Mary Magdalene with Eight Scenes from her Life is a c.1280-1285 tempera and gold on panel painting by the Master of the Magdalen, now in the Galleria dell'Accademia in Florence. [1]
Its original provenance is unknown, but it was mentioned as being in the vestibule of the monastery library at Santissima Annunziata in guidebooks by Follini-Rastrelli and Moreni, as part of a group of works within the collection of Francesco Raimondo Adami, Vicar General of the Ordine dei Servi di Maria. When the religious houses were suppressed in 1810 the painting moved to its present home, where it has been exhibited since 1817
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Lorenzo Monaco was an Italian painter of the late Gothic-early Renaissance age. He was born Piero di Giovanni in Siena. Little is known about his youth, apart from the fact that he was apprenticed in Florence. He was influenced by Giotto and his followers Spinello Aretino and Agnolo Gaddi.
The Accademia di Belle Arti di Firenze is an instructional art academy in Florence, in Tuscany, in central Italy.
The Galleria dell'Accademia di Firenze, or "Gallery of the Academy of Florence", is an art museum in Florence, Italy. It is best known as the home of Michelangelo's sculpture David. It also has other sculptures by Michelangelo and a large collection of paintings by Florentine artists, mostly from the period 1300–1600, the Trecento to the Late Renaissance. It is smaller and more specialized than the Uffizi, the main art museum in Florence. It adjoins the Accademia di Belle Arti or academy of fine arts of Florence, but despite the name has no other connection with it.
The Descent from the Cross, or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion. In Byzantine art the topic became popular in the 9th century, and in the West from the 10th century. The Descent from the Cross is the 13th Station of the Cross, and is also the sixth of the Seven Sorrows of the Blessed Virgin Mary.
The Pietà now in the Gallerie dell'Accademia in Venice is one of the last paintings by the Italian master Titian, and in its final, extended state was left incomplete at his death in 1576, to be completed by Palma Giovane. Titian had intended it to hang over his grave, and the two stages of painting were to make it fit in two different churches.
The Master of the Bambino Vispo was a central-Italian painter active in the early 15th century.
The Annunziata Polyptych is a painting cycle started by Filippino Lippi and finished by Pietro Perugino, whose central panel is now divided between the Galleria dell'Accademia and the Basilica dell'Annunziata, both in Florence, Italy. The polyptych had other six panels, which are housed in the Lindenau-Museum of Altenburg, the Metropolitan Museum of New York City, the Galleria Nazionale d'Arte Antica in Rome and in a private collection in South Africa.
The Portrait of Lorenzo di Credi is a painting by the Italian Renaissance artist Perugino, dating to around 1504 and housed in the National Gallery of Art, Washington, DC, United States.
The Bearded Slave is a marble sculpture by Michelangelo datable to around 1525–1530 and kept in the Galleria dell'Accademia in Florence. It forms part of the series of "unfinished" Prigioni intended for the Tomb of Pope Julius II.
The Accademia di Belle Arti di Napoli is a university-level art school in Naples. In the past it has been known as the Reale Istituto di Belle Arti and the Reale Accademia di Belle Arti. Founded by King Charles VII of Naples in 1752, it is one of the oldest art schools in Italy, and offers various levels of study up to and including the equivalent of an Italian laurea. It is located one block south of the church of Santa Maria di Costantinopoli, on the via of the latter church's name.
Madonna and Child with Saint Mary Magdalene and Saint Ursula or Virgin and Child with Saints Magdalene and Ursula is an oil on panel painting by Giovanni Bellini that belongs to the sacra conversazione genre and dates to 1490. The painting is also referred to as Sacred Conversation. It was previously in the collection of the painter Carlo Maratta, and is now in the Prado Museum in Madrid.
The Madonna and Child with St. John the Baptist and a Female Saint or the Giovanelli Sacred Conversation is an oil painting on panel by Giovanni Bellini, dated to before 1504, when its figure of John the Baptist was copied by Andrea Previtali in one of his own paintings. The identity of the female saint to the right is unclear, but she may be Mary Magdalene or Catherine of Alexandria.
Mary Magdalene is an oil on panel painting of Mary Magdalene, dating to around 1500 and now in the Galleria Palatina in Florence - it has featured in its inventory since 1641. It is now attributed to Perugino. It is modelled on his wife Chiara Fancelli, who also modelled for several of his Madonnas. It is comparable to his Madonna and Child with St John the Baptist and St Catherine of Alexandria (Louvre), of similar date and with a similar dark background.
The Monteripido Altarpiece is a double-sided altarpiece by Perugino, completed in 1502 for San Francesco al Monte church in Monteripido near Perugia. It is now in the Galleria Nazionale dell'Umbria in Perugia.
Visitation is a tempera on panel painting usually attributed to Perugino, executed c. 1472-1473, now in the Galleria dell'Accademia in Florence. An early work by the artist from around the same time as Nativity of the Virgin, whilst he was still heavily influenced by Andrea del Verrocchio, it probably originated as part of the predella for a lost altarpiece. It shows the Visitation, with the Virgin Mary's mother Saint Anne to the left. In the left background is Francis of Assisi receiving the stigmata and in the right background is Florence's patron saint John the Baptist - this may indicate that the lost altarpiece was intended for a Franciscan monastery in Florence such as Santa Croce.
The Croce al Tempio Lamentation is a 1436 or 1440 tempera on panel painting by Fra Angelico, now in the Museo nazionale di San Marco in Florence. It is named after its commissioner, the 'Compagnia di Santa Maria della Croce al Tempio'.
Crucifixion with St Mary Magdalene is a c. 1502–1505 tempera on canvas painting by Luca Signorelli, now in the Uffizi in Florence. It is usually held to be a late autograph work.
The Master of the Maddalena, Magdalen Master is an unnamed Florentine artist active in the second half of the 13th century. He is named after his best known work, Mary Magdalene with Eight Scenes from her Life. According to Miklos Boskovits, Grifo di Tancredi trained in this master's studio.
Venus and Cupid is an oil painting on panel of c. 1533 by Pontormo, from a lost drawing or cartoon by Michelangelo, in the Galleria dell'Accademia in Florence. A preparatory study is in the British Museum and a copy by Michele di Ridolfo del Ghirlandaio is in the Palazzo Colonna in Rome. Other copies are in the Royal Collection at Kensington Palace, in Hildesheim, a small version in Geneva attributed to Michele Tosini and two in the Museo di Capodimonte in Naples. Giorgio Vasari made three copies for Ottaviano de' Medici.