External links
- Mathilda from Project Gutenberg, with Mary Shelley's first draft, The Fields of Fancy, and Elizabeth Nitchie's introduction and notes (1959).
Mathilda public domain audiobook at LibriVox
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| Editor | Elizabeth Nitchie |
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| Author | Mary Shelley |
| Country | United States |
| Language | English |
| Genre | Novella |
| Publisher | University of North Carolina Press |
Publication date | 1959 |
| Media type | |
| Pages | 104 pages |
| OCLC | 2494341 |
Mathilda, or Matilda, [1] is the second long work of fiction of Mary Shelley, written between August 1819 and February 1820 and first published posthumously in 1959. It deals with the common Romantic themes of incest and suicide. [2]
The narrative deals with a father's incestuous love for his daughter. It has been perceived as an autobiographical novel and as a roman à clef , where the fictitious names in the novel represent real people. In this reading, Mathilda represents Mary Shelley herself, Mathilda's father represents William Godwin (Mary's father), and the poet Woodville represents Percy Shelley (Mary's husband). However, the storyline itself may not be based on facts. It has been argued that it is using the techniques of confessional and unreliable narrations, which Godwin had used in his own works.
The act of writing this novella distracted Mary Shelley from her grief after the deaths of her one-year-old daughter Clara at Venice in September 1818 and her three-year-old son William in June 1819 in Rome. [3] These losses plunged Mary Shelley into a depression that distanced her emotionally and sexually from Percy Shelley and left her, as he put it, "on the hearth of pale despair". [4]
Narrating from her deathbed, Mathilda, a young woman barely in her twenties, writes her story as a way of explaining her actions to her friend, Woodville. Her narration follows her lonely upbringing and climaxes at a point when her unnamed father confesses his incestuous love for her. This is then followed by his suicide by drowning and her ultimate demise; her relationship with the gifted young poet, Woodville, fails to reverse Matilda's emotional withdrawal or prevent her lonely death.
The novella begins with readers becoming aware that this story is being narrated in the first person, by Mathilda, and that this narration is meant for a specific audience in answer to a question asked prior to the novella's beginning: "You have often asked me the cause of my solitary life; my tears; and above all of my impenetrable and unkind silence." [5] Readers quickly learn that Mathilda is on her deathbed and this is the only reason she is exposing what seems to be a dark secret.
Mathilda's narrative first explores the relationship between her mother and father, and how they knew each other growing up. Mathilda's mother, Diana, and her father were childhood friends; Mathilda's father found solace in Diana after the death of his own mother and the two married not long after. Mathilda, as narrator, notes that Diana changed Mathilda's father making him more tender and less fickle. However, Mathilda was born a little more than a year after their marriage and Diana died a few days after her birth, causing her father to sink into a deep depression. His sister, Mathilda's aunt, came to England to stay with them and help care for Mathilda, but Mathilda's father, unable to even look at his daughter, left about a month after his wife's death and Mathilda was raised by her aunt.
Mathilda tells Woodville that her upbringing, while cold on the part of her aunt, was never neglectful; she learned to occupy her time with books and jaunts around her aunt's estate in Loch Lomond, Scotland. On Mathilda's sixteenth birthday her aunt received a letter from Mathilda's father expressing his desire to see his daughter. Mathilda describes their first three months in each other's company as being blissful, but this ended first when Mathilda's aunt dies and then, after the two return to London, upon Mathilda's father's expression of his love for her.
Leading up to the moment of revelation, Mathilda was courted by suitors which, she noticed, drew dark moods from her father. This darkness ensued causing Mathilda to plot a way of bringing back the father she once knew. She asked him to accompany her on a walk through the woods that surrounded them and, on this walk, she expressed her concerns and her wishes to restore their relationship. Her father accused her of being "presumptuous and very rash." [6] However, this did not stop her and he eventually confessed his incestuous desire regarding her. Mathilda's father fainted and she retreated back to their home. Her father left her a note the next morning explaining that he would leave her and she understood that his actual intent was to commit suicide. Mathilda followed him, but was too late to stop him from drowning himself.
