Martin Musaubach | |
|---|---|
 Martin "Musa" Musaubach | |
| Background information | |
| Also known as | Musa |
| Born | May 23, 1982 La Plata, Argentina |
| Genres | Latin, Jazz, Blues, Fusion |
| Occupation(s) | Pianist, keyboardist, composer, arranger, producer |
| Instrument | piano |
| Years active | 2007–present |
| Labels | Studio 3690 |
| Website | http://www.musaubach.com/ Musaubach homepage |
Martin "Musa" Musaubach (born May 23, 1982, in La Plata, Argentina) is an Argentine band-leading pianist, composer, arranger and producer in MUSA's.
Musa was the member of jazz, blues and Latin music bands including Labrusca, Zoe, 5 Australes, Reina Venus, Blues Oil and Bin Bin, which Labrusca was the first band he joined in his hometown La Plata—he was only at the early age of 13, as a keyboardist and the youngest member in the band. [1] [2]
From around 2007 Musa started his career in China playing live music in some famous jazz bars with his band members as MUSAS. By 2011 he was the musical director in Shangri-La Summit Wing Hotel (Beijing), and leading his own Latin jazz band MUSA's Trio with bass/ double bassist Lautaro "LuKa" Bellucca and drummer/ percussionist Adriano "Gaofei" Moreira. In the 3rd quarter of 2011, accompanied by LuKa and Gaofei, Musa moved to Taipei to join Gary Chaw Project SENSATION (the band, so as a music project) as the key pianist and composer with the Malaysian Chinese vocalist Gary Chaw and Taiwanese compose-producer Michael Tu. [3]
Musa is now living in Taipei as his new home and working location, continued to play music in local jazz bars and venues with his bandmates and different musicians, at the same time collaborating with mainstream record labels and artists in live performing or recording albums.[ citation needed ]
3690 - debut studio album - Aug 16 2013
| No. | Title | Length |
|---|---|---|
| 1. | "Blues for Labrusca" | 5:19 |
| 2. | "Distance" | 8:13 |
| 3. | "Mamila" | 7:15 |
| 4. | "Knetliges" | 7:01 |
| 5. | "The Excuse" | 3:15 |
| 6. | "Latineando!" (Bellucca) | 5:32 |
| 7. | "3690" | 4:05 |
| 8. | "Eyes to Heaven feat. Mandy Gaines" (Gaines) | 5:31 |
All tracks: Piano by Martin Musaubach; Bass /Double Bass by Lautaro Bellucca; Drums & Percussion by Adriano Moreira
Track 1-5: written and arranged by Martin Musaubach
Track 6: written by Lautaro Bellucca, arranged by Martin Musaubach
Track 7: written by Martin Musaubach; arranged by Martin Musaubach & Michael Tu
Track 8: written and vocal by Mandy Gaines; arranged by Martin Musaubach; erhu by Tanghsuan Lo; guitars by Fabio Moreira
Release: (noted) Aug 16 2013; (in stores) Aug 23 2013
Publish label: AsiaMuse Entertainment
Producer: Martin Musaubach
Executive producer: Michael Tu
Recording engineer: Micky Yang and Alex Lee
Mastering engineer: Michael Tu
Track 1-7 recorded in Megaforce Studios, Taipei
Track 8 recorded in Platinum Studio, Taipei
William Otis Laswell is an American bass guitarist, record producer, and record label owner. He has been involved in thousands of recordings with many collaborators from all over the world. His music draws from funk, world music, jazz, dub, and ambient styles.
Return to Forever was an American jazz fusion band that was founded by pianist Chick Corea in 1972. The band has had many members, with the only consistent bandmate of Corea's being bassist Stanley Clarke. Along with Weather Report, The Headhunters, and Mahavishnu Orchestra, Return to Forever is often cited as one of the core groups of the jazz-fusion movement of the 1970s. Several musicians, including Clarke, Flora Purim, Airto Moreira and Al Di Meola, came to prominence through their performances on Return to Forever albums.
Overdubbing is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder. The overdub process can be repeated multiple times. This technique is often used with singers, as well as with instruments, or ensembles/orchestras. Overdubbing is typically done for the purpose of adding richness and complexity to the original recording. For example, if there are only one or two artists involved in the recording process, overdubbing can give the effect of sounding like many performers.
Overnight Sensation is the thirteenth studio album by British rock band Motörhead. It was released on 15 October 1996 via Steamhammer, their second on the label. It is their first studio album to not feature guitarist Würzel, and the first album to feature a three-piece band since Another Perfect Day (1983). It would also mark the band's last lineup change and longest remaining one prior their dissolution in 2015.
Light as a Feather is the first studio album credited to jazz band Return to Forever led by keyboardist Chick Corea. It features saxophonist/flautist Joe Farrell, bassist Stanley Clarke, vocalist Flora Purim and her husband, drummer/percussionist Airto Moreira, who all performed on Corea's previous album Return to Forever, from which the group took its name.
