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Carl Ruggles was an American composer, painter and teacher. His pieces employed "dissonant counterpoint", a term coined by fellow composer and musicologist Charles Seeger to describe Ruggles' music. His method of atonal counterpoint was based on a non-serial technique of avoiding repeating a pitch class until a generally fixed number of eight pitch classes intervened. He is considered a founder of the ultramodernist movement of American composers that included Henry Cowell and Ruth Crawford Seeger, among others. He had no formal musical education, yet was an extreme perfectionist—writing music at a painstakingly slow rate and leaving behind a very small output.
Walter Hamor Piston, Jr., was an American composer of classical music, music theorist, and professor of music at Harvard University.
Douglas Stuart Moore was an American composer, songwriter, organist, pianist, conductor, educator, actor, and author. A composer who mainly wrote works with an American subject, his music is generally characterized by lyricism in a popular or conservative style which generally eschewed the more experimental progressive trends of musical modernism. Composer Virgil Thomson described Moore as a neoromantic composer who was influenced by American folk music. While several of his works enjoyed popularity during his lifetime, only his folk opera The Ballad of Baby Doe (1956) has remained well known into the 21st century.
Edward Alexander MacDowell was an American composer and pianist of the late Romantic period. He was best known for his second piano concerto and his piano suites Woodland Sketches, Sea Pieces and New England Idylls. Woodland Sketches includes his most popular short piece, "To a Wild Rose". In 1904 he was one of the first seven Americans honored by membership in the American Academy of Arts and Letters.
Louise Juliette Talma was an American composer, academic, and pianist. After studies in New York and in France, piano with Isidor Philipp and composition with Nadia Boulanger, she focused on composition from 1935. She taught at the American Conservatory in Fontainebleau, and at Hunter College. Her opera The Alcestiad was the first full-scale opera by an American woman staged in Europe. She was the first woman in the National Institute of Arts and Letters and the first woman awarded the Sibelius Medal for Composition.
Samuel Hans Adler is an American composer, conductor, author, and professor. During the course of a professional career which ranges over six decades he has served as a faculty member at both the University of Rochester's Eastman School of Music and the Juilliard School. In addition, he is credited with founding and conducting the Seventh Army Symphony Orchestra which participated in the cultural diplomacy initiatives of the United States in Germany and throughout Europe in the aftermath of World War II. Adler's musical catalogue includes over 400 published compositions. He has been honored with several awards including Germany's Order of Merit – Officer's Cross.
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Margaret Brouwer is an American composer and composition teacher. She founded the Blue Streak Ensemble chamber music group.
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Ruth Zechlin was a German composer.
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References
- 1 2 3 4 5 "Obituary for Marilyn J. Ziffrin at Chadwick Funeral and Cremation Service". www.meaningfulfunerals.net. Retrieved May 19, 2018.
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Schantz, Malinda (Spring 1998). "Marilyn J. Ziffrin: A Lifetime of Creating Music" (PDF). Sonneck Society for American Music. Retrieved September 27, 2010.
- 1 2 "Marilyn J. Ziffrin Interview with Bruce Duffie . . . . . . . . ". www.bruceduffie.com. Retrieved October 29, 2024.
- ↑ Sadie, Julie Anne; Samuel, Rhian (1994). The Norton/Grove dictionary of women composers. W. W. Norton & Company. ISBN 9780393034875 . Retrieved October 4, 2010.
- ↑ Ziffrin, Marilyn J. (1994). Carl Ruggles : composer, painter, and storyteller. University of Illinois Press. ISBN 0-252-02042-1. OCLC 868950787.
- ↑ Organ and Harpsichord Music by Women Composers
