Marie Soldat-Roeger (born in Graz (Styria), March 25, 1863, died in Graz (Styria), September 30, 1955) was a violin virtuoso active in orchestral and chamber music in the Vienna of the late 19th and early 20th centuries. A pupil of violin master Joseph Joachim, she was born 'Marie Soldat', but in 1889 married a lawyer named Roeger.
While studying with Joachim at the Berlin Hochschule für Musik, she won the Mendelssohn Prize in 1880. [1] [2]
Marie Soldat-Roeger became friends with Marie Baumayer, an Austrian pianist, Baumayer was friends with Clara Wittingstein (part of the important Wittgenstein family) and Johannes Brahms. The latter introduced her to Joseph Joachim, who trained her in violin. For many years, she was the only woman to play Brahms's Violin Concerto. [3]
In the late 1880s and early 1890s, she formed an all-female string quartet, in which she played first violin. Agnes Tschetschulin played second violin, Gabriele Roy played viola and Lucy Hebert Campbell played cello. The group toured and was managed by the Herman Wolff Agency, which also managed the Berlin Philharmonic. The group was billed as the world's first all-female professional string quartet. [4] [5]
In 1896, she founded the celebrated, all-female Soldat-Roeger Quartet, whose viola-player was Natalie Bauer-Lechner, Elsa Edle von Plank as second violinist (replacing Ella Finger-Bailetti in 1898), and Leontine Gärtner as cellist (replacing Lucy Herbert Campbell in 1903). [6] This quartet would perform at Soirées musicales presenting modern music. [3]
Max Bruch was a German Romantic composer, violinist, teacher, and conductor who wrote more than 200 works, including three violin concertos, the first of which has become a staple of the violin repertoire.
Joseph Joachim was a Hungarian violinist, conductor, composer and teacher who made an international career, based in Hanover and Berlin. A close collaborator of Johannes Brahms, he is widely regarded as one of the most significant violinists of the 19th century.
The Violin Concerto in D major, Op. 77, was composed by Johannes Brahms in 1878 and dedicated to his friend, the violinist Joseph Joachim. It is Brahms's only violin concerto, and, according to Joachim, one of the four great German violin concerti:
The Germans have four violin concertos. The greatest, most uncompromising is Beethoven's. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart's jewel, is Mendelssohn's.
Antonio Bazzini was an Italian violinist, composer and teacher. As a composer, his most enduring work is his chamber music, which earned him a central place in the Italian instrumental renaissance of the 19th century. However, his success as a composer was overshadowed by his reputation as one of the finest concert violinists of the nineteenth century. He also contributed to a portion of Messa per Rossini, specifically the first section of II. Sequentia, Dies Irae.
Natalie [Natalia Anna Juliana] Bauer-Lechner was an Austrian violist who is best known to musicology for having been a close and devoted friend of Gustav Mahler in the period between 1890 and the start of Mahler's engagement to Alma Schindler in December 1901. During this period, she kept a private journal which provides a unique picture of Mahler's personal, professional and creative life during and just after his thirties, including an exclusive preview of the structure, form, and content of his third symphony.
Alwin Georg Kulenkampff-Post (23 January 1898 – 4 October 1948) was a German virtuoso violinist. One of the most popular German concert violinists of the 1930s and 1940s, he was considered one of the finest violinists of the 20th century.
Marcus Tanneberger is a German violinist.
Karel Halíř was a Czech violinist who lived mainly in Germany. "Karel" is also given as Karol, Karl or Carl; "Halíř" is also given as Halir or Haliř.
Robert Hausmann was a notable 19th-century German cellist who premiered important works by Johannes Brahms and Max Bruch. He was the cellist for the Joachim Quartet and taught at the Berlin Königliche Hochschule für Müsik.
Amalie Marie Joachim was an Austrian-German contralto, working in opera and concert and as voice teacher. She was the wife of the violinist Joseph Joachim, and a friend of Clara Schumann and Johannes Brahms, with whom she made international tours.
Beatrix Borchard is a German musicologist and author. The focus of her publications is the life and work of female and male musicians, such as Clara and Robert Schumann, Amalie and Joseph Joachim, Pauline Viardot-Garcia, and Adriana Hölszky. Also among her topics are the role of music in the process of Jewish assimilation, the history of musical interpretation, and strategies of Kulturvermittlung.
Antje Weithaas is a German classical violinist. Apart from solo recitals and chamber music performances, she has played with leading orchestras in Europe, Asia and the United States.
Wilhelm Stross was a German violinist and composer. He was professor at the Hochschule für Musik und Theater München and the Hochschule für Musik und Tanz Köln as well as first violin of the Stross Quartet.
Auguste Hohenschild was a German alto and singing teacher. She was trained by Amalie Joachim and performed together with Marie Fillunger, among others. From 1893 to 1922, she was married to Andreas Heusler, a German scholar, and lived in Berlin for several years.
The Kuss Quartet with Jana Kuss (violin), Oliver Wille (violin), William Coleman (viola) and Mikayel Hakhnazaryan (cello) is a Berlin-based string quartet. It was founded in 1991 at the Hochschule für Musik "Hanns Eisler" by the two violinists of the ensemble and has been playing in its current formation since 2008.
Pauline Sachse is a German violist, chamber musician, and professor at the Hochschule für Musik und Theather Felix Mendelssohn Bartholdy.
Agnes Tschetschulin was a Finnish composer and violinist who toured internationally.
Andreas Frölich is a German pianist and teacher at the Hochschule für Musik und Tanz Köln.
Gabriele Wietrowetz was an Austrian concert violinist and academic. She appeared in many countries in Europe, and led a string quartet in England.
The Grimson family was a family of classical musicians active in London from the early 1870s.
À partir de 1898, la violoniste Elise von Planck remplace Ella Finger-Bailetti, et en 1903, la violoncelliste Leontine Gärtner prend la place de Lucy Herbert Campbell qui jouait déjà dans la première formation de Marie Soldat. (At the end of 1898, the violinist Elise von Planck replaced Ella Finger-Bailetti, and in 1903, the cellist Leontine Gärtner took the place of Lucy Herbert Campbell who already played in the first formation [quartet] of Marie Soldat)