Piero di Cosimo, also known as Piero di Lorenzo, was an Italian Renaissance painter, who continued to use an essentially Early Renaissance style into the 16th century.
Paolo Caliari, known as Paolo Veronese, was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as The Wedding at Cana (1563) and The Feast in the House of Levi (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the cinquecento" and the Late Renaissance in the 16th century. Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian.
Jacopo Robusti, best known as Tintoretto, was an Italian Renaissance painter of the Venetian school. His contemporaries both admired and criticized the speed with which he painted, and the unprecedented boldness of his brushwork. For his phenomenal energy in painting he was termed il Furioso. His work is characterised by his muscular figures, dramatic gestures and bold use of perspective, in the Mannerist style.
The Galleria Nazionale d'Arte Antica or National Gallery of Ancient Art is an art museum in Rome, Italy. It is the principal national collection of older paintings in Rome – mostly from before 1800; it does not hold any antiquities. It has two sites: the Palazzo Barberini and the Palazzo Corsini.
Joachim Anthoniszoon Wtewael was a Dutch Mannerist painter and draughtsman, as well as a highly successful flax merchant, and town councillor of Utrecht. Wtewael was one of the leading Dutch exponents of Northern Mannerism, and his distinctive and attractive style remained largely untouched by the naturalistic developments happening around him, "characterized by masterfully drawn, highly polished figures often set in capricious poses". Wtewael was trained in the style of late 16th-century Haarlem Mannerism and remained essentially faithful to it, despite painting well into the early period of Dutch Golden Age painting.
Iacopo Negretti, best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane, was an Italian painter from Venice and a notable exponent of the Venetian school.
Sebastiano Mazzoni was an Italian painter of the Baroque period.
Alessandro Leone Varotari (4 April 1588 – 20 July 1649), also commonly known as Il Padovanino, was an Italian painter of the late-Mannerist and early-Baroque Venetian school, best known for having mentored Pietro Liberi, Giulio Carpioni, and Bartolommeo Scaligero. He was the son of Dario Varotari the Elder and the brother of painter Chiara Varotari, who accompanied him on his travels and assisted with his work.
The Savoy Gallery is an art collection in the Italian city of Turin, which contains the royal art collections amassed by the House of Savoy over the centuries. It is located on Via XX Settembre, 86.
Apollo in the Forge of Vulcan, sometimes referred to as Vulcan's Forge, is an oil painting by Diego de Velázquez completed after his first visit to Italy in 1629. Critics agree that the work should be dated to 1630, the same year as his companion painting Joseph's Tunic. It appears that neither of the two paintings were commissioned by the king, although both became part of the royal collections within a short time. The painting became part of the collection of the Museo del Prado, in Madrid, in 1819.
Domenico Robusti, also known as Domenico Tintoretto, was an Italian painter from Venice. He grew up under the tutelage of his father, the renowned painter Jacopo Tintoretto.
Venus and Mars is a panel painting of about 1485 by the Italian Renaissance painter Sandro Botticelli. It shows the Roman gods Venus, goddess of love, and Mars, god of war, in an allegory of beauty and valour. The youthful and voluptuous couple recline in a forest setting, surrounded by playful baby satyrs.
Vulcan, Son of Giove is a 1962 Italian fantasy-adventure film directed and co-written by Emimmo Salvi in his directorial debut. At the time of his death in 1989 he was preparing a film on Zeus. The film is also known as Vulcan, Son of Jupiter. The film was partly shot in Iran.
The Parnassus is a painting by the Italian Renaissance painter Andrea Mantegna, executed in 1497. It is now in the Musée du Louvre, Paris.
Allegory of Wisdom and Strength or Wisdom and Strength is a painting by Paolo Veronese, created circa 1565 in Venice, Italy and now located in the Frick Collection. It is a large-scale allegorical painting depicting Divine Wisdom personified on the left and Hercules, representing Strength and earthly concerns, on the right. Wisdom gazes heavenward while Hercules looks down on jewels below him. The conflict between divine and mortal affairs is central in this allegorical painting.
Allegory of Virtue and Vice or The Choice Between Virtue and Vice or The Choice of Hercules is a painting by Paolo Veronese, created circa 1565 in Venice, Italy and now located in the Frick Collection. It is a large-scale allegorical painting depicting Hercules' struggle between virtue and vice, personified here by the figures of the two women physically pulling him in different directions.
The Complaint of Mars, is one of Geoffrey Chaucer's short poems that has elicited a variety of critical commentary. While this poem has been seen as allegorical, astronomical, and interpretive-appreciative in nature, a number of critics have examined the poem only as a description of an astronomical event. While this event is evident in the story, the discrepancies between the story and the actual condition in the skies has provided a useful examination of astrological beliefs in Chaucer's time.
Venus and Mars is an oil painting on canvas painted in the 1570s by the Italian Renaissance artist Paolo Veronese.
Vulcan Presenting Venus with Arms for Aeneas is an oil-on-canvas painting by the French painter François Boucher, executed in 1757 and now in the Louvre in Paris. He produced it as the basis for one of a set of tapestries on The Loves of the Gods. It is in the Rococo style and depicts the homely but muscular Vulcan on the ground in the right, offering up to the more celestial Venus the weapons he has forged for her son Aeneas.
Leda and the Swan is an oil on canvas painting by Jacopo Tintoretto, from c. 1550-1560. Doubts on its autograph status were quelled by its restorations in 1988 and 1994. Art historians do not agree on its dating, though most now place it in the 1550s, the same period as his Mars and Venus Surprised by Vulcan and Joseph and Potiphar's Wife. Judith and Holofernes (Prado) was also previously dated to that decade but has now been downgraded to a studio work.
