The Académie Julian was a private art school for painting and sculpture founded in Paris, France, in 1867 by French painter and teacher Rodolphe Julian (1839–1907) that was active from 1868 through 1968. It remained famous for the number and quality of artists who attended during the great period of effervescence in the arts in the early twentieth century. After 1968, it integrated with ESAG Penninghen.
Jules Joseph Lefebvre was a French painter, educator and theorist.
Sophia Theresa "Sophie" Pemberton was a Canadian painter who was British Columbia's first professional woman artist. Despite the social limitations placed on female artists at the time, she made a noteworthy contribution to Canadian art and, in 1899, was the first woman to win the Prix Julian from the Académie Julian for portraiture. Pemberton also was the first artist from British Columbia to receive international acclaim when her work was exhibited at the Royal Academy in London (1897).
Adélaïde Labille-Guiard, also known as Adélaïde Labille-Guiard des Vertus, was a French miniaturist and portrait painter. She was an advocate for women to receive the same opportunities as men to become great painters. Labille-Guiard was one of the first women to become a member of the Royal Academy, and was the first female artist to receive permission to set up a studio for her students at the Louvre.
Louise Catherine Breslau was a German-born Swiss painter, who learned drawing to pass the time while bedridden with chronic asthma. She studied art at the Académie Julian in Paris, and exhibited at the salon of the Société Nationale des Beaux-Arts, where she became a respected colleague of noted figures such as Edgar Degas and Anatole France.
Minerva Josephine Chapman (1858–1947) was an American painter. She was known for her work in miniature portraiture, landscape, and still life.
Ellen Day Hale was an American Impressionist painter and printmaker from Boston. She studied art in Paris and during her adult life lived in Paris, London and Boston. She exhibited at the Paris Salon and the Royal Academy of Arts. Hale wrote the book History of Art: A Study of the Lives of Leonardo, Michelangelo, Raphael, Titian, and Albrecht Dürer and mentored the next generation of New England female artists, paving the way for widespread acceptance of female artists.
Jean-Joseph Benjamin-Constant, born Jean-Joseph Constant, was a French painter and etcher best known for his Oriental subjects and portraits.
Anna Bilińska was a Polish painter, known for her portraits. A representative of realism, she spent most of her life in Paris, and is considered the "first internationally known Polish woman artist."
Sara Wells Page (1855–1943) was a British artist, portrait and figurative painter, of the Victorian and Edwardian period. During her lifetime she was widely exhibited at Parisian salons and British galleries, including the Royal Academy of Arts. Three of her paintings are in Wolverhampton Art Gallery.
Marie-Gabrielle Capet was a French Neoclassical painter. She was born in Lyon on 6 September 1761. Capet came from a modest background and her previous background and artistic training is unknown, but in 1781 she became the pupil of the French painter Adélaïde Labille-Guiard in Paris. She excelled as a portrait painter and her works include oil paintings, watercolours, and miniatures.
Lucia Fairchild Fuller was an American painter and member of the New Hampshire Cornish Art Colony. She was inspired to pursue art by John Singer Sargent. Fuller created a mural entitled TheWomen of Plymouth for the Woman's Building at the World's Columbian Exposition in Chicago in 1893. Best known for her portrait miniatures, she was a founding member and treasurer of the American Society of Miniature Painters.
Lucy May Stanton was an American painter. She made landscapes, still lifes, and portraits, but Stanton is best known for the portrait miniatures she painted. Her works are in the National Portrait Gallery in Washington, D.C., Metropolitan Museum of Art in New York, the Museum of Fine Arts in Boston, and the Philadelphia Museum of Art, where Self-Portrait in the Garden (1928) and Miss Jule (1926) are part of the museum's permanent collection.
Birgitta Kathleen Moran Farmer was an American artist particularly known for her portrait miniatures.
Mary Augusta Hiester Reid was an American-born Canadian painter and teacher. She was best known as a painter of floral still lifes, some of them called "devastatingly expressive" by a contemporary author, and by 1890 she was thought to be the most important flower painter in Canada. She also painted domesticated landscapes, night scenes, and, less frequently, studio interiors and figure studies. Her work as a painter is related in a broad sense to Tonalism and Aestheticism or "art for art's sake".
Helen Maria Turner was an American painter and teacher known for her work in oils, watercolors and pastels in which she created miniatures, landscapes, still lifes and portraits, often in an Impressionist style.
Gertrude des Clayes was a Scottish-born artist who lived in England and Quebec, Canada. Des Clayes was best known as a portrait painter.
Margaret White Lesley Bush-Brown was an American painter and etcher.
The sisters Clara Welles Lathrop (1853–1907), Bessie Stebbins Lathrop (1854–1930) and Susanne (Susie) Lathrop (1860–1938) were artists and teachers in Northampton, Massachusetts, who exhibited and traveled widely. Clara was a painter, Bessie was a leather worker and woodcarver, and Susie illustrated publications. In addition to exhibiting in the U.S. and Europe, they organized intellectual salons at their Northampton studio and taught art at schools including Smith College.
Helen Stewart was a New Zealand artist.
