Mary Ramsden

Last updated

Mary Ramsden (born 1984) [1] is a British painter, who lives and works in London. [2] [3] Her work has been compared to Cy Twombly, with abstract gestural movements on the canvas. [4]

Biography

Ramsden studied art at Leith School of Art (LSA) [5] and Edinburgh College of Art. She continued her education and graduated in 2013 from the three-year postgraduate art school at the Royal Academy of Arts, RA, in London, studying with artists Richard Kirwan, Brian Griffiths and Vanessa Jackson. [6] While still at the RA Ramsden's first solo gallery show was held in 2012 at Pilar Corrias and a second was held there in January 2015. [6]

In 2016–2017, Ramsden's first museum solo exhibition, titled "Mary Ramsden: (In / It)" was held at the Aspen Art Museum. [7] The title of the exhibition was inspired by a Marianne Moore poem "Poetry" and a line break that is found in the poem. [8]

Her abstract, painterly works combine gestural marks with amoeba-like shapes. Though seemingly simple and seamlessly assimilated, Ramsden's paintings are structured with a subtle thoughtfulness that allows for contemplative consideration. With slight, deliberate adjustments in color, mark-making, and scale, her works depict a progressive language that draws viewers in to examine each smudge and detail. Most of the artist's pieces are dominated by a single color, while other hues push towards the edges of the surface. In more recent pieces, Ramsden has begun generating multifaceted, meditative compositions by applying and then wiping away multiple layers of paint. [9]

Related Research Articles

Royal Academy of Arts Art institution in London, United Kingdom

The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate.

Agnes Martin American painter

Agnes Bernice Martin, was an American abstract painter. Her work has been defined as an "essay in discretion on inward-ness and silence". Although she is often considered or referred to as a minimalist, Martin considered herself an abstract expressionist. She was awarded a National Medal of Arts from the National Endowment for the Arts in 1998. She was elected to the Royal Canadian Academy of Arts in 2004.

Gillian Ayres British artist (1930-2018)

Gillian Ayres was an English painter. She is best known for abstract painting and printmaking using vibrant colours, which earned her a Turner Prize nomination.

Helen Frankenthaler American painter

Helen Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. Frankenthaler began exhibiting her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964 Post-Painterly Abstraction exhibition curated by Clement Greenberg that introduced a newer generation of abstract painting that came to be known as color field. Born in Manhattan, she was influenced by Greenberg, Hans Hofmann, and Jackson Pollock's paintings. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the Museum of Modern Art in New York City, and been exhibited worldwide since the 1950s. In 2001, she was awarded the National Medal of Arts.

Mary Moser 18th and 19th-century English artist

Mary Moser was an English painter and one of the most celebrated female artists of 18th-century Britain. One of only two female founding members of the Royal Academy in 1768, Moser painted portraits but is particularly noted for her depictions of flowers.

Elaine de Kooning American painter

Elaine Marie Catherine de Kooning was an Abstract Expressionist and Figurative Expressionist painter in the post-World War II era. She wrote extensively on the art of the period and was an editorial associate for Art News magazine.

William Allan (painter) 19th-century Scottish artist

Sir William Allan was a distinguished Scottish historical painter known for his scenes of Russian life. He became president of the Royal Scottish Academy and was made a Royal Academician.

Elizabeth Blackadder Scottish painter and printmaker

Dame Elizabeth Violet Blackadder, Mrs Houston, was a Scottish painter and printmaker. She was the first woman to be elected to both the Royal Scottish Academy and the Royal Academy.

William Gear Scottish painter

William Gear RA RBSA was a Scottish painter, most notable for his abstract compositions.

Amy Sillman American painter

Amy Sillman is a New York-based artist, known for process-based paintings that move between abstraction and figuration, and engage nontraditional media including animation, zines and installation. Her work draws upon art historical tropes, particularly postwar American gestural painting, as both influences and foils; she engages feminist critiques of the discourses of mastery, genius and power in order to introduce qualities such as humor, awkwardness, self-deprecation, affect and doubt into her practice. Profiles in The New York Times, ARTnews, Frieze, and Interview, characterize Sillman as championing "the relevance of painting" and "a reinvigorated mode of abstraction reclaiming the potency of active brushwork and visible gestures." Critic Phyllis Tuchman described Sillman as "an inventive abstractionist" whose "messy, multivalent, lively" art "reframes long-held notions regarding the look and emotional character of abstraction."

Royal West of England Academy

The Royal West of England Academy (RWA) is Bristol's oldest art gallery, located in Clifton, Bristol, near the junction of Queens Road and Whiteladies Road. Situated in a Grade 2* listed building, it hosts five galleries and an exhibition programme that celebrates the best of historic and contemporary British art.

