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Marie Annharte Baker (born 1942) is a Canadian Anishnabe (Ojibwa) poet and author, a cultural critic and activist, and a performance artist/contemporary storyteller. [2]
Through books, poetry, essays, interviews and performance Annharte articulates and critiques life from western Canada, with a special focus on women, urban, indigenous, disabilities, academic, and poverty-centric (or "street") awareness and issues/foibles.
Baker is from Little Saskatchewan First Nation and she was born in 1942 and grew up in Winnipeg, Manitoba. Her father was Irish and her mother was Anishinabe. Marie Annharte Baker was considered to be part of a specific Anishinabe nation, the Obibwa. She would spend her holidays with her Anishinabe grandparents on a reservation in Manitoba. [3] She received what she considered an unsuccessful education at Brandon College, the University of British Columbia and the Simon Fraser University during the 1960s. Baker considers herself self-taught but she did return to education in the 1970s and this included a degree in English for the University of Winnipeg. [3] After graduating, Baker became involved in Native American activism, and taught Native Studies at multiple colleges in Minneapolis. Baker was one of the first people in North America to teach a class entirely on Native American women. After her teaching career, Baker returned to Winnipeg and began to work as a community family advocate.
She has been associated with (studied or taught at) the University of Manitoba, University of Winnipeg, Brandon University, Augsburg College, and University of Minnesota. She has collaborated with or co-founded numerous groups of community-based writer activists, including Regina Aboriginal Writers Group and the Aboriginal Writers Collective of Manitoba. She was a founding member of the Canadian Indian Youth Council. Presently, she is organizing Nokomis Storyteller Theatre which features comic/clown and puppet performances. [2] She also volunteered for Vancouver weekly radio program, When Spirit Whispers, interviewing Native people while discussing the bounds of Native art forms.
Di Brandt often stylized as di brandt, is a Canadian poet and scholar from Winnipeg, Manitoba. She became Winnipeg's first Poet Laureate in 2018.
Bobbi Lee Maracle was an Indigenous Canadian writer and academic of the Stó꞉lō nation. Born in North Vancouver, British Columbia, she left formal education after grade 8 to travel across North America, attending Simon Fraser University on her return to Canada. Her first book, an autobiography called Bobbi Lee: Indian Rebel, was published in 1975. She wrote fiction, non-fiction, and criticism and held various academic positions. Maracle's work focused on the lives of Indigenous people, particularly women, in contemporary North America. As an influential writer and speaker, Maracle fought for those oppressed by sexism, racism, and capitalist exploitation.
Joanne Arnott is a Canadian writer.
Columpa C. Bobb is a Canadian photographer, actress, playwright, poet and teacher of Coastal Salish descent. She has been performing, writing plays, and teaching for 20 years.
Dorothy Kathleen May Livesay, was a Canadian poet who twice won the Governor General's Award in the 1940s, and was "senior woman writer in Canada" during the 1970s and 1980s.
Sarah Klassen is a Canadian writer and retired educator living in Winnipeg, Manitoba. Klassen's first volume of poetry, Journey to Yalta, was awarded the Gerald Lampert Memorial Award in 1989. Klassen is the recipient of Canadian Authors Association Award for Poetry and Klassen's novel, The Wittenbergs, was awarded the Margaret McWilliams Award for popular history.
Joy Harjo is an American poet, musician, playwright, and author. She served as the 23rd United States Poet Laureate, the first Native American to hold that honor. She was also only the second Poet Laureate Consultant in Poetry to have served three terms. Harjo is a member of the Muscogee Nation and belongs to Oce Vpofv. She is an important figure in the second wave of the literary Native American Renaissance of the late 20th century. She studied at the Institute of American Indian Arts, completed her undergraduate degree at University of New Mexico in 1976, and earned an MFA degree at the University of Iowa in its creative writing program.
Maria Campbell is a Métis author, playwright, broadcaster, filmmaker, and Elder. Campbell is a fluent speaker of four languages: Cree, Michif, Western Ojibwa, and English. Four of her published works have been published in eight countries and translated into four other languages. Campbell has had great influence in her community as she is very politically involved in activism and social movements. Campbell is well known for being the author of Halfbreed, a memoir describing her own experiences as a Métis woman in society and the difficulties she has faced, which are commonly faced by many other women both within and outside of her community.
Rebecca Belmore D.F.A. is a Canadian interdisciplinary Anishinaabekwe artist who is notable for politically conscious and socially aware performance and installation work. She is Ojibwe and a member of Obishikokaang. Belmore currently lives in Toronto, Ontario.
Peguis First Nation is the largest First Nations community in Manitoba, Canada, with a population of approximately 11,438 people. The members of Peguis are of Saulteaux (Ojibway) and Maškēkowak descent.
Sina Queyras is a Canadian writer. To date, they have published seven collections of poetry, a novel and an essay collection.
Vera Manuel, was a playwright, poet, writer, healer and educator in British Columbia, Canada. Her native name was Kulilu Paⱡki. Her plays were produced both in Canada and the United States.
Gregory Scofield is a Canadian Métis poet, beadwork artist, dramatist and non-fiction writer. He is a graduate of the Gabriel Dumont Institute Native Human Justice Program. His written and performance art draws on Cree story-telling traditions. He has published two instruction books on doing Métis flower-beadwork for the Gabriel Dumont Institute.
Yvette Nolan (Algonquin) (1961) is a Canadian playwright, director, actor, and educator based out of Saskatchewan, Canada. She was born in Prince Albert, Saskatchewan. She has contributed significantly to the creation and performance of Indigenous theatre in Canada.
Connie Fife was a Canadian Cree poet and editor. She published three books of poetry, and edited several anthologies of First Nations women's writing. Her work appeared in numerous other anthologies and literary magazines.
Sherry Farrell Racette is a First Nations feminist scholar, author, curator, and artist. She is best known for her contributions to Indigenous and Canadian art histories. She is currently an associate professor of Visual Arts at the University of Regina.
Carmen L. Robertson is a writer and scholar of art history and indigenous peoples. She was born in Balcarres, Saskatchewan, of Lakota and Scottish ancestry. She is Canada Research Chair in North American Art and Material Culture in the Faculty of Arts and Social Sciences at Carleton University. Before joining Carleton, Robertson was an associate professor in the Faculty of Media, Art & Performance at the University of Regina (2006-2012). She also served as the Indian Fine Arts department head at the First Nations University of Canada where she taught from 2000-2006. A number of Robertson's writings focus on the Aboriginal Canadian artist Norval Morrisseau. She is past president of the Native Heritage Foundation of Canada.
Janet Marie Rogers is a First Nations Mohawk/Tuscarora writer from the Ontario Six Nations. Her work includes poetry and spoken-word performance poetry.
Emma LaRocque is a Canadian academic of Cree and Métis descent. She is currently a professor of Native American studies at the University of Manitoba.
Lenore Keeshig-Tobias is an Anishinabe storyteller, poet, scholar, and journalist and a major advocate for Indigenous writers in Canada. She is a member of the Chippewas of Nawash Unceded First Nation. She was one of the central figures in the debates over cultural appropriation in Canadian literature in the 1990s. Along with Daniel David Moses and Tomson Highway, she was a founding member of the Indigenous writers' collective, Committee to Reestablish the Trickster.
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