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Marianne Smit | |
|---|---|
 Marianne Smit in 2009 | |
| Background information | |
| Born | Netherlands |
| Genres | Classical |
| Occupation | Harpist |
| Instrument | Harp |
| Website | https://mariannesmit.com/EN/ |
|
Marianne Smit | |
|---|---|
| Marianne Smit in 2009 | |
| Background information | |
| Born | Netherlands |
| Genres | Classical |
| Occupation | Harpist |
| Instrument | Harp |
| Website | https://mariannesmit.com/EN/ |
Marianne Smit started playing the harp in 1995 when she was nine years old. Initially she was taught by her mother Gertru Smit-Pasveer, the sister of flutist Kathinka Pasveer. [1] [2] After one year she became student of Anke Anderson. [3]
She was among the first to be entered into the Young Talent department of the Amsterdam Conservatory in 1998, where she received the guidance of Erika Waardenburg. [3]
Her aunt's close associate Karlheinz Stockhausen [4] composed a harp duet for Smit and Esther Kooi, Freude , which premiered on June 7, 2006 in the Milan Cathedral. [5] They continued to perform it at many venues including the Concertgebouw in Amsterdam in 2007, and the Queen Elizabeth Hall in London in 2008. [3] More recently she has performed Freude with Miriam Overlach.
Marianne Smit passed her Bachelor's exam cum laude in June 2007 with an honour for “special artisticity in the field of contemporary music”. [3]
Smit has participated in audition training with Petra van der Heide, a harpist with the Royal Concertgebouw Orchestra. In this course she won the first prize which earned her a spot on the orchestra in two of their concerts. She has participated several times in productions of the Dutch Radio Philharmonic Orchestra.
Karlheinz Stockhausen was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, having been called the "father of electronic music", for introducing controlled chance into serial composition, and for musical spatialization.
Licht (Light), subtitled "Die sieben Tage der Woche", is a cycle of seven operas composed by Karlheinz Stockhausen between 1977 and 2003. The composer described the work as an "eternal spiral" because "there is neither end nor beginning to the week." Licht consists of 29 hours of music.
Tierkreis (1974–75) is a musical composition by the German composer Karlheinz Stockhausen. The title is the German word for Zodiac, and the composition consists of twelve melodies, each representing one sign of the zodiac.
André Laporte is a Belgian composer.
Chen Pi-hsien is a Taiwanese-German classical pianist. She has received honors at several international piano competitions. She teaches at the Hochschule für Musik Freiburg and lives in Germany at present.
Lavinia Meijer is a South Korean-born Dutch harpist. Her concerts have included a solo harp evening at Carnegie Hall in New York City.
Coline-Marie Orliac is a French harpist. A graduate of the Curtis Institute of Music, she has performed with leading orchestras including the Berlin Philharmonic.
The trumpet repertoire consists of solo literature and orchestral or, more commonly, band parts written for the trumpet. Tracings its origins to 1500 BC, the trumpet is a musical instrument with the highest register in the brass family.
Klang —Die 24 Stunden des Tages is a cycle of compositions by Karlheinz Stockhausen, on which he worked from 2004 until his death in 2007. It was intended to consist of 24 chamber-music compositions, each representing one hour of the day, with a different colour systematically assigned to every hour. The cycle was unfinished when the composer died, so that the last three "hours" are lacking. The 21 completed pieces include solos, duos, trios, a septet, and Stockhausen's last entirely electronic composition, Cosmic Pulses. The fourth composition is a theatre piece for a solo percussionist, and there are also two auxiliary compositions which are not part of the main cycle. The completed works bear the work (opus) numbers 81–101.
Montag aus Licht is an opera by Karlheinz Stockhausen in a greeting, three acts, and a farewell, and was the third of seven to be composed for the opera cycle Licht: die sieben Tage der Woche. The libretto was written by the composer.
Suzanne Stephens is an American clarinetist, resident in Germany, described as "an outstanding performer and tireless promoter of the clarinet and basset horn".
Kathinka Pasveer is a Dutch flautist.
Sonntag aus Licht is an opera by Karlheinz Stockhausen in five scenes and a farewell, to a libretto written and compiled by the composer. It is the last-composed of seven operas that comprise the cycle Licht (Light). Its stage premiere in 2011 was posthumous, more than three years after the composer's death.
Samstag aus Licht is an opera by Karlheinz Stockhausen in a greeting and four scenes, and was the second of seven to be composed for the opera cycle Licht: die sieben Tage der Woche. It was written between 1981 and 1983, to a libretto written by the composer and incorporating a text by Saint Francis of Assisi, and was first staged in Milan in 1984.
Donnerstag aus Licht is an opera by Karlheinz Stockhausen in a greeting, three acts, and a farewell, and was the first of seven to be composed for the opera cycle Licht: die sieben Tage der Woche. It was written between 1977 and 1980, with a libretto by the composer.
Dienstag aus Licht is an opera by Karlheinz Stockhausen in a greeting and two acts, with a farewell, and was the fourth of seven to be completed for the opera cycle Licht: Die sieben Tage der Woche. It was begun in 1977 and completed from 1988 to 1991, to a libretto by the composer.
Mittwoch aus Licht is an opera by Karlheinz Stockhausen in a greeting, four scenes, and a farewell. It was the sixth of seven to be composed for the opera cycle Licht: die sieben Tage der Woche, and the last to be staged. It was written between 1995 and 1997, and first staged in 2012.
Cosmic Pulses is the last electronic composition by Karlheinz Stockhausen, and it is number 93 in his catalog of works. Its duration is 32 minutes. The piece has been described as "a sonic roller coaster", "a Copernican asylum", and a "tornado watch".
Liza Ferschtman is a Dutch classical violinist who appears internationally, both as a soloist with orchestra and in chamber music. She received the Nederlandse Muziekprijs in 2006 and has directed the Delft Chamber Music Festival since 2007.
Jana Boušková is a Czech harpist and pedagogue. She has been the principal harpist of the Czech Philharmonic since 2005. Boušková is also a professor at the Royal College of Music in London since 2019, the Academy of Performing Arts in Prague since 2007, and she was the harp teacher at the Royal Conservatory of Brussels from 2005 to 2020.
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