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Mark Coniglio | |
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Born | 1961 (age 61–62) Omaha, Nebraska, United States |
Occupation(s) | Media artist, composer, programmer |
Mark Coniglio (born 1961 in Omaha, Nebraska) is a media artist, composer, and programmer. He is recognized as a pioneer in the integration of live performance and interactive digital technology. [1] With choreographer Dawn Stoppiello he is co-founder of Troika Ranch, a New York City based performance group that integrates music, dance, theater and interactive digital media in its performance works. [2] He is also the creator of Isadora, a flexible media manipulation tool that provides interactive control over digital video and sound. [3]
A native of Nebraska, his career began with a five-year tenure as a producer for American Gramaphone Records, during which time he received a performance of his work by the London Symphony Orchestra. He studied at the California Institute of the Arts with electronic music pioneer Morton Subotnick and received his degree in music composition in 1989. He taught courses in Interactive Music and was on the staff of the Center for Experiments in Art, Information and Technology at CalArts from 1990 to 1994. He also worked as an assistant to film composer Danny Elfman before leaving Los Angeles for New York City in 1994.
Coniglio’s work with Stoppiello has been recognized with several honors. Their evening-length work Future of Memory was awarded a 2003 Dance Audience Bessie Award, an honorary mention at the 2004 Prix Ars Electronica Cyberarts Competition, and a 2005 “Eddy” Award from Live Design Magazine in New York City. Coniglio is a two-time recipient of the Digital Artists Fellowship at Dance Theater Workshop, and was selected to facilitate that program in 2005.
Recent collaborations outside Troika Ranch include creating video environments for Laurie Anderson's new "Homeland" concert in New York City, serving as video artist for the production of "Die Süße unserer traurigen Kindheit" by composer Hans Tutschku, and creating a wireless camera system for choreographer Judith Jamison for a performance by Alvin Ailey American Dance Theater
Coniglio remains particularly interested in creating custom interactive systems that allow the movements or vocalizations of dancers to manipulate video, sound, and light in real-time. His first technological breakthrough in this area came in 1989 when he created MidiDancer, a wireless system that measured the angular change at several joints on the dancer's body, allowing the performer interactively control music. He later collaborated with Morton Subotnick to create Interactor, a graphic programming tool that allowed real time manipulate of MIDI audio and other digital media. He continued this process when he created Isadora. Initially created solely to realize the works of Troika Ranch, Isadora is currently in use by hundreds of artists worldwide to facilitate the creation of their interactive performance works or installations.
Dense rhythmic constructions and the use of sampled sound to create unusual percussive instruments are two of the hallmarks of his compositions. His music was perhaps best described by Keyboard Magazine who said “Coniglio’s [music] consistently expresses a deep, sustained heaviness and ferocity. Powered by big drum sounds, surging phrases, and throbbing rhythms, it attacks the listener with stealth and force.”
Digital music technology encompasses digital instruments, computers, electronic effects units, software, or digital audio equipment by a performer, composer, sound engineer, DJ, or record producer to produce, perform or record music. The term refers to electronic devices, instruments, computer hardware, and software used in performance, playback, recording, composition, mixing, analysis, and editing of music.
Morton Subotnick is an American composer of electronic music, best known for his 1967 composition Silver Apples of the Moon, the first electronic work commissioned by a record company, Nonesuch. He was one of the founding members of California Institute of the Arts, where he taught for many years.
Sound design is the art and practice of creating soundtracks for a variety of needs. It involves specifying, acquiring or creating auditory elements using audio production techniques and tools. It is employed in a variety of disciplines including filmmaking, television production, video game development, theatre, sound recording and reproduction, live performance, sound art, post-production, radio, new media and musical instrument development. Sound design commonly involves performing and editing of previously composed or recorded audio, such as sound effects and dialogue for the purposes of the medium, but it can also involve creating sounds from scratch through synthesizers. A sound designer is one who practices sound design.
