Mattia Benedetti was an Italian painter. He was born in Reggio Emilia, and a pupil of Orazio Talami. He active as a fresco painter, active in painting quadratura. He painted the ceiling (1701) of the church of Sant' Antonio at Brescia. In Reggio-Emilia he painted the ceiling of the Capella maggiore of the Monache Bianchi, and the ceiling of the Oratory of the San Filippo Neri. His brother Ludovico or Lodovico was known for painting chiaroscuro and also perspective. Lodovico painted in the church of San Spiridone in Reggio-Emilia, as well as other churches. [1]
Correggio is a town and comune in the Province of Reggio Emilia, in the Emilia-Romagna region of Italy, in the Po valley. As of 31 December 2016 Correggio had an estimated population of 25,694.
Alessandro Tiarini was an Italian Baroque painter of the Bolognese School.
Tommaso Costa (1634–1690) was an Italian painter of the Baroque period. He was born in Sassuolo, and died in Reggio Emilia. He was the pupil of the painter Jean Boulanger at Modena. He painted the cupola of the church of San Vicenzo in Modena and affreschi in the pilgrimage church of Fiorano Modenese, south of Modena.
Lorenzo Garbieri was an Italian painter of the early-Baroque period, active mainly in Bologna. He was one of the painters in the studio of Ludovico Carracci and is sometimes called il nipote dei Carracci. He was said to be one of the most successful imitators of Ludovico, to whose style he added the character of Caravaggio.
Orazio Talami was an Italian painter of the Baroque period, active mainly in Bologna and Reggio Emilia.
Gaspare Bazzani was an Italian painter active in Reggio Emilia as a painter of vedute or landscapes, as well as a scenic designer.
Paolo Emilio Besenzi (1608–1656) was an Italian painter, sculptor, and architect of the 17th century, born and active in Reggio Emilia. He lived and worked as a painter, sculptor and architect in Reggio Emilia in the first half of the 17th century. According to Tiraboschi he was sent to France for a short time, at the court of Louis XIII, who would have named him a knight. He trained with Francesco Albani, and was a friend and companion of Lionello Spada. He was buried in the now demolished church of Santa Maria Maddalena, for which he designed the main altar.
Francesco Monti was an Italian painter of the late Baroque.
Tomasso Sandrino (1575–1631) was an Italian painter of quadratura in Northern Italy, active in his native Brescia.
Antonio Triva was an Italian painter and engraver of the Baroque period.
Pablo da San Leocadio or Paolo da Reggio was an Italian painter from Reggio Emilia, who was mostly active in Spain.
Albano Lugli was an Italian painter and ceramic artist mainly active in his native Carpi, painting historic and sacred subjects.
Francesco Pagano, was an Italian painter working primarily in Spain. His date of birth is not known.
Lorenzo Franchi was an Italian painter, active in a late-Mannerist or early-Baroque style mainly in Reggio Emilia.
Prospero Minghetti was an Italian painter.
Giovanni Giarola or Gerolli (1518–1557) was an Italian painter of the Renaissance style, active mainly in Reggio Emilia.
Anselmo Govi was an Italian painter and decorator, a member of the late Art Nouveau school known in Italy as Liberty style.
Parigi Coppelletti or Copelleti was an Italian painter.
Giovanni Rocca was an Italian engraver.
Sebastiano Viani was an Italian painter, who distinguished himself as a patriot during the French occupation of the Duchy of Parma and his native Reggio-Emilia.