Marie-Marguerite Carreaux de Rosemond, sometimes Carraux de Rozemont (died 1788) was a French painter.
Carreaux de Rosemond was a pupil of Adélaïde Labille-Guiard, one of the nine young women whose work was remarked upon at the Expositions de la jeunesse; she was singled out for praise by the critics alongside Marie-Gabrielle Capet and Mlle. Alexandre, and she and Capet were the two pupils chosen to be depicted in their teacher's Self-Portrait with Two Pupils , now in the Metropolitan Museum of Art. She may also be seen in a pen-and-ink sketch drawn by John Trumbull on a visit to Labille-Guiard's studio in 1786. Carreaux de Rosemond married engraver Charles Clément Balvay in 1788, but she died later that same year in the galleries of the Louvre as consequence of giving birth. Her son also died soon after. [1]
Augustin Pajou was a French sculptor, born in Paris. At eighteen he won the Prix de Rome, and at thirty exhibited his Pluton tenant Cerbère enchaîné.
Adélaïde Labille-Guiard, also known as Adélaïde Labille-Guiard des Vertus, was a French miniaturist and portrait painter. She was an advocate for women to receive the same opportunities as men to become great painters. Labille-Guiard was one of the first women to become a member of the Royal Academy, and was the first female artist to receive permission to set up a studio for her students at the Louvre.
François-André Vincent was a French neoclassical painter.
François-Élie Vincent was a French painter of portrait miniatures.
Events from the year 1785 in art.
Charles Clément Bervic, born Balvay, was a French engraver mainly working in intaglio and exclusively in burin. Due to an error in transcribing the baptismal register, he is also now known as Jean Guillaume Bervic.
Jean-Antoine Gros (1732–1790) was a French painter, father of Antoine-Jean Gros.
Marguerite Gérard was a French painter and printmaker working in the Rococo style. She was the daughter of Marie Gilette and perfumer Claude Gérard. At eight years old, she became the sister-in-law of Jean-Honoré Fragonard, and when she was 14, she went to live with him. She was also the aunt of the artist Alexandre-Évariste Fragonard. Gérard became Fragonard's pupil in the mid-1770s and studied painting, drawing and printmaking under his tutelage. Gérard and Fragonard created nine etchings in 1778. Historians currently believe Gérard was the sole artist of five of these etchings, since many have a duplicate created by her tutor Fragonard. More than 300 genre paintings, 80 portraits, and several miniatures have been documented to Gérard. One of her paintings, The Clemency of Napoleon, was purchased by Napoleon in 1808.
Jean-Laurent Mosnier was a French painter and miniaturist.
Marie-Gabrielle Capet was a French Neoclassical painter. She was born in Lyon on 6 September 1761. Capet came from a modest background and her previous background and artistic training is unknown, but in 1781 she became the pupil of the French painter Adélaïde Labille-Guiard in Paris. She excelled as a portrait painter and her works include oil paintings, watercolours, and miniatures.
Marie Thérèse de Noireterre (1760-1823) was a French miniaturist.
Self-Portrait with Two Pupils, Marie-Gabrielle Capet and Marie Marguerite Carreaux de Rosemond is a 1785 self-portrait painting by Adélaïde Labille-Guiard depicting the artist with two of her pupils, Marie-Gabrielle Capet and Marie-Marguerite Carreaux de Rosemond. It is in the collection of the Metropolitan Museum of Art.
Anna Barbara Bansi was a Swiss-born French painter. She is usually referred to as "Barbara" or "Babette".
Angélique-Louise Verrier (1762–1805) was a French painter.
Élisabeth Swagers was a French painter and miniaturist.
Jeanne Bernard Dabos (1765–1842) was a French miniature painter.
Marie-Victoire Davril (1755–1820) was a French portrait painter.
Marie-Madeleine Frémy was a French painter.
Marie Proteau, also known as Madame ProteauFrench:[ma.dampʁɔto]) was the wife of Fabien Proteau and mother of genre painter and portraitist Isabelle Pinson.