The marovany (formerly spelled marouvane [1] ) is a suitcase shaped, wooden, type of box zither from Madagascar, used in Malagasy music. [2] It is strung on both sides with metal strings. The player plucks the strings with both hands, often with rapid alternation. This often creates complex rhythmic patterns, typical of Malagasy music. [3] It is tuned in sequences of thirds. The instrument is commonly used in rituals and spiritual gatherings. [4]
The marovany and other instruments are used by Madagascar musical troupes at reburial ceremonies, where the music is believed to help a medium better enter a trance state during rituals which will only be successful if the correct type of music is being played. [5]
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice.
The ukulele, also called a uke, is a member of the lute family of instruments of Portuguese origin and popularized in Hawaii. It generally employs four nylon strings.
Religious music is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as ritual. Religious songs have been described as a source of strength, as well as a means of easing pain, improving one's mood, and assisting in the discovery of meaning in one's suffering. While style and genre vary broadly across traditions, religious groups still share a variety of musical practices and techniques.
Zithers are a class of stringed instruments. Historically, the name has been applied to any instrument of the psaltery family, or to an instrument consisting of many strings stretched across a thin, flat body. This article describes the latter variety.
The highly diverse and distinctive music of Madagascar has been shaped by the musical traditions of Southeast Asia, Africa, Oceania, Arabia, England, France and the United States over time as indigenous people, immigrants, and colonists have made the island their home. Traditional instruments reflect these widespread origins: the mandoliny and kabosy owe their existence to the introduction of the guitar by early Arab or European seafarers, the ubiquitous djembe originated in mainland Africa and the valiha—the bamboo tube zither considered the national instrument of Madagascar—directly evolved from an earlier form of zither carried with the first Austronesian settlers on their outrigger canoes.
AakKorean pronunciation: [a.ak] is a genre of Korean court music. It is an imported form of the Chinese court music yayue, and means "elegant music". Aak was performed almost exclusively in state sacrificial rites, and in the present day it is performed in certain Confucian ceremonies.
"Ry Tanindrazanay malala ô!" is the national anthem of Madagascar. The lyrics were written by Pasteur Rahajason, and the music by Norbert Raharisoa. It is similar to a march and was strongly influenced by European music and the French colonial education system. It is often played by Malagasy musicians on the accordion.
The valiha is a tube zither from Madagascar made from a species of local bamboo; it is considered the "national instrument" of Madagascar. The term is also used to describe a number of related zithers of differing shapes and materials.
The music of ancient Rome was a part of Roman culture from the earliest of times. Songs (carmen) were an integral part of almost every social occasion. The Secular Ode of Horace, for instance, was commissioned by Augustus and performed by a mixed children's choir at the Secular Games in 17 BC. Music was customary at funerals, and the tibia, a woodwind instrument, was played at sacrifices to ward off ill influences. Under the influence of ancient Greek theory, music was thought to reflect the orderliness of the cosmos, and was associated particularly with mathematics and knowledge.
Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also applies to non-Western art music. Classical music is often characterized by formality and complexity in its musical form and harmonic organization, particularly with the use of polyphony. Since at least the ninth century it has been primarily a written tradition, spawning a sophisticated notational system, as well as accompanying literature in analytical, critical, historiographical, musicological and philosophical practices. A foundational component of Western Culture, classical music is frequently seen from the perspective of individual or groups of composers, whose compositions, personalities and beliefs have fundamentally shaped its history.
Eusèbe Jaojoby, commonly known by his surname Jaojoby[ˈdzodzubʲ], is a Malagasy composer and singer of salegy, a musical style of northwestern Madagascar. Critics consider him to be one of the originators of the modern salegy style that emerged in the 1970s, and credit him with transforming the genre from an obscure regional musical tradition into one of national and international popularity. Jaojoby also contributed to the creation of two salegy subgenres, malessa and baoenjy. Jaojoby has been called the most popular singer in Madagascar and the Indian Ocean islands, and is widely referred to as the "King of Salegy". His success has earned him such honors as Artist of the Year in Madagascar for two consecutive years (1998–1999) and the role of Goodwill Ambassador for the United Nations Population Fund in 1999.
The Mikea are a group of Malagasy-speaking horticulturalists and foragers who are often described as the lowland hunter-gatherers of Madagascar. They inhabit the Mikea Forest, a patch of mixed spiny forest and dry deciduous forest along the coast of southwestern Madagascar. The Mikea are predominantly of Sakalava origin, although the term describes a lifestyle rather than an ethnic group per se, and individuals from a variety of Malagasy ethnic groups are found among the Mikea. The family encampments of the Mikea shift from prime corn planting territory at the edge of the forest in the rainy season to the interior forest rich with tenrecs and other game in the dry season, when the community becomes highly dependent on spongy tubers to meet their daily demand for water. Their lifestyle is interdependent with that of their neighboring Vezo fishermen and the Masikoro farmers and herders, with whom they trade products caught, foraged or cultivated in the forest. Many Mikea also occasionally engage in paid work such as guarding the zebu herds or tending the corn fields of others.
