Marie Huet | |
---|---|
Born | Paris, France | 20 September 1859
Education | Society of French Artists |
Occupation | Painter |
Marie Huet (born 20 September 1859, in Paris), was a French painter of the 19th and 20th centuries. [1]
She was born in Paris. She lived in Paris as well as Solesmes [2] and Thomery.
She joined the Society of French Artists in 1887 and regularly exhibited her works. Despite the recommendation sent by the writer Emile Goudeau to the painter and jury member Antonio de La Gandara, she never received a mention. [3]
She was associated with the fashion icon Louise Chéruit. [4] In 1898, she took over the fashion house of the Raudnitz sisters, which was soon renamed Huet & Chéruit and would be a real success, crowned by a Grand Prix at the Universal Exhibition. They counted among their customers Madame Astor, the princess de Broglie, the Duchesse de Gramont and the queen of Romania. [5] The house Huet and Chéruit, the latter assuming sole artistic direction, was then one of the five big names in haute couture that dominated Paris with Callot Soeurs, Jacques Doucet, Jeanne Lanvin and Charles Worth.
She was the model of the American painter Alice Pike Barney.
Pierre Brissaud was a French Art Deco illustrator, painter, and engraver. He was born in Paris and trained at the École des Beaux-Arts and Atelier Fernand Cormon in Montmartre, Paris. His father was Dr. Édouard Brissaud, a student of Dr. Jean-Martin Charcot. His fellow students at Cormon were his brother Jacques, André-Édouard Marty, Charles Martin, and Georges Lepape. Students at the workshop drew, painted and designed wallpaper, furniture and posters. Earlier, Toulouse-Lautrec, van Gogh, and Henri Matisse had studied and worked there. Pierre's older brother Jacques Brissaud was a portrait and genre painter and his uncle Maurice Boutet de Monvel illustrated the fables of La Fontaine, songbooks for children and a life of Joan of Arc. A first cousin was the celebrated artist and celebrity portrait painter Bernard Boutet de Monvel.
Marie-Madeleine Pioche de La Vergne, Comtesse de La Fayette, better known as Madame de La Fayette, was a French writer; she authored La Princesse de Clèves, France's first historical novel and one of the earliest novels in literature.
Marie-Madeleine Guimard was a French ballerina who dominated the Parisian stage during the reign of Louis XVI. For twenty-five years she was the star of the Paris Opera. She made herself even more famous by her love affairs, especially by her long liaison with the Prince of Soubise. According to Edmond de Goncourt, when d'Alembert was asked why dancers like La Guimard made such prodigious fortunes, when singers did not, he responded, "It is a necessary consequence of the laws of motion".
Louise Catherine Breslau was a German-born Swiss painter, who learned drawing to pass the time while bedridden with chronic asthma. She studied art at the Académie Julian in Paris, and exhibited at the salon of the Société Nationale des Beaux-Arts, where she became a respected colleague of noted figures such as Edgar Degas and Anatole France.
Jean Restout the Younger was a French artist, who worked in painting and drawing. Although little remembered today, Restout was well-respected by his contemporaries for his religious compositions.
Marie-Guillemine Benoist, born Marie-Guillemine Laville-Leroux, was a French neoclassical, historical, and genre painter.
Georges Stein, born Séverin Louis Stein, was a French Impressionist artist. Stein was a painter and draughtsman, and is known primarily for light-infused views of Paris and London. He also painted scenes from Melun, Vichy, Bern, Geneva, and Monte Carlo.
Penelope Kathryn Fillon is the Welsh wife of French former politician François Fillon. She was the Spouse of the Prime Minister of France from 17 May 2007 to 10 May 2012. Born and raised in Wales, Fillon is a graduate of the University College London and the University of Bristol Law School. She worked as an English teacher at a secondary school in France in the late 1970s, where she met her future husband. François and Penelope Fillon married in 1980 and have five children. They are Catholic.
Louise Chéruit, also known as Madame Chéruit and often erroneously called Madeleine Chéruit, was a French fashion designer. She was among the foremost couturiers of her generation, and one of the first women to control a major French fashion house. Her salon operated at Place Vendôme in Paris under the name Chéruit from 1906 to 1935. She is best remembered today as the subject of a number of portraits by Paul César Helleu and for the appearance of her name in two celebrated works of literature, Marcel Proust's Remembrance of Things Past (1910) and Evelyn Waugh's Vile Bodies (1930). Her name is also frequently associated with the fashion photography of Edward Steichen, whose favorite model, Marion Morehouse, often wore gowns from the house of Chéruit for Vogue magazine in the 1920s. One particular Steichen image has become iconic – Morehouse in a jet-beaded black net Chéruit dress, first published in 1927.
Haute couture is the creation of exclusive custom-fitted high-end fashion design. The term haute couture generally refers to a specific type of upper garment common in Europe during the 16th to the 18th century, or to the upper portion of a modern dress to distinguish it from the skirt and sleeves. Beginning in the mid-nineteenth century, Paris became the centre of a growing industry that focused on making outfits from high-quality, expensive, often unusual fabric and sewn with extreme attention to detail and finished by the most experienced and capable of sewers—often using time-consuming, hand-executed techniques. Couture translates literally from French as "dressmaking", sewing, or needlework and is also used as a common abbreviation of haute couture and can often refer to the same thing in spirit.
Sabine Pigalle is a French photographer and an artist. She was born in Rouen in France in 1963, and now lives and works in Paris. Pigalle studied at Sorbonne University and worked with Helmut Newton for four years focusing on fashion photography before moving on to more personal projects.
Jeanne Forain was a French painter and sculptor. She was the wife of the painter and caricaturist Jean-Louis Forain.
Louise Hervieu was a French writer, artist, painter, draftsman, and lithographer.
Marquis Boniface Antoine de Castellane was a French aristocrat, most notable as deputy for Cantal and as father of Boni de Castellane.
École Saint-Joseph is a French Catholic school ruled by the Ministry of National Education and based in Solesmes, Nord department, within the Hauts-de-France bordering Belgium. It was founded in 1892 by the Roman Catholic Archdiocese of Cambrai of the Latin Church and is attached to the Cambrai - Le Cateau-Cambrésis educational district contractually regulated by Lille. It is part of the Saint-Pierre consortium comprising schools in three other cities. The manor is a regional landmark due to its typical architecture. As of September 2018, it has more than three hundred pupils supervised by a staff of around forty agents.
Madeleine Zillhardt was a French artist, writer, decorator and painter. Her life and career are linked to another artist, the German-Swiss painter Louise Catherine Breslau, of whom she was the companion, the muse and the inspirer. They lived together for more than forty years, and their lives turned towards the arts. She was the sister of painter Jenny Zillhardt.
Aline Alaux was a French painter.
Mannequins of Paris is a 1956 French drama film directed by André Hunebelle and starring Madeleine Robinson, Ivan Desny and Mischa Auer. It is set in the world of high fashion. The film's sets were designed by the art director Lucien Carré. It was shot in Technicolor with location shooting in Paris, Cannes and Rome.
Germaine Tambour was a French resistance fighter during World War II.
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