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Herlina Christine Natalia Hakim is an Indonesian actress, film producer, and activist. Born to a devout Muslim family of a mixed-race background in Jambi, she grew up in Yogyakarta, aspiring to be an architect or psychologist. This changed after she was discovered by Teguh Karya for his 1973 movie Cinta Pertama, a role which garnered her a Citra Award for Best Actress and convinced her to follow a career in acting. Since then, she has starred in numerous films, including 1977's Badai Pasti Berlalu and 1988's Tjoet Nja' Dhien; she also had a minor role in the 2010 Hollywood movie Eat Pray Love. As of 2011, she has won six Citra Awards, received a lifetime achievement award from the Cinemanila International Film Festival, and served as a member of the jury at the Cannes Film Festival
Cinema of Indonesia has a long history dated back to 1900. Until the 1920s, cinema in Indonesia belonged only to the Europeans, with silent documentaries and feature films imported from France and the United States. Documentaries about the nature and life of Indonesia, sponsored by the Dutch East Indies government were made by the Dutch people or Europeans. Domestic production of documentaries had begun in 1911. During that time, there was a film called Onze Oost or Timur Milik Kita (1919). However, the first domestically produced film in the Dutch East Indies was in 1926: Loetoeng Kasaroeng, a silent film, which was an adaptation of the Sundanese legend of the same name. During 1926, there were movie theatres named as Oriental and Elita in Bandung. The first movie theatre in Jakarta was Alhamra, which was opened in 1931.
Daun di Atas Bantal is a 1998 Indonesian film directed by Garin Nugroho. It is one of the most acclaimed films from Indonesia in recent years and was the country's proposal for an Academy Award. It was also screened in the Un Certain Regard section at the 1998 Cannes Film Festival.
Sri is a 1999 Indonesian film directed by Marselli Sumarno. It was Indonesia's submission to the 72nd Academy Awards for the Academy Award for Best Foreign Language Film, but was not accepted as a nominee.
Biola Tak Berdawai is an Indonesian film directed by Sekar Ayu Asmara. It was released by Kalyana Shira Film on 22 March 2003, with wider release on 4 April. Telling the story of a rape victim who attempts to use music to heal an autistic boy, it was shown at the Cairo International Film Festival, where it secured a Best New Director award for Asmara. It was also Indonesia's submission to 76th Academy Awards for Best Foreign Language Film.
Nicholas Saputra Schubring, known as Nicholas Saputra, is an Indonesian actor and film producer. He first rose to prominence as Rangga in the 2002 hit film Ada Apa dengan Cinta?, a role he reprised in Ada Apa Dengan Cinta? 2 in 2016. He has since established himself as one of Indonesia's most acclaimed actors with two Citra Award wins for Best Actor as the titular character in Riri Riza's Gie in 2005 and Best Supporting Actor in Edwin's Aruna & Her Palate in 2018.
Erros Djarot is an Indonesian songwriter, director and politician. Beginning his music career with the soundtrack of Kawin Lari in 1976, Djarot became famous with the success of Badai Pasti Berlalu and its soundtrack album. In 1988, he directed Tjoet Nja' Dhien which received nine Citra Awards and was Indonesia's submission to the 62nd Academy Awards for the Academy Award for Best Foreign Language Film. In the late 1990s, Djarot entered politics, later forming the Bung Karno National Party in 2002.
Sekar Ayu Asmara is an Indonesian songwriter, director, and author.
Hanny R. Saputra is an Indonesian director. One of his films, Under the Protection of Ka'Bah, was Indonesia's submission for the Academy Award for Best Foreign Language Film in the 84th Academy Awards.
Arifin Chairin Noer was an Indonesian poet, theater director and film producer.
The Dancer is a 2011 Indonesian film based on the trilogy of novels Ronggeng Dukuh Paruk by Ahmad Tohari and directed by Ifa Isfansyah. Starring Nyoman Oka Antara and Prisia Nasution, it tells the story of a young man and his friendship with his small village's new ronggeng.
Jamila and the President is a 2009 Indonesian film directed by Ratna Sarumpaet and starring Atiqah Hasiholan and Christine Hakim. It follows the story of a prostitute sentenced to death for killing a government minister.
John de Rantau is an Indonesian film director. His film Denias Senandung Di Atas Awan was Indonesia's submission to the 80th Academy Awards for Best Foreign Language Film, but not nominated.
Lewat Djam Malam is a 1954 Indonesian film directed by Usmar Ismail and written by Asrul Sani. Widely regarded as a classic of Indonesian cinema, the film follows an ex-soldier in his vigilante actions against corruption.
Tjambuk Api is a 1958 Indonesian martial arts film directed by D. Djajakusuma and produced by Usmar Ismail. Starring Bambang Irawan, Aminah Cendrakasih, Soekarno M. Noer, and Rendra Karno, it tells of a young villager who must challenge a local criminal to be with his love. The film underwent several modifications over a period of more than a year before it could pass the censorship board, but now remains one of Djajakusuma's better known works.
Budak Nafsu is a 1983 Indonesian film directed by Sjumandjaja and adapted from the 1981 novel Fatima by Titie Said. Starring Jenny Rachman and El Manik, it follows a mother who is forced to serve as a comfort woman for Japanese men stationed in British Malaya in an effort to save her daughter. The film was a commercial success, although critics have emphasised its sexual aspects.
Kanjeng Raden Tumenggung Irwan Susetyo Pakusadewo or better known as Tio Pakusadewo is an Indonesian actor of Javanese descent.
Angga Dwimas Sasongko is an Indonesian film director. He studied at University of Indonesia with a major in political science. His career began when he was 19 years old. In 2008, he founded Visinema Pictures, an award-winning Film Production Company based in Jakarta, Indonesia.
Leftovers, also known as Turah, is a 2016 Indonesian drama film directed by Wicaksono Wisnu Legowo. It was selected as the Indonesian entry for the Best Foreign Language Film at the 90th Academy Awards, but it was not nominated.
