Amahl and the Night Visitors is an opera in one act by Gian Carlo Menotti with an original English libretto by the composer. It was commissioned by NBC and first performed by the NBC Opera Theatre on December 24, 1951, in New York City at NBC Studio 8H in Rockefeller Center, where it was broadcast live on television from that venue as the debut production of the Hallmark Hall of Fame. It was the first opera specifically composed for television in the United States.
Maria Golovin is an English language opera in three acts by Gian Carlo Menotti. It is through-composed and centers on a romantic encounter between a blind recluse named Donato and the title character, a married woman living in a European country a few years after a war. The work was commissioned by Peter Herman Adler of the NBC Opera Theatre.
The Consul is an opera in three acts with music and libretto by Gian Carlo Menotti, his first full-length opera.
Patricia Neway was an American operatic soprano and musical theatre actress who had an active international career during the mid-1940s through the 1970s. One of the few performers of her day to enjoy equal success on both the opera and musical theatre stages, she was a regular performer on both Broadway and at the New York City Opera during the 1950s and 1960s.
Francis "Chip" Menotti is an actor and former figure skater who was the president and artistic director of Festival dei Due Mondi.
Sir Donald Conroy McIntyre is an operatic bass-baritone from New Zealand.
Christopher Keene was an American conductor.
Rosemary Kuhlmann was an American operatic mezzo-soprano and Broadway musical actress best known for originating the role of the Mother in Gian Carlo Menotti's Amahl and the Night Visitors, the first opera commissioned for television. Kuhlmann portrayed the role on the annual live NBC broadcast of the production from 1951 through 1962.
Kirk Browning was an American television director and producer who had hundreds of productions to his credit, including 185 broadcasts of Live from Lincoln Center.
Norman Kelley was an American operatic tenor who had an active international career during the 1940s through the 1970s. He was notably a regular performer at the Metropolitan Opera between 1957 and 1961, and he sang in several world premieres with the New York City Opera. He also notably translated Engelbert Humperdinck's Hänsel und Gretel into English, a version first performed in 1967 and used by opera companies to this present day.
The Island God is a one-act opera by Gian Carlo Menotti with a libretto by the composer. It was first performed on February 20, 1942, at the Metropolitan Opera in New York City.
Amelia al ballo is a one-act opera buffa by Gian Carlo Menotti, who set his own Italian libretto. Composed during 1936 when Menotti was in his mid-twenties, it was the composer's first mature opera and first critical success. The opera recounts a series of farcical events as a young Italian socialite overcomes obstacles to her attendance at the first ball of the season.
The Last Savage is an opera in three acts by composer Gian Carlo Menotti. Menotti wrote his own libretto, originally in the Italian language. The opera was translated into French by Jean-Pierre Marty for the work's first (private) performance at the Opéra-Comique in Paris on 21 October 1963, followed the next day by the public premiere. George Mead translated the work into English for the opera's American premiere at the Metropolitan Opera the following year.
The NBC Opera Theatre was an American opera company operated by the National Broadcasting Company from 1949 to 1964. The company was established specifically for the purpose of televising both established and new operas for television in English. Additionally, the company also gave live theatrical presentations of operas, sponsoring several touring productions in the United States and mounting works on Broadway.
Leon Lishner was an American operatic bass-baritone. He was particularly associated with the works of Gian Carlo Menotti, having created parts in the world premieres of four of his operas. He performed in many productions with the New York City Opera and the NBC Opera Theatre during the 1950s and early 1960s.
David Aiken was an American operatic baritone, opera director, and United States Army Air Forces officer. He was particularly associated with the works of Gian Carlo Menotti, and is best remembered for creating the role of King Melchior in the world premiere of Menotti's Amahl and the Night Visitors.
Gian Carlo Menotti was an Italian-American composer, librettist, director, and playwright who is primarily known for his output of 25 operas. Although he often referred to himself as an American composer, he kept his Italian citizenship. One of the most frequently performed opera composers of the 20th century, his most successful works were written in the 1940s and 1950s. Highly influenced by Giacomo Puccini and Modest Mussorgsky, Menotti further developed the verismo tradition of opera in the post-World War II era. Rejecting atonality and the aesthetic of the Second Viennese School, Menotti's music is characterized by expressive lyricism which carefully sets language to natural rhythms in ways that highlight textual meaning and underscore dramatic intent.
Joanna Mary Bruno, also known as Joanna Bruno-Clarke, is an American operatic soprano who had an active international career during the 1960s and 1970s. A lyric soprano, she often performed in operas by Giacomo Puccini and Wolfgang Amadeus Mozart. In the United States she performed frequently with the Santa Fe Opera and the New York City Opera, and in Europe she performed in multiple operas with the Dutch National Opera and the Scottish Opera among others. She is best remembered for her performances in the operas of Gian Carlo Menotti, notably creating the role of Cora Arnek in the world premiere of Menotti's The Most Important Man in 1971.
William Workman (born February 4, 1940, Valdosta, Georgia is an American baritone who had an active career in operas and concerts from the 1960s into the 2000s. Particularly active with the Hamburg State Opera and Opera Frankfurt, he notably created the roles of Tony in the world premiere of Gian Carlo Menotti's Help, Help, the Globolinks! and Prince Henri of Condé in the world premiere of Krzysztof Penderecki's The Devils of Loudun. His final appearance with the HSO was as Osmin in Mozart's Die Entführung aus dem Serail in 2004.
Chester Watson was an American bass-baritone who had an active performance career in operas and concerts from the late 1940s into the 1970s. He was particularly active as a performer in opera on American television with the NBC Opera Theater. He also made appearances with several American opera companies, including the New York City Opera, the Lyric Opera of Chicago, and the Opera Society of Washington. He is best known for creating roles in the world premieres of several American operas, including the First Police Agent in Gian Carlo Menotti's The Consul (1950), Father Julien in Norman Dello Joio's The Trial at Rouen (1956), Palivec in Robert Kurka's The Good Soldier Schweik (1958), and Leonard Swett in Thomas Pasatieri's The Trial of Mary Lincoln (1972). He notably starred opposite Maria Callas as Goffredo in the American Opera Society's lauded 1959 production of Giuseppe Verdi's Il pirata; a performance which was recorded for EMI Classics. On the concert stage he appeared frequently with the National Symphony Orchestra during the 1950s, and also made guest appearances as a soloist with other American symphonies like the New York Philharmonic.
