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References
- ↑ Ars (Dis)Symmetrica '99: Science Reflected in the Arts. Budapest: Institute for Research Organization, Hungarian Academy of Sciences & Symmetrion. 1999. ISBN 963-03-7910-4.
- ↑ Novak, Marlena (2002). "23: Switched On". In Candy, Linda and Ernest Edmonds (ed.). Explorations in Art and Technology. London: Springer-Verlag. ISBN 1-85233-545-9.
- ↑ Contemporary Art and the Mathematical Instinct. Duluth: Tweed Museum of Art. 2004. ISBN 1-889523-27-5.
- ↑ de Jongh-Vermeulen, Ankie (2003). De Bomen van Pythagoras. Amersfoort: Mondriaanhuis: Museum for Constructive and Concrete Art. p. 52 & 67. ISBN 90-801873-5-6.
- ↑ Salter, Chris (2011). "Crossings, Substitutions, and Distortions: Sensorium of the Extraordinary". In Fan Di'an and Zhang Ga (ed.). TransLife: International Triennial of New Media Art. Liverpool/National Art Museum of China: Liverpool University Press/FACT. pp. 102–117, 150–151. ISBN 978-1-84631-746-0.
- ↑ Melvin, Sheila (August 11, 2011). "A Beijing Exhibition on Art for the 'Post-Human Era'". The New York Times. Retrieved August 15, 2011.
- ↑ Huang, Wen-Hao (2013). Artificial Nature, 7th Digital Art Festival. Taipei: Department of Cultural Affairs, Taipei City Government. pp. 14–15, 36–39. ISBN 978-986-03-6491-0.
- ↑ Jaskot, Paul; Wayne Enstice; Michael Golec; Ellen Levy; Marlena Novak; Bernard Rollin; Kristine Stiles (2011). "Report from the Task Force on the Use of Human and Animal Subjects in Art". College Art Association.
- ↑ Funk, Tiffany (Summer 2014). Aloi, Giovanni (ed.). "'scale': The Sound of Interspecies Communication?". Antennae. Wet Once (28): 50–59. ISSN 1756-9575.
- ↑ Horswill, Ian; Marlena Novak (June 2006). "Evolving the Artist-Technologist". IEEE Computer. No.6. 39 (6): 62–69. doi:10.1109/MC.2006.193.