Mary Bergin

Last updated

Mary Bergin (born 13 September 1949) is an Irish folk musician who is widely acknowledged as one of the great masters of the tin whistle. She plays in both the Irish Traditional and Baroque styles. [1]

Contents

Biography

Mary Bergin was born in Shankill, County Dublin, Ireland. Her parents Joe and Máire were melodeon and fiddle players, respectively. Mary started learning to play the tin whistle at the age of nine. [1]

Bergin won the All Ireland tin whistle championship in 1970. Her two virtuosic recordings of the solo tin whistle, Feadóga Stáin (1979) and Feadóga Stáin 2 (1993), have been critically cited as "outstanding and unequalled". [2]

Bergin moved to An Spidéal, County Galway, in the early 1970s and played with many of the up-and-coming stars of the Irish music scene, notably De Danann and Ceoltóri Laighin. [1] She is currently a member of the group Dordán, who perform Irish traditional music and Baroque music with pieces by George Frideric Handel, Henry Purcell and a tune from Johann Sebastian Bach's Little Notebook for Anna Magdalena Bach.

In addition to releasing two solo albums, which aided the popularisation of modern traditional Irish tin whistle playing, and three albums with Dordán, Bergin has taught hundreds of students, in Ireland, across Europe, and in the United States, to play the whistle. [3]

Playing style

Bergin was exposed to the music of many renowned musicians from an early age, but her style is particularly influenced by flute player Packie Duignan and the whistle playing of Willie Clancy. She plays the whistle "left-handed", with the right hand covering the upper tone holes, unlike most whistle players who play with the left hand on top. [3]

Bergin's playing is characterized by great feeling, technical virtuosity, and a respect for the music. Music scholar Fintan Vallely has described her playing as "brightly ornamented but uncluttered", with "crisp articulation". [4] Writer and flute player Grey Larsen uses similar terms, describing her playing as "precise", "elegant", and "streamlined". [3]

Discography

Mary Bergin

Dordán

Related Research Articles

<span class="mw-page-title-main">Tin whistle</span> Six-holed woodwind instrument

The tin whistle, also called the penny whistle, is a simple six-holed woodwind instrument. It is a type of fipple flute, putting it in the same class as the recorder, Native American flute, and other woodwind instruments that meet such criteria. A tin whistle player is called a whistler. The tin whistle is closely associated with Irish traditional music and Celtic music. Other names for the instrument are the flageolet, English flageolet, Scottish penny whistle, tin flageolet, or Irish whistle.

The low whistle, or concert whistle, is a variation of the traditional tin whistle/pennywhistle, distinguished by its lower pitch and larger size. It is most closely associated with the performances of British and Irish artists such as Tommy Makem, Finbar Furey and his son Martin Furey, Old Blind Dogs, Michael McGoldrick, Riverdance, Lunasa, Donie Keyes, Chris Conway, and Davy Spillane, and is increasingly accepted as a feature of Celtic music.

<span class="mw-page-title-main">Music of Ireland</span> Music created in various genres on the island of Ireland

Irish music is music that has been created in various genres on the island of Ireland.

<span class="mw-page-title-main">Irish flute</span> Musical instrument

The Irish flute is a conical-bore, simple-system wooden flute of the type favoured by classical flautists of the early 19th century, or to a flute of modern manufacture derived from this design. The majority of traditional Irish flute players use a wooden, simple-system flute.

<span class="mw-page-title-main">Cillian Vallely</span> Irish musician

Cillian Vallely is an Irish musician, born in Armagh, Northern Ireland. He plays traditional Irish music on the uilleann pipes and low whistle, and studied at the Armagh Pipers Club with his mother and father, Brian and Eithne, and then with the late Armagh piper Mark Donnelly. His brothers, Niall and Caoimhín, also play traditional music.

<span class="mw-page-title-main">Frankie Kennedy</span> Musical artist

Frankie Kennedy was a flute and tin whistle player born in Belfast, Northern Ireland. He was also the co-founder of the band Altan, formed with his wife Mairéad Ní Mhaonaigh. The popular Frankie Kennedy Winter Music School was founded in 1994 in his honour.

