Misandry is the hatred of, contempt for, or prejudice against men or boys.
Masculinity is a set of attributes, behaviors, and roles associated with men and boys. Masculinity can be theoretically understood as socially constructed, and there is also evidence that some behaviors considered masculine are influenced by both cultural factors and biological factors. To what extent masculinity is biologically or socially influenced is subject to debate. It is distinct from the definition of the biological male sex, as anyone can exhibit masculine traits. Standards of masculinity vary across different cultures and historical periods. In Western cultures, its meaning is traditionally drawn from being contrasted with femininity.
Renee Cox is a Jamaican-American artist, photographer, lecturer, political activist and curator. Her work is considered part of the feminist art movement in the United States. Among the best known of her provocative works are Queen Nanny of the Maroons, Raje and Yo Mama's Last Supper, which exemplify her Black Feminist politics. In addition, her work has provoked conversations at the intersections of cultural work, activism, gender, and African Studies. As a specialist in film and digital portraiture, Cox uses light, form, digital technology, and her own signature style to capture the identities and beauty within her subjects and herself.
The Black Arts Movement (BAM) was an African-American-led art movement that was active during the 1960s and 1970s. Through activism and art, BAM created new cultural institutions and conveyed a message of black pride. The movement expanded from the accomplishments of artists of the Harlem Renaissance.
Hip hop soul is a subgenre of contemporary R&B music, most popular during the early and mid 1990s, which fuses R&B or soul singing with hip hop musical production. The subgenre had evolved from a previous R&B subgenre, new jack swing, which had incorporated hip-hop influences into R&B music. By contrast, hip hop soul is, as described in The Encyclopedia of African American Music, "quite literally soul singing over hip hop grooves".
Lad culture was a media-driven, principally British and Irish subculture of the 1990s and the early 2000s. The term lad culture continues to be used today to refer to collective, boorish or misogynistic behaviour by young heterosexual men, particularly university students.
Hypermasculinity is a psychological and sociological term for the exaggeration of male stereotypical behavior, such as an emphasis on physical strength, aggression, and human male sexuality. In the field of clinical psychology, this term has been used ever since the publication of research by Donald L. Mosher and Mark Sirkin in 1984. Mosher and Sirkin operationally define hypermasculinity or the "macho personality" as consisting of three variables:
Houston Alfred Baker Jr. is an American scholar specializing in African-American literature and Distinguished University Professor of English at Vanderbilt University. Baker served as president of the Modern Language Association, editor of the journal American Literature, and has authored several books, including The Journey Back: Issues in Black Literature and Criticism, Modernism and the Harlem Renaissance (1987), Blues, Ideology, and Afro-American Literature (1984), and Workings of the Spirit: The Poetics of Afro-American Women's Writing (1993), as well as editing literary collections. Baker was included in the 2006 textbook Fifty Key Literary Theorists, by Richard J. Lane.
Gender has been an important theme explored in speculative fiction. The genres that make up speculative fiction, science fiction, fantasy, supernatural fiction, horror, superhero fiction, science fantasy and related genres, have always offered the opportunity for writers to explore social conventions, including gender, gender roles, and beliefs about gender. Like all literary forms, the science fiction genre reflects the popular perceptions of the eras in which individual creators were writing; and those creators' responses to gender stereotypes and gender roles.
Trey Ellis is an American novelist, screenwriter, professor, playwright, and essayist. He was born in Washington D.C. and graduated from Hopkins School and Phillips Academy, Andover, where he studied under Alexander Theroux before attending Stanford University, where he was the editor of the Stanford Chaparral and wrote his first novel, Platitudes in a creative writing class taught by Gilbert Sorrentino. He is a professor of Professional Practice in the Graduate School of the Arts at Columbia University.
Since the 19th century, men have taken part in significant cultural and political responses to feminism within each "wave" of the movement. This includes seeking to establish equal opportunities for women in a range of social relations, generally done through a "strategic leveraging" of male privilege. Feminist men have also argued alongside writers like bell hooks, however, that men's liberation from the socio-cultural constraints of sexism and gender roles is a necessary part of feminist activism and scholarship.
