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Vernon and Irene Castle were a husband-and-wife team of ballroom dancers and dance teachers who appeared on Broadway and in silent films in the early 20th century. They are credited with reviving the popularity of modern dancing. Castle was a stage name: Vernon was born William Vernon Blyth in England. Irene was born Irene Foote in the United States.
Edwin Fitzgerald, known professionally as Eddie Foy and Eddie Foy Sr., was an American actor, comedian, dancer and vaudevillian.
Bill Robinson, nicknamed Bojangles, was an American tap dancer, actor, and singer, the best known and the most highly paid African-American entertainer in the United States during the first half of the 20th century. His long career mirrored changes in American entertainment tastes and technology. His career began in the age of minstrel shows and moved to vaudeville, Broadway theatre, the recording industry, Hollywood films, radio, and television.
Harold Lloyd Nicholas was an American dancer specializing in tap. Nicholas was the younger half of the tap-dancing pair the Nicholas Brothers, known as two of the world's greatest dancers. His older brother was Fayard Nicholas. Nicholas was featured in such musicals as An All-Colored Vaudeville Show (1935), Stormy Weather (1943), The Pirate (1948), and The Five Heartbeats (1991).
Theatre Owners Booking Association, or T.O.B.A., was the vaudeville circuit for African American performers in the 1920s. The theaters mostly had white owners, though there were exceptions, including the recently restored Morton Theater in Athens, Georgia, originally operated by "Pinky" Monroe Morton, and Douglass Theatre in Macon, Georgia owned and operated by Charles Henry Douglass. Theater owners booked jazz and blues musicians and singers, comedians, and other performers, including the classically trained, such as operatic soprano Sissieretta Jones, known as "The Black Patti", for black audiences.
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Anna Mae Winburn(néeDarden; August 13, 1913 – September 30, 1999) was an influential American vocalist and jazz bandleader who flourished beginning in the mid-1930s. An African American, she is best known for having directed the International Sweethearts of Rhythm, an all-female big band that was perhaps one of the few – and one of the most – racially integrated dance-bands of the swing era.
George Michael Cohan was an American entertainer, playwright, composer, lyricist, actor, singer, dancer and theatrical producer.
Bessie Clayton was an American Broadway, vaudeville and burlesque specialty dancer and choreographer whose near 35-year career began in the era popularly known as the Gay Nineties. Clayton was remembered for her whirlwind style of dance often performed while descending a long flight of stairs. She is considered to be the matriarch of American toe-tap dancing, and the melding of stage dancing and classical ballet. In her obituary, The New York Times called Clayton America’s first native-born prima ballerina.
Norah Blaney, born Norah Mignon Cordwell was a pianist, composer, comedienne and music hall performer. She recorded hundreds of songs between 1921 and 1935, many with her performing partner Gwen Farrar.
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The Chocolate Kiddies is a three-act Broadway-styled revue that, in its inaugural production – from May to September 1925 – toured Berlin, Hamburg, Stockholm, and Copenhagen. The show never actually performed on Broadway, but was conceived, assembled, and rehearsed there. Chocolate Kiddies commissioned new works, but was also an amalgamation and adaptation of several leading African American acts in New York, specifically Harlem, intended to showcase exemplary jazz and African American artistry of the Harlem Renaissance. Early jazz was uniquely American; and, while New Orleans enjoys popularity for being its birthplace, the jazz emerging from Harlem during the Renaissance had, on its own merits, captured international intrigue.
Natacha Nattova was a Russian-born American adagio dancer, who was a star of the vaudeville circuit in the 1920s and 1930s.
Adelaide Augusta Keim was an American actress on Broadway and in vaudeville. She was known for playing the male title character in Hamlet in several American cities in 1905.
Mary Stevenson, known professionally as Mary Gannon, was an American actress who had an active stage career in comedies and vaudeville during the mid 19th century. A gifted comedienne, she became associated with many of the matron roles of 18th and 19th century comedies. Shortly before her death at the age of 39, New York theatre critic Joseph N. Ireland wrote of Gannon, "[she] is now universally acknowledged to be the best general comic actress in the city."
References
- 1 2 3 "Adelaide (c. 1884–1959)". Dictionary of Women Worldwide: 25,000 Women Through the Ages.
- 1 2 3 4 Paul D. Dunleavy (Summer 2004). "Introducing Adelaide" (PDF). Spindle City Historic Society. 7 (2). Retrieved February 28, 2023.