Micho Russell was an Irish musician and author best known for his expert tin whistle performance. He also played the simple-system flute and was a collector of traditional music and folklore.

Carmel Gunning is an Irish composer and musician, from Sligo, Ireland. Gunning is one of Ireland's most accomplished tin whistle players who is also known for her singing and flute playing and also plays guitar and button accordion. Gunning's rich stylised form of whistle playing and tradition stems from her homeland of Geevagh in South County Sligo. This background and tradition aided Gunning's introduction to traditional Irish music which took place at an early age.

Patrick "Packie" Duignan was an Irish flute player, very well known by music lovers of his time. He was born in Aughabehy, in the Arigna Mountains of County Roscommon, Ireland.

Simple system flute most commonly refers to the type of flute manufactured and favored by classical European musicians during the Classical era. This type of flute is the direct precursor of, and was made obsolete within the art music world by, the introduction of the Boehm system flute. Subsequently, many simple system flutes were integrated into folk music.

<span class="mw-page-title-main">Irish traditional music</span> Genre of folk music that developed in Ireland

Irish traditional music is a genre of folk music that developed in Ireland.

Josie McDermott (1925–1992) was a traditional Irish musician: a flute and tin whistle player, composer and singer.

<i>Celtic Folkweave</i> 1974 studio album by , Mick Hanly and Mícheál Ó Domhnaill

Celtic Folkweave is a studio album by Mick Hanly and Mícheál Ó Domhnaill, released in 1974 by Polydor Records. Considered a seminal album in the traditional Irish music genre, the musicians involved in the recording would go on to found some of the most innovative and important groups to perform traditional Irish music.

<i>Feadóga Stáin</i> Album by Mary Bergin

Feadóga Stáin, Mary Bergin's debut album, has been credited with establishing the tin whistle as one of the first tier among the standard instruments of Irish Traditional Music. Members of Irish group De Dannan contributed accompaniment and the album is mostly a trio of tin whistle, Irish bouzouki and Bodhrán. This album has been cited by Joanie Madden as highly influential in the development of her own playing, and is generally considered by critics and scholars as a "definitive" or milestone album.

<i>Feadóga Stáin 2</i> Album by Mary Bergin

Feadóga Stáin 2 is the second solo album by Irish Traditional whistle virtuoso Mary Bergin.

<span class="mw-page-title-main">Joanie Madden</span> American musician

Joanie Madden is an Irish-American flute and whistle player of Irish traditional music. She is best known as leader of the all-female group Cherish the Ladies, but has also recorded and performed with numerous other musicians, and as a solo artist. She also teaches master classes and workshops.

<span class="mw-page-title-main">Paddy O'Brien (musician and author)</span> Irish-American accordionist and author

Paddy O'Brien is an Irish accordion player and memoirist, author of The Road from Castlebarnagh: Growing Up In Irish Music and creator of the Paddy O'Brien Tune Collection: A Personal Treasury of Irish Traditional Music, the first published oral collection of Irish traditional music.

Cathal McConnell is a musician and singer best known as the mainstay of traditional band The Boys of the Lough, of which he was a founder member. His main instruments are the Irish flute and the tin whistle.

References

  1. 1 2 3 Walsh, Tommy (1989). Irish Tin Whistle Legends. Dublin, Ireland: Waltons Publishing. p. 12. ISBN   978-0-7866-1604-6.
  2. Vallely, Fintan; Piggott, Charlie (1998). Blooming Meadows: The World of Irish Traditional Musicians. Nutan. Roberts Rinehart Publishers. pp. 28–33. ISBN   1-86059-067-5.
  3. 1 2 3 Larsen, Grey (2003). The Essential Guide to Irish Flute and Tin Whistle. Mel Bay Publications. p. 405. ISBN   0-7866-4942-9.
  4. Vallely, Fintan (1999). The companion to Irish Traditional Music . NYU Press. pp.  28. ISBN   978-0-8147-8802-8.

Bibliography