Mark Johnson | |
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Mark Johnson | |
Background information | |
Birth name | Mark Stephen Johnson |
Born | Yorktown Heights, New York, United States | May 20, 1955
Genres | Americana, bluegrass, folk |
Occupation(s) | Musician, Songwriter, Composer |
Instruments | Banjo |
Years active | 1981–present |
Labels | Pinecastle, Mountain Home, Bangtown Records |
Associated acts | The Rice Brothers, Emory Lester |
Mark Johnson (born May 20, 1955) is an American banjoist credited with creating a style of five string banjo playing called Clawgrass, which incorporates bluegrass and clawhammer banjo styles as well as bluegrass guitar styles and bluegrass ensemble techniques. [1] He, along with Emory Lester was nominated by the International Bluegrass Music Association (IBMA) for a 2007 Instrumental Album of the Year award. [2] and presented with the 2012 Steve Martin Prize for Excellence in Banjo and Bluegrass. [3] He is a spokesman for the Deering Banjo Co., which named two Clawgrass model banjos after him. [4]
Johnson was raised in Yorktown Heights, New York and started playing banjo at the age of 15. In 1971, he began his first banjo lessons with Jay Ungar in Garrison, NY. While studying with Ungar he learned the "Frailing Style" of five string banjo playing. [5] Johnson is self taught in the Scruggs and Melodic style of bluegrass banjo playing. [6]
Johnson moved to Crystal River, FL in 1981 to work as a contract Health Physics Technician at a local electric utility. It is there that he met Herb Rice, Larry Rice and Ronnie Rice. [7] The Rice family included him in their musical activities, where Johnson began to apply and adjust his clawhammer banjo techniques to work in bluegrass and duet playing ensembles.
Johnson continued to work with Tony and Larry Rice from 1984 to 1993. It was during this time that Tony Rice taught Johnson critical techniques in performance art, writing, creating music and recording. This led to recording several duets and bluegrass ensemble covers and original compositions on Johnson's first self- produced CD entitled Clawgrass - Mark Johnson with The Rice Brothers and Friends on the Bang label in 1994.
Johnson later performed extensively with mandolinist Emory Lester. The duo released their first album, Acoustic Campaign, in 2002, and over the years have released four more albums together. [5]
In 2012, while working during the week as emergency management director in Florida, Johnson was presented with the Steve Martin Prize for Excellence in Banjo and Bluegrass. [8] [9] The next year he released an album, 1863, with Emory Lester. [10]
In 2017, Johnson and banjoist MIke Snider performed together at the Grand Ole Opry in Nashville. [8]
Year | Title | Label |
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1994 | Clawgrass Mark Johnson with the Rice Brothers and Friends | Bang 1 |
1998 | Mark Johnson & Clawgrass - Bridging the Gap | Pinecastle |
2002 | Mark Johnson & Emory Lester -Acoustic Campaign | Bangtown Records |
2006 | Mark Johnson & Emory Lester -Acoustic Rising | Mountain Home |
2010 | Mark Johnson & Emory Lester -Acoustic Vision | Bangtown Records |
2013 | Mark Johnson & Emory Lester -1863 | Bangtown Records |
2017 | Mark Johnson & Emory Lester -Acoustic Milestones (20 Years) | Bangtown Records |
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and usually made of plastic, or occasionally animal skin. Early forms of the instrument were fashioned by African-Americans in the United States, adapted from African instruments of similar design. The banjo is frequently associated with folk and country music, and has also be used in some rock songs. Several rock bands, such as The Eagles, Led Zeppelin, and The Allman Brothers, have used the five-string banjo in some of their songs. Historically, the banjo occupied a central place in African-American traditional music and the folk culture of rural whites before entering the mainstream via the minstrel shows of the 19th century. Along with the fiddle, the banjo is a mainstay of American styles of music, such as Bluegrass and old-time music. It is also very frequently used in traditional ("trad") jazz.
Earl Eugene Scruggs was an American musician noted for popularizing a three-finger banjo picking style, now called "Scruggs style", which is a defining characteristic of bluegrass music. His three-finger style of playing was radically different from the traditional way the five-string banjo had previously been played. This new style of playing became popular and elevated the banjo from its previous role as a background rhythm instrument to featured solo status. He popularized the instrument across several genres of music.
Stephen Glenn Martin is an American actor, comedian, writer, producer, and musician. Martin came to public notice in the 1960s as a writer for The Smothers Brothers Comedy Hour, and later as a frequent host on Saturday Night Live. In the 1970s, Martin performed his offbeat, absurdist comedy routines before packed houses on national tours. Since the 1980s, having branched away from comedy, Martin has become a successful actor, as well as an author, playwright, pianist, and banjo player, eventually earning Emmy, Grammy, and American Comedy awards, among other honors.
Scruggs style is the most common style of playing the banjo in bluegrass music. It is a fingerpicking method, also known as three-finger style. It is named after Earl Scruggs, whose innovative approach and technical mastery of the instrument have influenced generations of bluegrass banjoists ever since he was first recorded in 1946. It contrasts with earlier styles such as minstrel, classic or parlor style, clawhammer/frailing/two-finger style, jazz styles played with a plectrum, and more modern styles such as Keith/melodic/chromatic/arpa style, and single-string/Reno style. The influence of Scruggs is so pervasive that even bluegrass players such as Bill Keith and Don Reno, who are credited with developing these latter styles, typically work out of the Scruggs style much of the time.
Clawhammer, sometimes called frailing, is a distinctive banjo playing style and a common component of American old-time music.
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