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Marvin Robert Kaisersatt (born 1 February 1939) is an American woodcarver. He was born in Montgomery, Minnesota to Bessie and Benjamin Kaisersatt. [1]
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Kaisersatt attended high school in Montgomery, MN and graduated from St. John's University in Collegeville, MN with a degree in Mathematics. He then joined the US Army and spent time overseas before leaving the military to teach math at Escuela San Antonio Abad in Humaca, Puerto Rico. He then moved to Monticello, MN, where he continued to teach before moving to Faribault in 1976, where he taught math until his retirement in 1995.
Kaisersatt began wood carving seriously in 1976 during a teacher's strike. A caricature carver, he specializes in carving multi-figure scenes from a single block of basswood. The carvings are finished with sealer but not varnished and presented either without color or with a hand-painted watercolor finish and then waxed.
Kaisersatt has taught classes (held through Whillock Studios and CCA) focusing on design, clay modeling, and carving technique. He is a founding member of the Caricature Carvers of America, [2] dedicated to promoting caricature carving. His favorite caricaturist is Al Hirschfeld. Cartooning and caricatures are prominent in Kaisersatt's designs and story lines. His book, Creating Caricature Heads in Wood and on Paper, explains carving caricature heads and describes a detailed design procedure. [2] Kaisersatt has also authored multiple teaching articles published in Woodcarver's Magazine. [3] [4]
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Kaisersatt's awards include honors from the International Woodcarvers Congress in Davenport, Iowa, where he has won “Best of Caricatures” in 9 consecutive years, the Upper Midwest Woodcarvers Expo in Blue Earth, Minnesota and the Nordic Fest Woodcarving Exhibition in Decorah, Iowa. He was chosen as Wood Carving Illustrated magazine's wood carver of the Year in 2006, and Kaisersatt was featured in the Fall 2007 edition of Woodcarver's Magazine.
Wood carving is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object. The phrase may also refer to the finished product, from individual sculptures to hand-worked mouldings composing part of a tracery.
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Tom James Wolfe began woodcarving at the age of 12. He has become one of America's leading wood carvers with nearly 50 books in print with Schiffer Publications to date. Tom currently resides in Spruce Pine, NC and teaches classes several times a year at his workshop on Grandfather Mountain, as well as at the John C. Campbell School in Brasstown NC. In recent years Tom has taught classes in New Jersey, Tennessee, and Canada. Tom is a lifetime member of the Southern Highland Craft Guild, having been awarded this distinction in 2006, and can be found demonstrating and selling his original wood carvings at many of the Guilds shops several times throughout the year. Tom's main area of artistic exploration is what is referred to as Caricature Carving. He is a member of the Caricature Carvers of America (CCA), an association of like-minded artists who work to further the craft and the public's greater appreciation and understanding of it.
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The Pinwill sisters were British professional woodcarvers in Devon from 1890 onwards. Although in their era there were women who produced stained glass, sculpture, wood and metalwork for churches, those women were largely unacclaimed and regarded as amateurs. The profession of ecclesiastical wood carving was one entirely carried out by men. The sisters not only became skilled at the craft, but also set up a professional workshop business. Despite the challenges of two world wars, two fires and the departure of two of the sisters, the Pinwill workshop produced innovative ecclesiastical carvings in wood and stone for more than 60 years and for over 180 churches in Devon, and Cornwall and further afield, becoming one of the most successful wood carving businesses in the South-West of England. Their vast body of work, gradually adapting from the complex, intricate designs of the Gothic Revival through to the pared-down, plainer style of twentieth-century Modern, is recognised as being of great skill, flair and worth.
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