Gallery
Off to School
Untitled 1907
Marthe Boyer-Breton | |
|---|---|
| Born | Marthe Breton 1879 Paris, France |
| Died | 1926 (aged 46–47) |
| Nationality | French |
| Known for | Painting |
| Spouse | Jean Auguste Boyer |
Marthe Marie Louise Boyer-Breton (1879-1926) was a French artist.
Boyer-Breton née Breton was born in 1879 in Paris. [1] Her teachers included Léon Bonnat, Louis Humbert, and Philippe Parrot. [2] She married the author Jean Auguste Boyer. [3] Boyer-Breton exhibited her work in the Woman's Building at the 1893 World's Columbian Exposition in Chicago, Illinois. [2] She died in 1926. [4] [5]
Elizabeth Nourse was a realist-style genre, portrait, and landscape painter born in Mt. Healthy, Ohio, in the Cincinnati area. She also worked in decorative painting and sculpture. Described by her contemporaries as "the first woman painter of America" and "the dean of American woman painters in France and one of the most eminent contemporary artists of her sex," Nourse was the first American woman to be voted into the Société Nationale des Beaux-Arts. She also had the honor of having one of her paintings purchased by the French government and included in the Luxembourg Museum's permanent collection. Nourse's style was described by Los Angeles critic Henry J. Seldis as a "forerunner of social realist painting." Some of Nourse's works are displayed at the Cincinnati Art Museum.
Louise Jane Jopling was an English painter of the Victorian era, and one of the most prominent female artists of her generation.
Clara Federica Montalba was a British artist, chiefly known for her watercolour paintings of Venice. She was the eldest of four daughters of the Swedish-born artist Anthony Rubens Montalba, all of whom achieved considerable artistic success, though Clara was arguably the most successful and best-known of the four. Between 1879 and 1889 she exhibited her work at the Grosvenor Gallery, London. An early feminist, in 1886 she was named by Millicent Garrett Fawcett as one of twenty successful and accomplished women who had given "warm help and support" to the movement. In 1892, in recognition of her artistic talent, she was admitted into the Royal Watercolour Society. She died in Venice in 1929.
Louise de Hem (1866–1922) was a Belgian painter. She grew up in Ypres, Belgium. Her talent was discovered by Théodore Ceriez (1831–1904), a painter who had married her sister Hélène. Since women were not yet admitted to the academies he educated her and already in 1885 her painting De Oesters was exhibited at a salon in Spa. Jules Breton saw her work and encouraged her to go to Paris for further education.
Virginie Élodie Marie Thérèse Demont-Breton was a French painter.
Marie Seymour Lucas was a French-born English painter. She studied in London, where she married painter John Seymour Lucas. She lived in England for the rest of her life.
Berthe Constance Ursule Art was a Belgian still life painter.
Marie Collart-Henrotin was a Belgian artist who mainly painted landscapes and animals.
Élodie La Villette, born Elodie Jacquier, was a French painter. Élodie and her sister Caroline were among the few women to have artistic careers during an era when many opportunities were denied to women.
Emma Alice Henriette Ronner was a Belgian painter.
The Woman's Building was designed and built in June 1892, for the World's Columbian Exposition held in Chicago in 1893; under the auspices of the Board of Lady Managers. Out of the twelve main buildings for the Exhibition, the Woman's Building was the first to be completed. It had an exhibition space as well as an assembly room, a library, and a Hall of Honor. The History of the World's Fair states, "It will be a long time before such an aggregation of woman's work, as may now be seen in the Woman's Building, can be gathered from all parts of the world again." The purpose of the building was to highlight woman's achievements, and challenge the traditional ways of thinking at the time it was built. The Woman's Building was planned, designed, and decorated entirely by women under the direction of the board of lady managers.
Abrahamina Arnolda Louise Hubrecht, (1855–1913) was a Dutch painter, etcher, and illustrator.
Caroline Dupee Wade (1857-1947) was an American painter. She taught at the Art Institute of Chicago and was featured prominently at the 1893 World's Columbian Exposition in Chicago, Illinois.
Marie de Bièvre (1865–1940) was a Belgian artist known for her still life painting.
Maximilienne Guyon (1868–1903) was a French painter, water-colorist, etcher, and illustrator.
Hortense Richard was a French painter.
Camille Cornelie Isbert (1825–1911) was a French painter of miniatures.
Countess Maria von Kalckreuth (1857-1897) was a German painter known for her portraits.
Marie von Keudell (1838–1918) was a German painter known for her landscape painting.
Media related to Marthe Marie Louise Boyer-Breton at Wikimedia Commons| International | |
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