Joan Snyder is an American painter from New York. She is a MacArthur Fellow, a Guggenheim Fellow, and a National Endowment for the Arts Fellow (1974).

Phyllida Barlow British artist

Dame Phyllida Barlow is a British artist. She studied at Chelsea College of Art (1960–63) and the Slade School of Art (1963–66). She joined the staff of the Slade in the late 1960s and taught there for more than forty years. She retired in 2009 and is thus an emerita professor of fine art. She has had an important influence on younger generations of artists; at the Slade her students included Rachel Whiteread and Angela de la Cruz. In 2017 she represented Great Britain at the Venice Biennale.

Laura Owens

Laura Owens is an American painter, gallery owner and educator. She emerged in the late 1990s from the Los Angeles art scene. She is known for large-scale paintings that combine a variety of art historical references and painterly techniques. She lives and works in Los Angeles, California.

Art in modern Scotland Visual arts since the 20th century

Art in modern Scotland includes all aspects of the visual arts in the country since the beginning of the twentieth century. In the early twentieth century, the art scene was dominated by the work of the members of the Glasgow School known as the Four, led Charles Rennie Mackintosh, who gained an international reputation for their combination of Celtic revival, Art and Crafts and Art Nouveau. They were followed by the Scottish Colourists and the Edinburgh School. There was a growing interest in forms of Modernism, with William Johnstone helping to develop the concept of a Scottish Renaissance. In the post-war period, major artists, including John Bellany and Alexander Moffat, pursued a strand of "Scottish realism". Moffat's influence can be seen in the work of the "new Glasgow Boys" from the late twentieth century. In the twenty-first century Scotland has continued to produce influential artists such as Douglas Gordon and Susan Philipsz.

Alice Meredith Williams British sculptor and painter, 1877–1934

Gertrude Alice Meredith Williams, who generally went by the name of Alice Meredith Williams, was a British sculptor, painter, illustrator and stained glass designer.

Barbara Davis Rae CBE RA FRSE is a Scottish painter and printmaker. She is a member of the Royal Scottish Academy and the Royal Academy of Arts.

Jennifer Durrant is a British artist.

Dona Nelson American painter

Dona Nelson is an American painter, best known for immersive, gestural, primarily abstract works employing unorthodox materials, processes and formats to disrupt conventional notions of painting and viewership. A 2014 New Yorker review observed, "Nelson gives notice that she will do anything, short of burning down her house to bully painting into freshly spluttering eloquence." Since 2002, long before it became a more common practice, Nelson has produced free-standing, double-sided paintings that create a more complex, conscious viewing experience. According to New York Times critic Roberta Smith, Nelson has dodged the burden of a "superficially consistent style," sustained by "an adventuresome emphasis on materials" and an athletic approach to process that builds on the work of Jackson Pollock. Writers in Art in America and Artforum credit her experimentation with influencing a younger generation of painters exploring unconventional techniques with renewed interest. Discussing one of Nelson's visceral, process-driven works, curator Klaus Kertess wrote, the paint-soaked "muslin is at once the tool, the medium, and the made."

Rachel Jones is a British visual artist. She has exhibited work in the UK at galleries and institutions including Thaddaeus Ropac, The Sunday Painter and the Royal Scottish Academy, and has been artist-in-residence at the Chinati Foundation (2019) and Masterworks Museum of Bermuda Art in (2016). Her work is in collections of The Tate, Arts Council England, Hepworth Wakefield, the Museum of Fine Arts, Houston, and the Institute of Contemporary Art, Miami.

References

  1. "Mary Ramsden". Royal Academy of Arts. Retrieved 22 August 2021.
  2. Farrell, Aimee (15 December 2015). "A Tantalizing, Mysterious Art Book (or Is it Book Art?)". The New York Times. ISSN   0362-4331 . Retrieved 15 March 2018.
  3. Elderton, Louisa (14 March 2015). "In Review: Mary Ramsden". Frieze magazine, Issue 170. frieze.com. Retrieved 15 March 2018.
  4. "Mary Ramsden: Couples Therapy". Time Out London. Retrieved 19 March 2018.
  5. "Top artists backing Leith School of Art fundraiser". The Edinburgh Reporter. 14 March 2017. Retrieved 19 March 2018.
  6. 1 2 "Catching up with... Mary Ramsden". Royal Academy of Arts. 20 March 2015. Retrieved 19 March 2018.
  7. "Mary Ramsden: (In / It)". Aspen Art Museum. 2016. Retrieved 19 March 2018.
  8. Travers, Andrew (12 January 2017). "Black Mirrors". The Aspen Times. Retrieved 19 March 2018.
  9. "Is This Mary Ramsden's Dirtiest Selfie?". Amuse. 16 December 2015. Retrieved 19 March 2018.