Related Research Articles
Giovanni Girolamo Bonesi (1653–1725) was an Italian painter of the Baroque period.
Luigi Quaini (1643–1717) was an Italian painter of the Baroque period.
Giovanni Battista Venanzi was an Italian painter of the Baroque period.
Giovanni Pietro Possenti (1618–1659) was an Italian painter of the Baroque period, active mainly as a battle painter. He was the son and pupil of Benedetto Possenti, who also was known as a painter of battle scenes. He also painted altarpieces for the churches at Bologna, Padua, Milan, and San Lorenzo, Padua.
Biagio Pupini was an Italian painter of the Renaissance period, active mainly in his native city of Bologna. He was known to be active mainly during 1530–1540. He was a disciple of Francesco Francia. He completed paintings for the church of San Giuliano, Basilica of San Giacomo Maggiore, and the church of Santa Maria della Baroncella.
Giacomo Raibolini, also called Giacomo Francia or Jacopo Francia, was an Italian painter and engraver of the Renaissance period.
Carlo Antonio Rambaldi (1680-1717) was an Italian painter of the Baroque period, active in his native Bologna.
Giacomo Locatelli was an Italian painter. Other authors call him Girolamo Locatelli.
Ercole Procaccini the Elder was an Italian painter of the Renaissance period, mainly active in Milan.
Alessandro Albini (1568–1646) was an Italian painter of the early Baroque period. He was born in Bologna, and was an early pupil of the school of the Carracci. He was known for designs he made for the funeral ceremony of Agostino Carracci. He painted a Tomb of St. Valerian and St.Tibertius for the church of San Michele in Bosco in Bologna, and paintings of St. Peter, St. Catherine, St. Agnes, and St. Cecilia for San Pietro Martyr.
Achille Calici was an Italian painter of the late Renaissance, and early Baroque. He was born in Bologna. He was a pupil first of Prospero Fontana, then of Lodovico Carracci. He painted the two laterals of the high altar in the church of San Michele Arcangelo at Bologna, representing St. Michael, and the angel Raphael and Tobias.
Antonio Alberti was an Italian painter, active mainly in the 15th century in his native city of Ferrara, as well as Bologna and Urbino.
Sebastiano Brunetti was an Italian painter active in his native Bologna. He first trained with Lucio Massari, then Guido Reni. He painted a Guardian Angel for the church of Santa Maria Maggiore at Bologna, and a Holy Family for the church of San Giuseppe Sposo, and for Santa Margherita, a Mary Magdalen praying in the Desert.
Domenico Carretti was an Italian painter, born in Bologna, and active mainly at Brescia. He painted a Virgin with the Infant Jesus and St. Theresa for the church of San Pietro in Oliveto in Brescia.
Filippo Brizzi or Briccio or Brizio (1603–1675) was an Italian painter of the Baroque period. He was born in Bologna, the son of painter and engraver, Francesco Brizzi. Filippo became a pupil of Guido Reni. He painted for the church of San Silvestre at Bologna and also an altar-piece representing Virgin Mary with St. John the Baptist and St. Silvester and St. Giuliano crowned by Angels for the church of San Giuliano.
Cristoforo Terzi (1692–1743) was an Italian painter of the late-Baroque period. He was born and died in Bologna. He was a pupil of Giuseppe Maria Crespi. He painted a San Petronio kneeling before the Virgin for the church of San Giacomo Maggiore.
Niccolò Tornioli was an Italian painter. He was born in Siena in 1598 and was in Rome from 1633.
Giulio Cesare Milani was an Italian painter of the Baroque.
Antonio Dardani (1677–1735) was an Italian painter of the Baroque period, mainly in his native Bologna..
Gaetano Alemani was an Italian painter, active mainly in Bologna in the architectural and ornamental painting (quadratura) for the decoration of churches and theatres, as well as a scenic designer.
References
- ↑ Bryan, Michael (1816). "A Biographical and Critical Dictionary of Painters and Engravers: From the Revival of the Art Under Cimabue, and the Alledged Discovery of Engraving by Finiguerra, to the Present Time : with the Ciphers, Monograms, and Marks, Used by Each Engraver, and an Ample List of Their Principal Works, Together with Two Indexes, Alphabetical and Chronological, to which is Prefixed, an Introduction, Containing a Brief Account of the Painters of Antiquity". Carpenter and Son; J. Booker; and Whittingham and Arliss.
- Bryan, Michael (1889). Walter Armstrong; Robert Edmund Graves (eds.). Dictionary of Painters and Engravers, Biographical and Critical. Vol. II L-Z. London: George Bell and Sons. p. 379.
 | This article about an Italian painter born in the 16th century is a stub. You can help Wikipedia by expanding it. |