It is a particularly notable example of the 18th century Venetian baroque and rococo architecture and interior decoration, and displays paintings by the leading Venetian painters of the period, including Francesco Guardi and Giambattista Tiepolo. It is a public museum dedicated to 18th-century Venice and one of the 11 venues managed by the Fondazione Musei Civici di Venezia.

<span class="mw-page-title-main">Rosalba Carriera</span> Italian artist (1673–1757)

Rosalba Carriera was an Italian Rococo painter. In her younger years, she specialized in portrait miniatures. Carriera would later become known for her pastel portraits, helping popularize the medium in eighteenth-century Europe. She is remembered as one of the most successful women artists of any era.

<span class="mw-page-title-main">Antonio Visentini</span> Italian painter

Antonio Visentini was a Venetian architectural designer, painter and engraver, known for his architectural fantasies and capricci, the author of treatises on perspective and a professor at the Venetian Academy.

Angelica Le Gru Perotti was an Italian painter and pastellist of the Rococo period, active at first in Northern Italy and Venice.

<span class="mw-page-title-main">Pietro Bellotti</span> Italian painter (1625–1700)

Pietro Bellotti (1625–1700) was an Italian painter active in the Baroque period.

<span class="mw-page-title-main">Giovanna Fratellini</span> Italian artist (1666–1731)

Giovanna Fratellini was a Florentine artist during the Baroque period. Born in Florence as Giovanna Marrmocchini Cortesi, she married Guiliano Fratellini in 1685 and changed her name to Fratellini. This well-born woman pastellist was a lady-in-waiting to Vittoria della Rovere, the Grand Duchess of Tuscany.

Pietro Chiari was an Italian Catholic priest, playwright, novelist and librettist.

<span class="mw-page-title-main">Marie-Suzanne Giroust</span> French artist (1734–1772)

Marie-Suzanne Giroust, known as Madame Roslin, was a French painter, miniaturist, and pastellist, known for her portraits. She was a member of the Académie royale de peinture et de sculpture. Only a small number of her works have been identified.

<span class="mw-page-title-main">Francesco Molin</span> Doge of Venice from 1646 to 1655

Francesco Molin or Francesco Da Molin was the 99th Doge of Venice, reigning from his election on 20 January 1646 until his death. Molin's reign is notable because of Venice's participation in a prolonged war with the Ottoman Empire over Crete; this war was begun during the reign of Molin's predecessor Francesco Erizzo, and dragged on until 1669. To fund the cost of this war, Molin sold access to the Venetian patriciate at a cost of 100,000 ducats per person.

Paris Francesco Alghisi was an Italian organist and composer. He was born in and died in Brescia, Republic of Venice.

<span class="mw-page-title-main">Jacopo Guarana</span> Italian painter

Jacopo Guarana was a Venetian painter of the late Baroque period who was born in Verona. He was active mainly in Venice and its mainland territories.

Maria Luisa Altieri Biagi was an Italian scholar and writer.

<span class="mw-page-title-main">Palazzo Molin del Cuoridoro</span> Listed building in Venice, Italy

Palazzo Molin del Cuoridoro is a 15th-century listed building in the San Marco district of Venice, Italy.

<span class="mw-page-title-main">Felicita Sartori</span> Italian artist (7 September 1713 – 24 July 1782)

Felicita Sartori was an Italian painter and pastellist.

<span class="mw-page-title-main">Chiara Spinelli</span> Italian artist (1744–1823)

Chiara Spinelli (1744-1823), later the Princess of Belmonte, was an Italian noblewoman and artist, especially noted as a pastellist.

Anna Pasetti was an Italian pastellist active between 1800 and 1806.

<span class="mw-page-title-main">Bernardo Canal</span>

Bernardo Canal was an Italian painter; father of the famous painter, Giovanni Antonio Canal, known as Canaletto. Although he earned his living as a theatrical scene painter, he is best known for his vedute; created under the direct inspiration of his contemporary, Luca Carlevarijs.

<span class="mw-page-title-main">Francesco Cavrioli</span> Italian sculptor

Francesco Cavrioli was an Italian sculptor, active in Venice in a Baroque style.

<span class="mw-page-title-main">Laura Mattioli</span>

Laura Mattioli is an Italian art historian, a collector and a curator. From 2013 until its 2024 closure, she was President of the Center for Modern Italian Art in New York City.

References

  1. Profile in the Dictionary of Pastellists Before 1800.
  2. Alberto Cottino (2003). La donna nella pittura italiana del Seicento e Settecento: il genio e la grazia. U. Allemandi. ISBN   978-88-422-1175-4.