For some time after his death, Mathilda returned to society as she became sick in her attempts to stop her father. She realized, though, that she could not remain in this society and she faked her own death to ensure that no one would come looking for her. Mathilda re-established herself in a solitary house in the heath. She has a maid who came to care for the house every few days, but other than that she had no human interaction until Woodville also established residence in the heath about two years after she chose to reside there.
Woodville was mourning the loss of his betrothed, Elinor, and a poet. He and Mathilda struck a friendship; Woodville often asked Mathilda why she never smiled but she would not go into much detail regarding this. One day, Mathilda suggested to Woodville that they end their mutual sorrows together and commit suicide. Woodville talked Mathilda out of this decision, but soon after had to leave the heath to care for his ailing mother. Mathilda contemplates her future after his departure, and while walking through the heath, gets lost and ends up sleeping outside for a night. It rains while she sleeps outside and, after she makes her way back to her home, she becomes extremely sick.
It is in this state that Mathilda decides to write out her story to Woodville as a way of explaining to him her darker countenance, even though she recognizes that she does not have much longer to live.
Commentators have often read the text as autobiographical, with the three central characters standing for Mary Shelley, William Godwin (her father), and Percy Shelley (her husband). [7] There is no firm evidence, however, that the storyline itself is autobiographical. [8] Analysis of Mathilda's first draft, titled "The Fields of Fancy", reveals that Mary Shelley took as her starting point Mary Wollstonecraft's unfinished "The Cave of Fancy", in which a small girl's mother dies in a shipwreck. [9] Like Mary Shelley herself, Mathilda idealises her lost mother. [10] According to editor Janet Todd, the absence of the mother from the last pages of the novella suggests that Mathilda's death renders her one with her mother, enabling a union with the dead father. [11] Critic Pamela Clemit resists a purely autobiographical reading and argues that Mathilda is an artfully crafted novella, deploying confessional and unreliable narrations in the style of her father, as well as the device of the pursuit used by Godwin in his Caleb Williams and by Mary Shelley in Frankenstein. [12] The novella's 1959 editor, Elizabeth Nitchie, noted its faults of "verbosity, loose plotting, somewhat stereotyped and extravagant characterization" but praised a "feeling for character and situation and phrasing that is often vigorous and precise". [8]
The story may be seen as a metaphor for what happens when a woman, ignorant of all consequences, follows her own heart while dependent on her male benefactor. [13]
Mathilda has also been seen as an example of redefining female Gothic narratives. An important characteristic of this redefined genre often includes female narrators having more control over the story than was common at the time. [14] According to Kathleen A. Miller, "Although Shelley's novella appears to relate a conventional female gothic narrative of a young woman victimized by her father's incestuous desire, it leaves open the possibility that, in fact, it is Mathilda, rather than her father, who wields control over the novel's gothic script." [15] This potentially allows for Mathilda to be viewed as a positive role model in nineteenth-century literature as she overcomes paternal authority and refuses to conform to commonly accepted practices regarding female characters in literature of the time. This redefinition occurs in various ways: Mathilda's refusal to name her father, her voice being the primary source of information provided to readers, and a lack of the novella ending in marriage which was the typical motif for female gothic literature. [16]
Mary Shelley sent the finished Mathilda to her father in England, to submit for publication. [17] However, though Godwin admired aspects of the novella, he found the incest theme "disgusting and detestable" and failed to return the manuscript despite his daughter's repeated requests. [18] In the light of Percy Shelley's later death by drowning, Mary Shelley came to regard the novella as ominous; she wrote of herself and Jane Williams "driving (like Mathilda) towards the sea to learn if we were to be for ever doomed to misery". [19] The novella was published for the first time in 1959, edited by Elizabeth Nitchie from dispersed papers. [8] It has become possibly Mary Shelley's best-known work after Frankenstein. [20]
Mathilda public domain audiobook at LibriVox | Works | | |
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The Last Man is an apocalyptic, dystopian science fiction novel by Mary Shelley, first published in 1826. The narrative concerns Europe in the late 21st century, ravaged by the rise of a bubonic plague pandemic that rapidly sweeps across the entire globe, ultimately resulting in the near-extinction of humanity. It also includes discussion of the British state as a republic, for which Shelley sat in meetings of the House of Commons to gain insight to the governmental system of the Romantic era. The novel includes many fictive allusions to her husband Percy Bysshe Shelley, who drowned in a shipwreck four years before the book's publication, as well as their close friend Lord Byron, who had died two years previously.