Maloya is one of the two major music genres of Réunion, usually sung in Réunion Creole, and traditionally accompanied by percussion and a musical bow. Maloya is a new form that has origins in the music of African and Malagasy slaves and Indian indentured workers on the island, as has the other folk music of Réunion, séga. World music journalists and non-specialist scholars sometimes compare maloya to the American music, the blues, though they have little in common. Maloya was considered such a threat to the French state that it was banned in the 1970s.
The culture of Madagascar reflects the origins of the people Malagasy people in Southeast Asia, East Africa and Oceania. The influence of Arabs, Indians, British, French and Chinese settlers is also evident. The most emblematic instrument of Madagascar, the valiha, is a bamboo tube zither carried to the island by early settlers from southern Borneo, and is very similar in form to those found in Indonesia and the Philippines today. Traditional houses in Madagascar are likewise similar to those of southern Borneo in terms of symbolism and construction, featuring a rectangular layout with a peaked roof and central support pillar. Reflecting a widespread veneration of the ancestors, tombs are culturally significant in many regions and tend to be built of more durable material, typically stone, and display more elaborate decoration than the houses of the living. The production and weaving of silk can be traced back to the island's earliest settlers, and Madagascar's national dress, the woven lamba, has evolved into a varied and refined art. The Southeast Asian cultural influence is also evident in Malagasy cuisine, in which rice is consumed at every meal, typically accompanied by one of a variety of flavorful vegetable or meat dishes. African influence is reflected in the sacred importance of zebu cattle and their embodiment of their owner's wealth, traditions originating on the African mainland. Cattle rustling, originally a rite of passage for young men in the plains areas of Madagascar where the largest herds of cattle are kept, has become a dangerous and sometimes deadly criminal enterprise as herdsmen in the southwest attempt to defend their cattle with traditional spears against increasingly armed professional rustlers.
Andriana was both the noble class and a title of nobility in Madagascar. Historically, many Malagasy ethnic groups lived in highly stratified caste-based social orders in which the andriana were the highest strata. They were above the Hova and Andevo (slaves). The Andriana and the Hova were a part of Fotsy, while the Andevo were Mainty in local terminology.
The Tandroy are a traditionally nomadic ethnic group of Madagascar inhabiting the arid southern part of the island called Androy, tracing their origins back to the East Africa mainland. In the 17th century however, the Tandroy emerged as a confederation of two groups ruled by the Zafimanara dynasty until flooding caused the kingdom to disband around 1790. The difficult terrain and climate of Tandroy protected and isolated the population, sparing them from subjugation by the Kingdom of Imerina in the 19th century; later, the French colonial authority also struggled to exert its influence over this population. Since independence the Tandroy have suffered prejudice and economic marginalization, prompting widespread migration and intermarriage with other ethnic groups, and leading them to play a key role in protests that sparked the end of President Philibert Tsiranana's administration in 1972.
Philibert Rabezoza, better known by the name Rakoto Frah, was a flautist and composer of traditional music of the central highlands of Madagascar. Born in 1923 near the capital city of Antananarivo to a poor rural family, Rakoto Frah surmounted the challenges posed by his underprivileged origins to become the most acclaimed 20th century performer of the sodina flute, one of the oldest traditional instruments on the island. Through frequent international concerts and music festival performances, he promoted the music of the highlands of Madagascar and became one of the most famous Malagasy artists, both within Madagascar and on the world music scene.
The rabel is a bowed stringed instrument from Spain, a rustic folk-fiddle descended from the medieval rebec, with both perhaps descended from the Arab rabab. The instrument generally has two or three strings of gut or steel, or sometimes twisted horse-hair. The instrument is first mentioned in the 12th century, and it is still used in parts of Latin America, as well as the Spanish provinces of Cantabria and Asturias.
Justin Vali ranks among the greatest living players of traditional Malagasy music on the valiha, a bamboo tube zither considered the national instrument of Madagascar. He also performs on the marovany box zither of central and southern Madagascar. Vali contributed to several compilations in the late 1980s before beginning to release his own albums in 1990. In 1994 he recorded Ny Marina at Real World Studios under Peter Gabriel's Real World Records. In 1999 he released The Sunshine Within, a collaboration with Paddy Bush. In 2008 he collaborated with Eric Manana and other prominent Malagasy artists to record an album as the Malagasy All Stars. Vali resides in Paris and performs regularly on the international world music festival circuit, including performances on several continents with the WOMAD festival. In 2006 he was awarded the Grand Prize for Traditional Music by Société des Auteurs Compositeurs et Editeurs de Musique, the French songwriters' guild.
The tube zither is a stringed musical instrument in which a tube functions both as an instrument's neck and its soundbox. As the neck, it holds strings taut and allows them to vibrate. As a soundbox or it modifies the sound and transfers it to the open air. The instruments are among the oldest of chordophones, being "a very early stage" in the development of chordophones, and predate some of the oldest chordophones, such as the Chinese Se, zithers built on a tube split in half. Most tube zithers are made of bamboo, played today in Madagascar, India, Southeast Asia and Taiwan. Tube zithers made from other materials have been found in Europe and the United States, made from materials such as cornstalks and cactus.
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