Chandigarh is a city and union territory in northern India, serving as the shared capital of the states of Punjab and Haryana. Situated near the foothills of the Himalayas, it borders Haryana to the east and Punjab in the remaining directions. Chandigarh constitutes the bulk of the Chandigarh Capital Region or Greater Chandigarh, which also includes the adjacent satellite cities of Panchkula in Haryana and Mohali in Punjab. It is located 260 km north of New Delhi and 229 km southeast of Amritsar.
Panjab University (PU) is an Indian collegiate public state university located in Chandigarh. Funded through both State and Union governments, it is considered a state university. It traces its origins to the University of the Punjab in Lahore, which was founded in 1882. After the partition of India, the university was established on 1 October 1947, and called East Punjab University. Initially housed primarily at a cantonment in Solan, it later relocated to a newly built campus in Chandigarh, and was renamed Panjab University. It is accredited by NAAC at five star level, with the highest NAAC A++ accreditation grade.
Lucien Hervé was a Hungarian photographer. He was notable for his architectural photography, beginning with his work for Le Corbusier.
Pierre Jeanneret was a Swiss architect who collaborated with his cousin, Charles-Édouard Jeanneret, for about twenty years.
Docomomo International is a non-profit organization whose full title is: International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement.
The Chandigarh College of Architecture (CCA) is a college imparting education and research in the field of architecture. It covers the north-western region of India including the states of Punjab, Haryana, and Himachal Pradesh as well as the Union Territories of Chandigarh and Jammu and Kashmir. The college has an enrolment of 200 undergraduates.
Beatriz Colomina is an architecture historian, theorist and curator. She is the founding director of the Program in Media and Modernity at Princeton University, the Howard Crosby Butler Professor of the History of Architecture and director of graduate studies in the School of Architecture.
The Government of Punjab, also known as the State Government of Punjab or locally as the State Government, is the supreme governing authority of the Indian state of Punjab and its 23 districts. It consists of an executive, led by the Governor of Punjab, a judiciary and a legislative branch.
Government Museum and Art Gallery, Chandigarh, is a public museum of North India having collections of Gandharan sculptures, sculptures from ancient and medieval India, Pahari and Rajasthani miniature paintings. It owes its existence to the partition of India. Prior to the partition, much of the collections of art objects, paintings and sculptures present here were housed in the Central Museum, Lahore, the then capital of Punjab. The museum has one of the largest collection of Gandharan artefacts in the world.
Secretariat Building is a Le Corbusier-designed building in Chandigarh completed in 1953 to house the offices of the Chief Secretary of the Indian state of East Punjab. Since the Punjab Reorganisation Act, 1966 split East Punjab into Haryana and Punjab, Chandigarh has been the capital of both states and the Secretariat Building is shared by their respective Chief Secretaries.
Governor's Palace is a proposed government building in Chandigarh, India. The building was designed by Le Corbusier, with help from Pierre Jeanneret, a Swiss architect and Corbusier's cousin, but it wasn't built.
The Palace of Assembly is a building in Chandigarh, India which houses the Punjab Legislative Assembly and the Haryana Legislative Assembly. It was designed by modernist architect Le Corbusier. It is part of the Capitol Complex, which includes the Legislative Assembly, Secretariat and High Court. The Palace of Assembly features a circular assembly chamber, a forum for conversation and transactions, and stair-free circulation.
Jean-Louis Cohen was a French architect and architectural historian specializing in modern architecture and city planning. Since 1994 he had been the Sheldon H. Solow Professor in the History of Architecture at New York University Institute of Fine Arts.
Aditya Prakash, was an architect, painter, academic and published author. He belonged to the first generation of Indian Modernists closely associated with Chandigarh and the developmentalist practices of postcolonial India under Jawaharlal Nehru. He designed over 60 buildings all in north India. His paintings are held in private collections worldwide. His architecture and art adhered strictly to modernist principles. As an academic, he was one of the earliest Indian champions of sustainable urbanism. He published two books and several papers on this topic. His archives are held at the Canadian Centre for Architecture at Montreal, Canada. Phantom hands has released a limited collection of his chairs.
Urmila Eulie Chowdhury was an Indian architect who worked during the mid-to-late 20th century. She worked in the fields of general architecture, landscape architecture and design, and was also a teacher and writer. She was a pioneer woman architect working in India. Some sources state that she was also the first female architect in Asia. After her education she worked in close collaboration with Le Corbusier in the planning design and construction of the city of Chandigarh.
Chandigarh Capitol Complex, located in sector-1 of Chandigarh city in India, is a government compound designed by the architect Le Corbusier and his co-workers and is a UNESCO World Heritage Site. It is spread over an area of around 100 acres and is a prime manifestation of Chandigarh's architecture. It comprises three buildings: the Palace of Assembly or Legislative Assembly, Secretariat Building and the High Court plus four monuments and a lake. It was added to the UNESCO World Heritage Site List in 2016 along with sixteen other works by Le Corbusier for its contribution to the development of modernist architecture.
Diwan Manna is an Indian conceptual artist and photographer. He completed his study in graphic art and printmaking from the Government College of Art, Chandigarh in 1982. He exhibited in India, United Kingdom, Germany, France, Poland, and Italy. From 2014 to 2015 he served as the director of Triennale India, organised by Lalit Kala Akademi, National Academy of Art, Ministry of Culture, Govt of India. He served as the chairman of Chandigarh Lalit Kala Akademi, State Academy of Art, Department of Culture, Chandigarh Administration. Currently, he is serving as the president of Punjab Lalit Kala Akademi, State Academy of Art, Ministry of Culture, Government of Punjab, India.
Parmeshwari Lal Varma, often shortened to P. L. Varma, is an Indian civil engineer and a former chief engineer of Punjab. He served as an associate of Le Corbusier, the Swiss-French architect, who designed the city of Chandigarh. There have been reports that Le Corbusier wanted Verma to assist him even past his retirement from service for which Jawaharlal Nehru, the then prime minister of India, unsuccessfully requested the Government of Punjab for the extension of Verma's service. His involvement in the making of Chandigarh has been documented in a book, Le Corbusier Rediscovered: Chandigarh and Beyond, in which he has written a special article. The Government of India awarded him Padma Bhushan, the third highest Indian civilian award, in 1971. In June 2001, The Tribune noted that Verma was deceased.
Mary Caroline McLeod is a professor of architectural history and theory at Columbia University known for her examination of modern architecture, especially the work of Le Corbusier. She is a fellow of the Society of Architectural Historians, and has received many fellowships and awards, including a Brunner Award, Fulbright Fellowship, NEH award, and grants from New York Council of the Arts and the Graham Foundation.
One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash is a book by Indian architectural historian, author and academic Vikramaditya Prakash. Prakash explores the life and work of his father Aditya Prakash, a prominent figure in the first generation of Indian modernists. The book delves into Aditya Prakash's multifaceted career, from his early modernist works to his advocacy for academic inquiry in architecture. Through illustrated narratives and visual essays, the book presents insights into Prakash's philosophy, influences, and contributions to Indian architecture and urbanism.
