Mario Levrero | |
---|---|
Born | Jorge Mario Varlotta Levrero 23 January 1940 Montevideo, Uruguay |
Died | 30 August 2004 64) | (aged
Nationality | Uruguayan |
Occupation | Author |
Jorge Mario Varlotta Levrero (23 January 1940 - 30 August 2004), better known as Mario Levrero, was a Uruguayan author. He authored nearly 20 novels as well as writing articles, columns, comic books and crosswords. [1] His work is said to be influenced by Franz Kafka, Lewis Carroll and surrealism. [2] [3] [4] Throughout his life he shunned publicity and was difficult with interviewers. Regardless, he became a cult figure in Uruguay and Argentina. [5] [4]
His writing was often branded as science fiction or genre fiction, a categorisation he strongly rejected. [2] [4] Critics have commented on the both sinister and humorous nature of his work. [4] [1]
Levrero was born in Montevideo in 1940 to an Italian-Uruguayan family. [1] [4] He stopped attending school at age 14 due to a heart murmur and instead spent his time in bed, reading and listening to tango music. [5]
Having never finished school, he claimed that attending a tango club was his university. In his twenties, he ran a secondhand bookshop with a friend and was briefly a member of the Communist Party of Uruguay's youth wing. [5] His first short stories were published in science fiction magazines in Buenos Aires. [2]
In 1966, Levrero wrote his first novel La ciudad (The City). [5] He claimed the book was his attempt to "translate Kafka into Uruguayan". Published in 1970, the novel became part of what he described as an "involuntary trilogy" along with Paris (1980) and El lugar (1982). [1] By the 1980s, Levrero was gaining more mainstream recognition after receiving an award for his novella Desplazamientos. [4]
Levrero received a Guggenheim Grant in 2000 to finish work on a project he had begun in 1984 that he called La novela luminosa. [6] Intended to be an account of a transcendental experience, the posthumously published work ended up as a composite of a diary detailing failed attempts at writing the novel and unedited chapters of the incomplete novel. [6] It is widely regarded as his masterpiece. [5]
Levrero died in Montevideo in 2004. [1]
Levrero's work has inspired Latin American writers such as Rodolfo Fogwill, César Aira and Alejandro Zambra. [7]
Tango is a style of music in 2
4 or 4
4 time that originated among European and African immigrant populations of Argentina and Uruguay. It is traditionally played on a solo guitar, guitar duo, or an ensemble, known as the orquesta típica, which includes at least two violins, flute, piano, double bass, and at least two bandoneóns. Sometimes guitars and a clarinet join the ensemble. Tango may be purely instrumental or may include a vocalist. Tango music and dance have become popular throughout the world.
Juan Carlos Onetti Borges was a Uruguayan novelist and author of short stories.
Ricardo Piglia was an Argentine author, critic, and scholar best known for introducing hard-boiled fiction to the Argentine public.
Ángel A. Rama was a Uruguayan writer, academic, and literary critic, known for his work on modernismo and for his theorization of the concept of "transculturation."
Carlos Rehermann is a Uruguayan novelist and playwright, active since 1990. He has published four novels and staged five plays. He writes weekly columns on the arts. He won the Florencio Prize in 2002 for his play "A la guerra en taxi". Florencio-Nominated, 2006, winner, "Solos en el escenario"-Prize—Centro Cultural de España—for "Basura" ("Filth"). Premio Nacional de Letras for "El examen", based on an episode of the life of Primo Levi, 2008. COFONTE Prize of Dramaturgy for "El examen", 2008.
Gerardo Herrero Pérez-Gamir is a Spanish film director, screenwriter and producer. He is a prolific promoter of international coproductions and collaborations between Spain and Hispanic American countries.
Enrique Vila-Matas is a Spanish author. He has authored several award-winning books that mix genres and has been branded as one of the most original and prominent writers in the Spanish language.
Leonardo Garet is a Uruguayan writer, teacher, and member of the National Academy of Uruguay.
Idea Vilariño Romani was a Uruguayan poet, essayist and literary critic.
Juan Carlos Mondragón is a Uruguayan writer and a literary critic.
Daniel Vidart was a Uruguayan anthropologist, writer, historian, and essayist.
Inés Bortagaray Sabarrós is a Uruguayan writer and screenwriter with a degree in communication studies.
Marcia Collazo Ibáñez is a Uruguayan lawyer, teacher, and writer. She is a recipient of the Bartolomé Hidalgo Revelation Award, Woman of the Year Award in the literary field, First Prize of the Museo de la Memoria and the Ministry of Education and Culture in the Nibia Sabalsagaray Contest, and Morosoli Silver Award in Narrative.
Gloria Helena Corbellini Troche is a Uruguayan writer and professor.
Amalia "Malí" Guzmán is a Uruguayan playwright, journalist, and writer of children's literature.
Gabriela Onetto is a Uruguayan writer and philosopher.
Fernanda Trías is a Uruguayan author and translator.
Alicia Escardó Vegh is a Uruguayan writer, cultural manager, and multimedia e-learning content creator.
Sylvia Lago Carzolio is a Uruguayan writer, teacher, and literary critic. She has made a particular focus of women's issues, addressing various conflicts that women encounter in her work.
Antonio Mercero Santos, also going by Antonio Santos Mercero or simply as Antonio Mercero, is a Spanish novelist and screenwriter. He was awarded the 2021 Premio Planeta for La Bestia, written alongside Agustín Martínez and Jorge Díaz under the pen name Carmen Mola.
{{cite web}}
: CS1 maint: url-status (link){{cite web}}
: CS1 maint: url-status (link)