William Godwin was an English journalist, political philosopher and novelist. He is considered one of the first exponents of utilitarianism and the first modern proponent of anarchism. Godwin is most famous for two books that he published within the space of a year: An Enquiry Concerning Political Justice, an attack on political institutions, and Things as They Are; or, The Adventures of Caleb Williams, an early mystery novel which attacks aristocratic privilege. Based on the success of both, Godwin featured prominently in the radical circles of London in the 1790s. He wrote prolifically in the genres of novels, history and demography throughout his life.
Clara Mary Jane Clairmont, or Claire Clairmont as she was commonly known, was the stepsister of the writer Mary Shelley and the mother of Lord Byron's daughter Allegra. She is thought to be the subject of a poem by Percy Bysshe Shelley.
Zastrozzi: A Romance is a Gothic novel by Percy Bysshe Shelley first published in 1810 in London by George Wilkie and John Robinson anonymously, with only the initials of the author's name, as "by P.B.S.". The first of Shelley's two early Gothic novellas, the other being St. Irvyne, outlines his atheistic worldview through the villain Zastrozzi and touches upon his earliest thoughts on irresponsible self-indulgence and violent revenge. An 1810 reviewer wrote that the main character "Zastrozzi is one of the most savage and improbable demons that ever issued from a diseased brain".
Betty T. Bennett (1935–2006) was Distinguished Professor of Literature and Dean of the College of Arts and Sciences (1985–1997) at American University. She was previously Dean of the School of Liberal Arts and Sciences and acting provost of Pratt Institute from 1979 to 1985. Among her numerous awards and honors, Bennett was a fellow of the National Endowment for the Humanities and fellow of American Council of Learned Societies. She won the Keats-Shelley Association of America - Distinguished Scholar Award in 1992 and was Founding President, Phi Beta Kappa, Zeta Chapter at American University. Born in Brooklyn, New York, Bennett graduated from Brooklyn College magna cum laude and later received a master's degree (1962) and PhD (1970) in English and American literature from New York University.
Lodore, also published under the title The Beautiful Widow, is the penultimate novel by Romantic novelist Mary Shelley, completed in 1833 and published in 1835.
Proserpine is a verse drama written for children by the English Romantic writers Mary Shelley and her husband Percy Bysshe Shelley. Mary wrote the blank verse drama and Percy contributed two lyric poems. Composed in 1820 while the Shelleys were living in Italy, it is often considered a partner to the Shelleys' play Midas. Proserpine was first published in the London periodical The Winter's Wreath in 1832. Whether the drama was ever intended to be staged is a point of debate among scholars.
Valperga: or, the Life and Adventures of Castruccio, Prince of Lucca is an 1823 historical novel by the Romantic novelist Mary Shelley, set amongst the wars of the Guelphs and Ghibellines.
Frances Imlay, also known as Fanny Godwin and Frances Wollstonecraft, was the illegitimate daughter of the British feminist Mary Wollstonecraft and the American commercial speculator and diplomat Gilbert Imlay. Wollstonecraft wrote about her frequently in her later works. Fanny grew up in the household of anarchist political philosopher William Godwin, the widower of her mother, with his second wife Mary Jane Clairmont and their combined family of five children. Fanny's half-sister Mary grew up to write Frankenstein and married Percy Bysshe Shelley, a leading Romantic poet, who composed a poem on Fanny's death.
Memoirs of the Author of A Vindication of the Rights of Woman (1798) is William Godwin's biography of his late wife Mary Wollstonecraft. Rarely published in the nineteenth century and sparingly even today, Memoirs is most often viewed as a source for information on Wollstonecraft. However, with the rise of interest in biography and autobiography as important genres in and of themselves, scholars are increasingly studying it for its own sake.
