Marina Apollonio

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Marina Apollonio
Born (1940-11-12) 12 November 1940 (age 83)
Trieste, Italy
Known forpainting
Movement Op art, kinetic art

Marina Apollonio (born 12 November 1940) is an Italian painter and optical artist. She lives and works in Padua. [1]

Contents

Work

Apollonio was born in Trieste on 12 November 1940. She and her family moved to Venice when she was eight. In Venice she attended the Accademia di Belle Arti di Venezia.

In 1963, Apollonio produced her first work, Metal Reliefs with Alternate Color Sequences. She shared with other Op-Artists the interest in a depersonalized art, as opposite to Abstract Expressionism. She used industrial material in her process, creating dynamic and fluctuating environments in the user's perception. [2]

In 1965, she became part of the international Op art movement, meeting and exhibiting with artists such as Gruppo N Padua; Gruppo T Milan; Getulio Alviani; Dadamaino and Azimuth Milan. In the same year she was invited to Nova Tendencija 3, [3] an international group show held at the Galerija Suvremene Umjetnosti in Zagreb, to Aktuel ’65 at the Galerie Aktuel Bern and, together with Getulio Alviani and Paolo Scheggi, the Oeuvres Plastiques et Appliquèes at Galerie Smith in Brussels. [4]

In 1975, Apollonio started making work based on the orthogonal relationship of parallel colored lines. In 1981 she expanded her practice to textiles, showing her works at the Laboratorio Artivisive Foggia and later, in 1983, at the exhibitions Morbide & Trame, at the Civica Galleria d’Arte Contemporanea in Foggia and Testi Tessili, at the Il Monte Analogo Library in Rome.

In 2007, she presented her work Spazio ad attivazione cinetica 1967-1971/2007, a 10-meter rotating disc, in the Schirn Kunsthalle Frankfurt for the international show Op Art, [5] where she was invited to exhibit together with Victor Vasarely, Bridget Riley, François Morellet, Julio Le Parc and Gianni Colombo. Her work has also been included in other Op art shows such as Optic Nerve: Perceptual Art of the 1960s, at the Columbus Museum of Art and Bit International Nove tendencije - Computer und visuelle Forschung. Zagreb 1961-1973, at the Neue Galerie in Graz. [6]

Her works have been reviewed by major news publications. [7] [8] [9]

Marina Apollonio immersed in her work - September 2019 Marina Apollonio immersa nella sua opera..jpg
Marina Apollonio immersed in her work - September 2019

Selected solo exhibitions

Selected group exhibitions

Museums and public collections

Bibliography

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References

  1. "Guggenheim". Archived from the original on 2017-07-09. Retrieved 2020-02-10.
  2. "Arte Programmata: Italian Kinetic Art from the 1960s — review". ft.com. October 11, 2016. Retrieved November 9, 2016.
  3. "bit - Nova tendencija 3". 2.zkm.de. 2006-05-01. Retrieved 2016-11-17.
  4. "Op Art Through a Latin Lens". The New York Times . February 18, 2016. Retrieved November 9, 2016.
  5. "SCHIRN KUNSTHALLE FRANKFURT | Exhibition". Archived from the original on 2014-09-02. Retrieved 2013-05-28.
  6. "Op and Kinetic Art Returns to New York in a Sprawling, Fresh Survey". observer.com. February 10, 2016. Retrieved November 9, 2016.
  7. "Art Sales: can the Italian art market maintain momentum?". telegraph.co.uk. October 4, 2016. Retrieved November 9, 2016.
  8. "Simon's World . . . On Instagram". artnet.comm. March 5, 2015. Retrieved November 9, 2016.
  9. "Dorotheum: Immer noch die Malerei". diepresse.com. May 28, 2016. Retrieved November 9, 2016.
  10. Grundtvig, Brigitte; McLaughlin, Martin L.; Lene, Waage Petersen (2007). Image, Eye and Art in Calvino: Writing Visibility. MHRA. p. 206. ISBN   978-1904350590 . Retrieved November 9, 2016.