Matteo Piccione (1615 - 1671) was an Italian painter, active in Rome, as a painter of religious subjects. He was born in Ancona. He is noted by Lanzi to be a collaborator with Giovanni Antonio Galli [1] He was an academic in the Accademia di San Luca in 1655. [2] One of his paintings is in San Martino ai Monti, Rome. Mariette's catalogue lists paintings in the style of Veronese and Cesi. [3]
Giuseppe Maria Crespi, nicknamed Lo Spagnuolo, was an Italian late Baroque painter of the Bolognese School. His eclectic output includes religious paintings and portraits, but he is now most famous for his genre paintings.
Pietro (Libertino) Liberi was an Italian painter of the Baroque era, active mainly in Venice and the Veneto.
Sebastiano Filippi was an Italian late Renaissance – Mannerist painter of the School of Ferrara.
Giovanni Camillo Sagrestani (1660–1731) was an Italian painter of the Baroque era.
Domenico Maria Canuti was an Italian painter of the Baroque period, active mainly in Bologna and Rome. He was a major painter of fresco decorations. His ceiling decorations showed a mix of Bolognese and Roman influences.
Lorenzo Pasinelli was an Italian painter active mainly in Bologna during the late Baroque period.
Gaspare Diziani was an Italian painter of the late-Baroque or Roccoco period, active mainly in the Veneto but also in Dresden and Munich. The artist's canvas is the largest painting of the Hermitage Museum in St. Petersburg.
Giacomo Boni was an Italian painter of the late-Baroque period, active mainly in Genoa.
Luigi Quaini (1643–1717) was an Italian painter of the Baroque period.
Claudio Ridolfi (1560–1644), also known as Claudio Veronese, was an Italian painter of the Renaissance period.
Giuseppe Vermiglio was a Caravaggist painter from Northern Italy, active also in Rome.
Zanobi Poggino of Zanobi di Poggino was an Italian painter, active as a portrait and historical painter in Florence. He was a pupil of Giovanni Antonio Sogliani. While he was noted by Filippo Baldinucci, none of his works could be identified by Luigi Lanzi.
Annibale Mazzuoli was an Italian painter.
Pasquale Cati was an Italian Mannerist painter active mostly in Rome.
Antonio Puglieschi was an Italian painter of the late Baroque period, active mainly in Florence. he trained initially with Pietro Dandini in Florence, but then went to work in Rome with Ciro Ferri. The church of San Giovannino degli Scolopi in Florence, which formerly had been a Jesuit church, has a canvas by Puglieschi of St Ignatius of Loyola before the Virgin. He also has a canvas in San Frediano in Cestello. One of his pupils was Giuseppe Bottani.
Niccolò Franchini (1704-1783) was an Italian painter, active in Siena, depicting mainly religious canvases in a late-Baroque style. Niccolò Franchini (1704-1783) was an Italian painter, active in Siena, depicting mainly religious canvases in a late-Baroque style.
Giovanni Domenico Brugieri (1678–1744) was an Italian painter of the late-Baroque period in Lucca. Lanzi is cited as referring to him as either Giovanni Domenico or in other places as Giovanni Batista or Battista,.
Giorgio Picchi il Giovane was an Italian painter active in Rome, Cremona, Rimini, Urbino, and Urbania. He was either a pupil or follower of Federico Barocci.
Sforza Compagnoni was an Italian author and painter.
Antonio della Cornia was an Italian Baroque painter in Rome. He was a member of the Accademia di San Luca from 1634, and painted mainly religious subjects.
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