Metrosexual is a term for a man who is especially meticulous about his personal style, grooming and appearance. It is often used to refer to heterosexual men who are perceived to be effeminate rather than strictly adhering to stereotypical masculinity standards. Nevertheless, the term is generally ambiguous on the assigned sex and sexual orientation of a man; it can apply to cisgender or transgender men, and it can apply to heterosexual, gay or bisexual men.
Misogyny in rap music is defined as lyrics, videos, or other components of rap music that encourage, glorify, justify, or legitimize the objectification, exploitation, or victimization of women. It is an ideology that depicts women as objects for men to own, use, and abuse. It reduces women to expendable beings. It might include everything from innuendos to stereotypical characterizations and defamations.
Hip hop feminism is a sub-set of black feminism that centers on intersectional subject positions involving race and gender in a way that acknowledges the contradictions in being a black feminist, such as black women's enjoyment in hip hop music and culture, rather than simply focusing on the victimization of black women in hip hop culture due to interlocking systems of oppressions involving race, class, and gender.
Misogynoir is a term referring to the combined force of anti-Black racism and misogyny directed towards black women. The term was coined by black feminist writer Moya Bailey in 2008 to address misogyny directed toward black transgender and cisgender women in American visual and popular culture. The concept of misogynoir is grounded in the theory of intersectionality, which analyzes how various social identities such as race, gender, class, age, ability, and sexual orientation interrelate in systems of oppression.
Dr. Heathcliff Huxtable is a fictional character and the protagonist of the NBC sitcom The Cosby Show, which aired from 1984 to 1992. He was portrayed by actor and comedian Bill Cosby and appeared in all 201 episodes of the show.
Feminist activism in hip hop is a feminist movement based by hip hop artists. The activism movement involves doing work in graffiti, break dancing, and hip hop music. Hip hop has a history of being a genre that sexually objectifies and disrespects women ranging from the usage of video vixens to explicit rap lyrics. Within the subcultures of graffiti and breakdancing, sexism is more evident through the lack of representation of women participants. In a genre notorious for its sexualization of women, feminist groups and individual artists who identify as feminists have sought to change the perception and commodification of women in hip hop. This is also rooted in cultural implications of misogyny in rap music.
Theodore Aloysius "Theo" Huxtable is a fictional character who appears in the American sitcom The Cosby Show, portrayed by actor Malcolm-Jamal Warner.
The term post-soul was coined by Nelson George in a 1992 Village Voice feature article, "Buppies, B-boys, BAPS, and Bohos." The article contained a chronology of significant shifts in African-American culture since the 1970s, exemplified by Melvin Van Peebles, Muhammad Ali, Stevie Wonder, and James Brown. In 2005, George reworked his chronology in a book entitled Post Soul Nation: The Explosive, Contradictory, Triumphant, and Tragic 1980s as Experienced by African Americans . Unlike the wider scope of George's original Village Voice article, Post-Soul Nation focuses on the 1980s to describe a series of political, social, and cultural shifts which helped reshape the African-American experience in the United States after the civil-rights era.
Masculinity, often linked to manhood, encompasses traits, behaviors, and roles traditionally associated with men. In Western societies, masculinity is often characterized by strength, leadership, and independence. For African American men, this identity intersects with broader societal and cultural norms shaped by historical subjugation and systemic oppression. In We Real Cool: Black Men and Masculinity, the author bell hooks argues that historical factors like slavery and systemic oppression shaped notions of Black masculinity, pushing some men to adopt hyper-masculine traits for survival and recognition. African American masculinity both adapts to and resists dominant narratives, such as hegemonic masculinity often tied to White culture, while facing scrutiny in various social settings. This complex identity reflects adaptation, resistance, and the influence of historical and ongoing racial dynamics.