The lifetime of British writer, philosopher, and feminist Mary Wollstonecraft (1759–1797) encompassed most of the second half of the eighteenth century, a time of great political and social upheaval throughout Europe and America: political reform movements in Britain gained strength, the American colonists successfully rebelled, and the French Revolution erupted. Wollstonecraft experienced only the headiest of these days, not living to see the end of the democratic revolution when Napoleon crowned himself emperor. Although Britain was still revelling in its mid-century imperial conquests and its triumph in the Seven Years' War, it was the French revolution that defined Wollstonecraft's generation. As poet Robert Southey later wrote: "few persons but those who have lived in it can conceive or comprehend what the memory of the French Revolution was, nor what a visionary world seemed to open upon those who were just entering it. Old things seemed passing away, and nothing was dreamt of but the regeneration of the human race."
Falkner (1837) is the penultimate book published by the author Mary Shelley. Like Shelley's earlier novel Lodore (1835), it charts a young woman's education under a tyrannical father figure.
"Maurice, or the Fisher's Cot" is a children's story by the Romantic writer Mary Shelley. Written in 1820 for Laurette Tighe, a daughter of her friends Margaret King and George William Tighe, Mary Shelley tried to have it published by her father, William Godwin, but he refused. The text was lost until 1997, when a manuscript copy was discovered in Italy.
Frankenstein; or, The Modern Prometheus is an 1818 novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared in the second edition, which was published in Paris in 1821.
History of a Six Weeks' Tour through a part of France, Switzerland, Germany, and Holland; with Letters Descriptive of a Sail Round the Lake of Geneva and of the Glaciers of Chamouni is a travel narrative by the English Romantic authors Mary Shelley and Percy Bysshe Shelley. Published anonymously in 1817, it describes two trips taken by Mary, Percy, and Mary's stepsister, Claire Clairmont: one across Europe in 1814, and one to Lake Geneva in 1816. Divided into three sections, the text consists of a journal, four letters, and Percy Shelley's poem "Mont Blanc". Apart from the poem, preface, and two letters, the text was primarily written and organised by Mary Shelley. In 1840 she revised the journal and the letters, republishing them in a collection of Percy Shelley's writings.
Rambles in Germany and Italy, in 1840, 1842, and 1843 is a travel narrative by the British Romantic author Mary Shelley. Issued in 1844, it is her last published work. Published in two volumes, the text describes two European trips that Mary Shelley took with her son, Percy Florence Shelley, and several of his university friends. Mary Shelley had lived in Italy with her husband, Percy Bysshe Shelley, between 1818 and 1823. For her, Italy was associated with both joy and grief: she had written much while there but she had also lost her husband and two of her children. Thus, although she was anxious to return, the trip was tinged with sorrow. Shelley describes her journey as a pilgrimage, which will help cure her depression.
Mary Wollstonecraft Shelley was an English novelist who is best known for writing the Gothic novel Frankenstein; or, The Modern Prometheus (1818), which is considered an early example of science fiction. She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Her father was the political philosopher William Godwin and her mother was the philosopher and women's rights advocate Mary Wollstonecraft.
Pamela Clemit, FRHistS is a British scholar, critic, and writer. She specializes in British literature and culture of the eighteenth and nineteenth centuries. Her work intersects with the fields of history, philosophy, and politics, and she has particular expertise in the Godwin-Shelley family of writers.
Frances "Fanny" Blood was an English illustrator and educator, and longtime friend of Mary Wollstonecraft.
Since the initial publication of Mary Wollstonecraft Shelley's novel Frankenstein; or, The Modern Prometheus in 1818, there has existed uncertainty about the extent to which Mary Shelley's husband, Percy Bysshe Shelley, contributed to the text. While the novel was conceived and mainly written by Mary, Percy is known to have provided input in editing and publishing the manuscript. Some critics have alleged that Percy had a greater role—even the majority role—in the creation of the novel, though mainstream scholars have generally dismissed these claims as exaggerated or unsubstantiated. Based on a transcription of the original manuscript, it is currently believed that Percy contributed between 4,000 and 5,000 words to the 72,000 word novel.