Welcome is the fifth studio album by Santana, released in 1973. It followed the jazz-fusion formula that the preceding Caravanserai had inaugurated, but with an expanded and different lineup this time. Gregg Rolie had left the band along with Neal Schon to form Journey, and they were replaced by Tom Coster, Richard Kermode and Leon Thomas, along with guest John McLaughlin, who had collaborated with Carlos Santana on Love Devotion Surrender. Welcome also featured John Coltrane's widow, Alice, as a pianist on the album's opening track, "Going Home" and Flora Purim on vocals. This album was far more experimental than the first four albums, and Welcome did not produce any hit singles.
Over the Next Hill is a 2004 album by the band Fairport Convention.
Light Years is an album by the Chick Corea Elektric Band. It features Chick Corea with guitarist Frank Gambale, saxophonist Eric Marienthal, bassist John Patitucci, and drummer Dave Weckl. The album received the 1988 Grammy Award for the Best R&B Instrumental Performance.
Gershwin's World is a thirty-seventh studio album by the American jazz pianist Herbie Hancock.
Gary Chaw, also known as Gary Cao or Cao Ge or by his alter ego Cao Xiaoge, is a Malaysian Chinese singer-songwriter based in Taiwan, who has had achieved success in Taiwan, Mainland China, Malaysia, Hong Kong, and Singapore. He is renowned for his stage presence, wide vocal range, and rich voice. In addition, he composes for himself and other singers.
Negril is an album released in 1975 from a session produced, arranged, and almost entirely composed by guitarist Eric Gale. It includes some of Jamaica's best-known musicians of the time. The album expresses Gale's fondness for the beach and natural beauty of the Jamaican seaside village Negril, which became a popular destination for tourists.
Acabou Chorare is the second studio album by Brazilian rock and MPB group Novos Baianos. The album was released in 1972 by Som Livre, following the group's moderately successful debut É Ferro na Boneca (1970). During the recording of the album, the group took inspiration from various contemporary artists of the time, such as Jimi Hendrix, João Gilberto, and Assis Valente. In addition, Gilberto heavily influenced the sound of the album, as he served as the group's mentor during the album's recording sessions.
I Don't Care Who Knows It is an album by American pianist and arranger Duke Pearson featuring performances recorded between 1968 and 1970. The album was released on the Blue Note label in 1996.
Bitches Brew Live is a live album by Miles Davis. The album was released in February 2011 and contains material compiled from two concert performances. Most of the songs on the album originally appeared on Bitches Brew. The first three tracks were recorded at the Newport Jazz Festival in July 1969, nine months before the release of Bitches Brew, while the rest of the album was recorded at 1970 Isle of Wight Festival. The three cuts from Newport—"Miles Runs the Voodoo Down", "Sanctuary", and "It's About That Time/The Theme"—were previously unreleased at the time and have since been reissued on Miles Davis at Newport 1955–1975: The Bootleg Series Vol. 4. This recording marks the first known time that "Miles Runs the Voodoo Down" was professionally recorded. The final six cuts appeared on the "Miles Electric" DVD in video form and the audio portion was included in the box set Miles Davis: The Complete Columbia Album Collection. A seventeen-minute segment appeared under the title "Call It Anything" on the First Great Rock Festivals of the Seventies: Isle of Wight/Atlanta Pop Festival compilation album in 1971.
City of Glass, an album originally issued as a 10" LP by Stan Kenton, consists entirely of the music of Bob Graettinger. The original album has been reconstituted in different LP re-issues, and the entire set of Kenton/Graettinger Capitol Records sessions is on the digital CD City of Glass.
MUSA's is a musical band led by piano/ keyboardist Martin "Musa" Musaubach. Members combination in MUSA's varies in different live shows.
SENSATION is the band title and the music project proposed by the Malaysian Chinese singer and songwriter Gary Chaw with his teacher and the Taiwanese music producer Michael Tu in 2011. As the vocal of the band, he collaborates and performs with the members from MUSA's - with the band-leading pianist Martin "Musa" Musaubach and bassist Lautaro "LuKa" Bellucca from Argentina; and drummer/ percussionist Adriano "Gaofei" Moreira from Brazil.
Red River Drifter is the thirty-third album by American singer-songwriter Michael Martin Murphey.
Lautaro "LuKa" Bellucca is an Argentine bass and double bassist, composer and arranger, best known as the key bassist in jazz group MUSA's.
Time Within Itself is a big band jazz album produced by Origin Records and released March 17, 2015. The concept for the recording came from the idea of a high level feature CD showcasing the Michael Waldrop Big Band. Most notably, music critic Jack Bowers gave the recording 4 and a half of 5 stars and notes, "...Waldrop's first visit to a recording studio with his own big band was worth the wait."
| Authority control databases: Artists |
|---|
