Related Research Articles
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities, ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s.
Georges Auric was a French composer, born in Lodève, Hérault, France. He was considered one of Les Six, a group of artists informally associated with Jean Cocteau and Erik Satie. Before he turned 20 he had orchestrated and written incidental music for several ballets and stage productions. He also had a long and distinguished career as a film composer.
Paul Victor Jules Signac was a French Neo-Impressionist painter who, with Georges Seurat, helped develop the artistic technique Pointillism.
Suzanne Valadon was a French painter who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France. In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. She was also the mother of painter Maurice Utrillo.
Les XX was a group of twenty Belgian painters, designers and sculptors, formed in 1883 by the Brussels lawyer, publisher, and entrepreneur Octave Maus. For ten years, they held an annual exhibition of their art; each year 20 other international artists were also invited to participate in their exhibition. Painters invited include Camille Pissarro, Claude Monet, Georges Seurat, Paul Gauguin, Paul Cézanne (1890), and Vincent van Gogh.
René Follet, sometimes known by the pen name Ref, was a Belgian illustrator, comics writer and artist.
Leon Dabo was an American tonalist landscape artist best known for his paintings of New York, particularly the Hudson Valley. His paintings were known for their feeling of spaciousness, with large areas of the canvas that had little but land, sea, or clouds. During his peak, he was considered a master of his art, earning praise from John Spargo, Bliss Carman, Benjamin De Casseres, Edwin Markham, and Anatole Le Braz. His brother, Scott Dabo, was also a noted painter.
Blanche Hoschedé Monet was a French painter who was both the stepdaughter and the daughter-in-law of Claude Monet.
Éliane Georgette Diane de Meuse was a Belgian painter. She was the wife of Max Van Dyck. They met at the Académie Royale des Beaux-Arts, Brussels where they attended the courses of the same professors.
Ethel Carrick, later Ethel Carrick Fox was an English Impressionist and Post-Impressionist painter. Much of her career was spent in France and in Australia, where she was associated with the movement known as the Heidelberg School.
Léonard (Collet) de Hodémont (1575–1639), was a Belgian Baroque composer, conductor, and organist.
René Fontayne, was a French painter and illustrator.
Jules Marie Auguste Leroux was a French painter and illustrator.
The Godecharle Prize or the Godecharle Contest is a contest for art students, the winners of which are granted a scholarship allocated by the Godecharle Foundation. The conditions for participation are that contestants are less than 35 years old, of Belgian nationality, or members of a country of the European Community who have lived in Belgium for at least five years.
Jeanne-Henriette Tirman was a French woman painter and printmaker.
Angélique Mezzara, born Marie Angélique Foulon, was a French portrait painter and miniaturist, who frequently worked in pastels. During a time when few women were painters, she exhibited regularly for nearly 30 years at the Paris Salon, the major art event of the time. Two of her sons became sculptors, and a daughter exhibited with her at the Paris exhibition as a painter.
Edmond De Schampheleer was a Belgian landscape painter and engraver.
The Society of Modern Women Artists was created in Paris in 1930 as an association for modern women artists. They organized an annual salon from 1931 to 1938. Through these exhibitions they showed modern works of art by French and international women artists, to establish the presence of women in art and to gain recognition from the general public. FAM's exhibitions are considered "a significant force towards putting women artists on a more equal footing" with male artists in France.
Fanny Paelinck-Horgnies was a Belgian painter of German origin, known for her works in religious painting, portraiture, history painting, genre scenes and mythological scenes. Her style can be compared to neo-classicism.
Jean Félix Paul Craps, or Pol Craps was a Belgian painter and graphic artist.
References
- ↑ Piron, Paul (2003). "Habsch, Mary" in Dictionnaire des Artistes plasticiens de Belgique des XIXe et XXe siècles. Lasne: Editions Art in Belgium. p. tome I/II, p. 671. ISBN 2-930338-11-3.
- 1 2 Allgemeines Künstlerlexikon (2010). "Mary Habsch". Germany: De Gruyter. p. 29, vol.67. ISBN 97-8359823-034-9.
- ↑ Moréchand-Peeraer, Laurence (1999). "Mary Habsch" in Arts plastiques N°29 (PDF). Belgium: Femmes Artistes International (F.A.I.). pp. 43–55. ISBN 2-930338-11-3.
 | This article about a Belgian painter is a stub. You can help Wikipedia by expanding it. |