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A maunch (from the French manche "sleeve") is a heraldic charge representing a detachable lady's sleeve with a wide pendulous cuff, as was fashionable amongst women in the 13th and 14th centuries. They are found most frequently in English heraldry, occurring to a lesser extent in the heraldry of France, Scotland, and other nations.
In the Middle Ages, it was common for ladies to give their sleeves as favours for knights to wear in tournaments. Thus, heraldic maunches came to symbolise that the armiger was popular with the ladies, or that he loved his wife. Alternatively maunches can occur as canting arms, such as in the arms of the Mohun and Mansel families. In French heraldry, they are referred to as manches mal taillée (meaning "badly cut sleeves") to distinguish them from ordinary sleeves.
In Sir Thomas Malory's Le Morte d'Arthur , Sir Lancelot fights in a tournament anonymously as an unknown knight using a white shield with a red sleeve on it. He also affixes Lady Elaine le Blanc's sleeve to his helmet to further disguise himself as he has never worn a lady's token of affection in a tournament.
Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
A tabard is a type of short coat that was commonly worn by men during the late Middle Ages and early modern period in Europe. Generally worn outdoors, the coat was either sleeveless or had short sleeves or shoulder pieces. In its more developed form it was open at the sides, and it could be worn with or without a belt. Though most were ordinary garments, often work clothes, tabards might be emblazoned on the front and back with a coat of arms (livery), and in this form they survive as the distinctive garment of officers of arms.
The Most Noble Order of the Garter is an order of chivalry founded by Edward III of England in 1348. It is the most senior order of knighthood in the British honours system, outranked in precedence only by the Victoria Cross and the George Cross. The Order of the Garter is dedicated to the image and arms of Saint George, England's patron saint.
In heraldry, tenné is a "stain", or non-standard tincture, of orange, light brown or orange-tawny colour.
In heraldry, supporters, sometimes referred to as attendants, are figures or objects usually placed on either side of the shield and depicted holding it up.
Tincture is the limited palette of colours and patterns used in heraldry. The need to define, depict, and correctly blazon the various tinctures is one of the most important aspects of heraldic art and design.
In heraldry, an escutcheon is a shield that forms the main or focal element in an achievement of arms. The word can be used in two related senses. In the first sense, an escutcheon is the shield upon which a coat of arms is displayed. In the second sense, an escutcheon can itself be a charge within a coat of arms.
A crest is a component of a heraldic display, consisting of the device borne on top of the helm. Originating in the decorative sculptures worn by knights in tournaments and, to a lesser extent, battles, crests became solely pictorial after the 16th century.
In heraldry, a charge is any emblem or device occupying the field of an escutcheon (shield). That may be a geometric design or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called pièces, and other charges are called meubles.
In heraldry, a torse or wreath is a twisted roll of fabric laid about the top of the helmet and the base of the crest. It has the dual purpose of masking the join between helm and crest, and of holding the mantling in place.
Major Sir Nevile Rodwell Wilkinson, KCVO was a British officer of arms, British Army officer, author and a dollhouse designer.
Sir Albert William Woods was an English officer of arms, who served as Garter Principal King of Arms from 1869 to 1904. The Woods family has a strong tradition of service at the College of Arms. Albert Woods was the son of Sir William Woods, Garter King of Arms from 1838 until his death in 1842. Likewise, the grandson of Albert Woods was Sir Gerald Woods Wollaston, who also rose to the rank of Garter King of Arms and served there from 1930 until 1944.
The cross moline is a Christian cross, constituting a kind of heraldic cross.
The lion is a common charge in heraldry. It traditionally symbolises courage, nobility, royalty, strength, stateliness and valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjelbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden.
Attributed arms are Western European coats of arms given retrospectively to persons real or fictitious who died before the start of the age of heraldry in the latter half of the 12th century. Once coats of arms were the established fashion of the ruling class, society expected a king to be armigerous. Arms were assigned to the knights of the Round Table, and then to biblical figures, to Roman and Greek heroes, and to kings and popes who had not historically borne arms. Each author could attribute different arms for the same person, but the arms for major figures soon became fixed.
The wolf has been widely used in many forms in heraldry during the Middle Ages. Though commonly reviled as a livestock predator and man-eater, the wolf was also considered a noble and courageous animal, and frequently appeared on the arms and crests of numerous noble families. It typically symbolised the rewards of perseverance in long sieges or hard industry.
English heraldry is the form of coats of arms and other heraldic bearings and insignia used in England. It lies within the so-called Gallo-British tradition. Coats of arms in England are regulated and granted to individuals by the English kings of arms of the College of Arms. An individual's arms may also be borne 'by courtesy' by members of the holder's nuclear family, subject to a system of cadency marks, to differentiate those displays from the arms of the original holder. The English heraldic style is exemplified in the arms of British royalty, and is reflected in the civic arms of cities and towns, as well as the noble arms of individuals in England. Royal orders in England, such as the Order of the Garter, also maintain notable heraldic bearings.
The hound or dog is used as a charge in classical heraldry. In English heraldry, the commonly used variant are the talbot, also blazoned as sleuth-hound, e.g. in the arms of Wolseley of Staffordshire, the greyhound and bloodhound. Rarely seen variants are the ratch-hound, the mastiff, the foxhound, the spaniel and the terrier. The "sea-dog" is a curious charge resembling the talbot but with scales, webbed feet and a broad tail, used in the arms of Stourton barony, presumably originally depicting a beaver . Similar charges include the wolf and the fox.
Heraldry is the system of visual identification of rank and pedigree which developed in the European High Middle Ages, closely associated with the courtly culture of chivalry, Latin Christianity, the Crusades, feudal aristocracy, and monarchy of the time. Heraldic tradition fully developed in the 13th century, and it flourished and developed further during the Late Middle Ages and the Early Modern period. Originally limited to nobility, heraldry is adopted by wealthy commoners in the Late Middle Ages. Specific traditions of Ecclesiastical heraldry also develop in the late medieval period. Coats of arms of noble families, often after their extinction, becomes attached to the territories they used to own, giving rise to municipal coats of arms by the 16th century.