Buchla Electronic Musical Instruments (BEMI) was a manufacturer of synthesizers and unique MIDI controllers. The origins of the company could be found in Buchla & Associates, created in 1963 by synthesizer pioneer Don Buchla of Berkeley, California. In 2012 the original company led by Don Buchla was acquired by a group of Australian investors trading as Audio Supermarket Pty. Ltd. The company was renamed Buchla Electronic Musical Instruments as part of the acquisition. In 2018 the assets of BEMI were acquired by a new entity, Buchla U.S.A., and the company continues under new ownership.
Carl Stone is an American composer, primarily working in the field of live electronic music. His works have been performed in the United States, Canada, Europe, Asia, Australia, South America, and the Near East.
Strictly, digital theatre is a hybrid art form, gaining strength from theatre's ability to facilitate the imagination and create human connections and digital technology's ability to extend the reach of communication and visualization.
Donald Buchla was an American pioneer in the field of sound synthesis. Buchla popularized the "West Coast" style of synthesis. He was co-inventor of the voltage controlled modular synthesizer along with Robert Moog, the two working independently in the early 1960s.
Mirosław Rogala is a Polish-born American video artist and interactive artist. He has worked in the areas of interactive art, video installation and live performance, post-photographic transformation, and musical composition.
Fylkingen - New Music and Intermedia Art is an artist-run venue and member based organisation committed to contemporary experimental performing arts. Over 300 artists from various disciplines use the space to develop and present new work. Today Fylkingen represents a wide field of artistic practices, including EAM, dance, performance art, video art, improvisation music, sound art, etc. It also produces and distributes recorded material through its own label Fylkingen Records since 1966. It is also from the same year that Fylkingen started to publish its own periodicals intermittently.
Gary Lee Nelson is a composer and media artist who taught at Oberlin College in the TIMARA department. He specializes in algorithmic composition, real-time interactive sound and video along with digital film making.
Bora Yoon is a Korean-American experimental electroacoustic composer and musician known for her use of unconventional instruments and musical technology in her music. An interdisciplinary sound artist, vocalist and TED2014 Fellow, she gathers and uses instruments and timbres from various centuries and cultures, to create immersive audiovisual experiences, with architecture, and acoustics.
Silver Apples of the Moon is the debut album by American composer and musician Morton Subotnick, released by Nonesuch Records in July 1967. It contains the titular composition which is divided into two parts. A showcase for the Buchla 100 synthesizer, an early analogue synthesizer that the composer helped develop, it was the first piece of electronic music commissioned by a record company.
Modern dance is a broad genre of western concert or theatrical dance which included dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries. It was considered to have been developed as a rejection of, or rebellion against, classical ballet, and also a way to express social concerns like socioeconomic and cultural factors.
The terms dance technology and Dance and Technology refer to application of modern information technology in activities related to dance: in dance education, choreography, performance, and research.
Troika Ranch is an American/German performance ensemble. It creates contemporary, hybrid artworks through an ongoing examination of the moving body and its relationship to technology. The company is the collaborative vision of artists Mark Coniglio and Dawn Stoppiello.
Tony Martin was an American painter and new media artist known for his groundbreaking light art and viewer interactive sculptures and installations, and the paintings associated with those works. His six decade painting career includes expressionistic figural work and abstraction developed from his life and environs.
The Brooklyn College Center for Computer Music (BC-CCM) located at Brooklyn College of the City University of New York (CUNY) was one of the first computer music centers at a public university in the United States. The BC-CCM is a community of artists and researchers that began in the 1970s.
Electronic Café International (ECI), established in 1988 by Kit Galloway and Sherrie Rabinowitz, is a performance space and real café housed in the 18th Street Arts Center in Santa Monica, California.
Nina Sobell is a contemporary sculptor, videographer, and performance artist. She began creating web-based artworks in the early 1990s.
Eric Singer is a multi-disciplinary artist, musician and software, electrical, computer, robotics, and medical device engineer. He is known for his interactive art and technology works, robotic and electronic musical instruments, fire art, and guerilla art.