| Mariken van Nieumeghen | |
|---|---|
 Film poster | |
| Directed by | Jos Stelling |
| Written by | Jos Stelling |
| Produced by |
|
| Starring | Eric Bais |
| Cinematography | Ernest Bresser |
| Edited by |
|
Release date |
|
Running time | 80 minutes |
| Country | Netherlands |
| Language | Dutch |
Mariken van Nieumeghen is a 1974 Dutch drama film directed by Jos Stelling. It is based on the 16th-century text Mariken van Nieumeghen . It was entered into the 1975 Cannes Film Festival. [1]
Cast and crew consisted of amateurs. As most of them had daytime jobs, the film was mostly shot over weekends. Ronnie Montagne, who had studied pedagogy, played Mariken. The one-eyed Moenen was played by Arielle Bailleux, a young physicist. After shooting this film they both went to the United States to complete their doctorate degrees at Stanford University, California, and never acted again. [2]
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Jos Stelling is a Dutch film director and screenwriter.
Mariken is a 2000 Dutch film directed by André van Duren. The screenplay is based on Peter van Gestel's children's book Mariken, an adaptation of the early sixteenth-century text Mariken van Nieumeghen.
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Mariken van Nieumeghen(Mary of Nijmegen) is a miracle play recorded in a Middle Dutch text from the early 16th century. The protagonist Mariken of the story spends seven years with the devil, after which she is miraculously released. The oldest edition dates from 1515 and was printed by Willem Vorsterman. Linguistic evidence suggests it was written by a poet from an Antwerp chamber of rhetoric.
Elckerlyc is a 1975 Dutch drama film directed by Jos Stelling and starring George Bruens. It is also known as Elckerlijc and Elkerlyc. It tells the story of a criminal who falls in love with a girl in medieval times. The film is loosely based on the 15th-century morality play with the same title. Like in Stellings's previous film, Mariken van Nieumeghen, most of the actors are non-professionals. The film was released in Dutch cinemas on 18 December 1975.
Peter van Gestel was a Dutch writer.
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