Mary Lynn Lightfoot | |
---|---|
Born | 1952 (age 71–72) Canton, Missouri, U.S. |
Occupation(s) | Conductor, Composer, Editor |
Instrument(s) | Piano, French Horn |
Mary Lynn Lightfoot (born 1952) is a choral composer and music publishing editor. From Canton, Missouri, Lightfoot has published over 300 choral pieces during her career. Her works are well known and often cited in research and choral literature because of their age-appropriate difficulty and apt textual settings.
Lightfoot’s first musical experience was taking piano lessons from age four through high school. [1] She also played the french horn and earned a french horn scholarship to Truman State University. [1]
Lightfoot graduated from Truman State University with a Bachelor’s degree in music education. [2] She graduated Magna Cum Laude and was part of the music fraternity Sigma Alpha Iota, from which she received a scholarship award. [2]
Lightfoot began her career as a teacher, spending eight years teaching in both private and public schools. [1] During that time, Lightfoot served as the Assistant Director for the Mid-America Youth Chorale’s concert tour of Europe. [3] She was also the Director of Youth Choirs and Assistant Chancel Choir Director for Blue Ridge Presbyterian Church in Raytown, Missouri. [2] Following her teaching stint, Lightfoot worked in music publishing as the Executive Editor for Heritage Music Press, the educational music division of the Lorenz Corporation. [4] Lightfoot held the position for 25 years before she became the founding editor of an educational choral series designed for school-aged choirs called “Sing! Distinctive Music for Classroom, Concert, and Festival.” [5] She held this position for five years. [2] As of 2023, Lightfoot has composed over 300 choral works, with her body of literature covering various styles and cultures. [4]
Lightfoot's pieces have appeared in numerous academic papers and studies often as examples of typical age-appropriate choral works or as model pieces to be analyzed. Her piece “Et In Terra Pax” appeared in Charles P. Brown’s Range Vs. Register: An Important Distinction in Choral Repertoire for the Adolescent Male as an example of a typical elementary SAB piece. [6] Lightfoot’s “The Swing” was used as part of a sample choral lesson plan in Sally C. Brown’s A Comparative Study of Current Practices of Selected University-Based Children's Chorus Directors in Relation to Arts Integration. [7] Lightfoot’s Lenten works were referenced in Lisa A. Elliott’s Sacred Song Sisters: Choral and Solo Vocal Church Music by Women Composers for the Lenten Revised Common Lectionary. [8] In Janet M. Hostetter’s Tone Production, Musicianship Training, Repertoire Development, Performance Practice: A Pedagogical Overview of Selected International Children’s Choirs, Lightfoot is identified as a notable composer and influence in the educational choral space. [9] Lightfoot’s works are used as examples of typical children’s choir pieces in Arneuka D. Jackson’s A Descriptive Analysis of Multicultural Children’s Choir Octavos from Select U.S. Music Publishing Companies. [10] In Kenneth C. Jeffs’s Real Time Video Mentoring: Investigating Synchronous Video Technology as a Mentoring Tool for New Music Teachers in Rural School Districts, a participant mentioned how their use of Lightfoot’s music lent the participant credibility among her colleagues. [11] Jessica Nápoles’s Critical Thinking in the Choral Rehearsal: An Initial Study of Approaches to Teacher Training used Lightfoot’s “Something Told the Wild Geese” as a model piece in her choral teacher training study. [12]
Lightfoot’s works have also been analyzed in numerous choral reviews. Her piece, “This Shall be Music,” was the subject of a review by Judith Carman where it was dubbed “tuneful” and noted for how well it would fit the adolescent voices it was written for. [13] “Gloria Deo” was reviewed by Tim McCray where it was called “easy but exciting music.” [14] In her series of choral reviews, Sharon Gratto praised “The Arrow and the Song” highlighting specifically how the harmonies maintain the feeling of the text and the effectiveness of the piano line. [15]
Lightfoot is a member of numerous associations including the American Choral Directors Association (ACDA), the American Society of Composers, Authors, and Publishers (ASCAP), the Missouri Music Educators Association, the National Association for Music Education (NAfME), the Sigma Alpha Iota Music Fraternity, the Choristers Guild, and the P.E.O. Sisterhood. [4]
Lightfoot has received numerous awards throughout her career including the Outstanding Young Woman of America Award (1984), the Luther T. Spayde Award for Missouri Choral Conductor of the Year (1994), the Opus Award, awarded by the Missouri Choral Directors’ Association for an outstanding composition, for her piece entitled "The Rhodora" (2005), membership in the Odessa (MO) R-VII Public Foundation Hall of Fame (2015), and has received an annual ASCAP award for her compositions. [16] [2]
ProQuest LLC is an Ann Arbor, Michigan-based global information-content and technology company, founded in 1938 as University Microfilms by Eugene Power.
David Conte is an American composer who has written over 150 works published by E.C. Schirmer, including six operas, a musical, works for chorus, solo voice, orchestra, chamber music, organ, piano, guitar, and harp. Conte has received commissions from Chanticleer, the San Francisco Symphony Chorus, Harvard University Chorus, the Men’s Glee Clubs of Cornell University and the University of Notre Dame, GALA Choruses from the cities of San Francisco, New York, Boston, Atlanta, Seattle, and Washington, D.C., the Dayton Philharmonic, the Oakland Symphony, the Stockton Symphony, the Atlantic Classical Orchestra, the American Guild of Organists, Sonoma City Opera, and the Gerbode Foundation. He was honored with the American Choral Directors Association (ACDA) Brock Commission in 2007 for his work The Nine Muses, and in 2016 he won the National Association of Teachers of Singing (NATS) Art Song Composition Award for his work American Death Ballads.
Lowell Mason was an American music director and banker who was a leading figure in 19th-century American church music. Lowell composed over 1,600 hymn tunes, many of which are often sung today. His best-known work includes an arrangement of "Joy to the World" and the tune Bethany, which sets the hymn text Nearer, My God, to Thee. Mason also set music to Mary Had A Little Lamb. He is largely credited with introducing music into American public schools, and is considered the first important U.S. music educator. He has also been criticized for helping to largely eliminate the robust tradition of participatory sacred music that flourished in North America before his time.
The Dale Warland Singers (DWS) was a 40-voice professional chorus based in St. Paul, Minnesota, founded in 1972 by Dale Warland and disbanded in 2004. They performed a wide variety of choral repertoire but specialized in 20th-century music and commissioned American composers extensively. In terms of sound, the DWS was known for its purity of tone, intonation, legato sound and stylistic range. During their existence, the DWS performed roughly 400 concerts and recorded 29 CDs.
The Texas Music Educators Association (TMEA) is an organization of over 12,000 Texas school music educators. Its stated goals are to provide professional growth opportunities, to encourage interaction among music education professionals, to foster public support for music in schools, to offer quality musical experiences for students, to cultivate universal appreciation and lifetime involvement in music, and to develop and maintain productive working relationships with other professional organizations.
Antonín Tučapský was a Czech composer. From 1975 until his death he lived in Great Britain.
Edward Eicker is a composer of choral and instrumental music for both small and large ensembles. He holds an M.A. in Music Composition (2002) and a B.M. in Music Education and Organ Performance (1999) from Roosevelt University. His principal teachers have included David Schrader and Samuel Soria and composers Stacy Garrop and Patricia Morehead.
Daniel Ernest Forrest Jr. is an American composer, pianist, educator, and music editor.
Robert Houston Bright was a composer of American music, known primarily for his choral works. The best-known of these is an original spiritual "I Hear a Voice A-Prayin'," but he wrote dozens of highly regarded pieces over the course of his career, including a number of instrumental compositions. Bright was, among his peers, well known and respected as a composer, choral director, and professor. He spent his entire academic career in the Music Department of West Texas State College.
Yardena Alotin was an Israeli composer and pianist. As a pianist and teacher, Alotin also wrote educational music and music for young musicians, such as Six Piano Pieces for Children. Alotin won the Nissimov Prize for her 1956 work, Yefei Nof.
Zane Randall Stroope is an American composer and conductor. He has published more than 190 works, with: Oxford University Press, Carl Fischer, Alliance Music Publishing, Walton, Colla Voce, and Lorenz.
Elam Ives Jr. (1802–1864) was a New England-based music teacher whose work with William Channing Woodbridge helped introduce the ideas of Johann Heinrich Pestalozzi into music education in the United States. His work also influenced Lowell Mason, whose work with Woodbridge eventually led to music education being introduced into the public schools of Boston.
Antony R le Fleming is an English composer of classical music. He is a former student of Raymond Leppard, Herbert Howells and Malcolm Arnold. The bulk of his composition is choral.
Edwin R. Fissinger was an American composer, conductor, scholar, and charter member of the ACDA.
Sarah Tenant-Flowers is an English choral director and educator. Her well-known show was BBC Maestro series. The Royal Welsh College of Music and Drama considers Tenant-Flowers as one of the "most versatile choral specialists" of England.
Harold Rosenbaum is an American conductor and musician. He is the artistic director and conductor of the New York Virtuoso Singers and the Canticum Novum Singers. The New York Virtuoso Singers appear on 48 albums on labels including Naxos Records and Sony Classical. He has collaborated extensively with many ensembles including the New York Philharmonic, Juilliard Orchestra, American Symphony Orchestra, Bang on a Can, Mark Morris Dance Group, Orchestra of Saint Luke's, Glyndebourne Festival Opera, Riverside Symphony, and Brooklyn Philharmonic.
Francesca Massey is the former Organist and Director of Music at Rochester Cathedral, a position she held from September 2019 to August 2022, when she was succeeded by Adrian Bawtree. Previously she was Sub-Organist at Durham Cathedral from 2011. In addition to being a professional Church/Concert Organist, Massey is actively engaged as a Choral Conductor, Pianist, Organ and Music Teacher both privately and on behalf of Durham University, Oundle for Organists and the RSCM.
Patsy Ford Simms is an American composer, arranger, and educator who is widely published in both the secular and religious fields.
'Rollo A. Dilworth is an American choral composer, arranger, conductor, and music educator from St. Louis, Missouri.
Jocelyn Hagen is an American composer. She composes primarily for voice: solo, chamber and choral, but also has composed for chamber, wind, and orchestral ensembles. She has explored large-scale multimedia works, electro-acoustic music, dance, and opera.