Maura Sheehan

Last updated

Maura Sheehan is an American installation artist and sculptor who works with unconventional materials. She is on the faculty of the BFA Fine Arts Department, School of Visual Arts New York., [1] and the founder and director of the Manhattan Art Program, [2] a non-profit educational organisation providing innovative art programs to disadvantaged communities in USA Ireland and North Africa. [3]

Contents

Career

In 1980 Sheehan's work was in an exhibition of "Downtown Los Angeles Artists," organized by the Santa Barbara Contemporary Arts Forum, anonymously placed in situ around the town Santa Barbara. Richard Ross described her art and that of Jon Peterson and Judith Simonian as 'participatory', one of the first uses of the term in relation to art. Ross wrote, "These artists bear the responsibility to the community. " [4]

Maura Sheehan is a community artist who encourages viewers to interact with her art and to help shape it. For example, Sheehan calls her Humanities Gallery of 2013 a 'non-site' like Andre Malraux's 'Museum without Walls' where she has displayed a glass spiral splintered to symbolise broken promises. As visitors walk on the glass path they inevitably break it and contribute to what Sheehan describes as a 'protracted entropic metaphysical disintegration that reveals a regenerating geometry and an architectural allegory underfoot'. Sheehan has said the influence for her work called Glass Garden was the Russian architect, Vladimir Tatlin's experiments with extending spaces from a solid base. This work is seen as a celebration of shared ideals where space 'unspools from a cracking constructivist composition and the spiral is reminiscent of capitalism in crisis.'[ citation needed ] [5]

Broken glass is an ongoing feature in her work, from early installations at the Orchard Gallery, Derry (1989) [6] to Ocean Floor (1990) which both use automated windshields. [7] in 1998 Maura Sheehan did an installation at the Neuberger museum of art, part of the exhibition Glass Houses, again using windshields. [8] [9]

Exhibitions

Exhibitions include: Centro Anduluz de Arte Contemporaneo [10] Museum of Modern Art New York [11] The Station Museum of Contemporary Art [2] FiveMyles Gallery [12]

Awards Include: CAPS, Pollock-Krasner Foundation, National Endowment for the Arts, New York Foundation for the Arts

Related Research Articles

Anya Gallaccio is a British artist, who creates site-specific, minimalist installations and often works with organic matter.

<span class="mw-page-title-main">Mona Hatoum</span> British-Palestinian multimedia and installation artist

Mona Hatoum is a British-Palestinian multimedia and installation artist who lives in London.

<span class="mw-page-title-main">Kiki Smith</span> German-born American artist

Kiki Smith is a German-born American artist whose work has addressed the themes of sex, birth and regeneration. Her figurative work of the late 1980s and early 1990s confronted subjects such as AIDS, feminism, and gender, while recent works have depicted the human condition in relationship to nature. Smith lives and works in the Lower East Side, New York City, and the Hudson Valley, New York State.

<span class="mw-page-title-main">Hannah Wilke</span> American artist

Hannah Wilke was an American painter, sculptor, photographer, video artist and performance artist. Wilke's work is known for exploring issues of feminism, sexuality and femininity.

<span class="mw-page-title-main">Dorothea Rockburne</span> Canadian-American painter (born c. 1932)

Dorothea Rockburne DFA is an abstract painter, drawing inspiration primarily from her deep interest in mathematics and astronomy. Her work is geometric and abstract, seemingly simple but very precise to reflect the mathematical concepts she strives to concretize. "I wanted very much to see the equations I was studying, so I started making them in my studio," she has said. "I was visually solving equations." Rockburne's attraction to Mannerism has also influenced her work.

<span class="mw-page-title-main">Darío Escobar</span> Guatemalan artist

Darío Escobar is a Guatemalan artist.

<span class="mw-page-title-main">Dominique Gonzalez-Foerster</span> French artist

Dominique Gonzalez-Foerster is a French visual artist and educator. She is known for her work in video projection, photography, and art installations. She has worked in landscaping, design, and writing. "I always look for experimental processes. I like the fact that at the beginning I don't know how to do things and then, slowly, I start learning. Often exhibitions don't give me this learning possibility anymore."

<span class="mw-page-title-main">Sharon Louden</span> American artist (born 1964)

Sharon Louden is an American visual artist, known for her abstract and whimsical use of the line. Her minimalist paintings and drawings have subsequently transformed over the years into other media, being expressed as "drawings-in-space." She has also expanded into a wide-ranging use of color. In reference to her minimalist paintings, Louden has been called "the Robert Ryman of the 21st century."

<span class="mw-page-title-main">Liza Lou</span> American visual artist (born 1969)

Liza Lou is an American visual artist. She is best known for producing large scale sculpture using glass beads. Lou ran a studio in Durban, South Africa from 2005 to 2014. She currently has a nomadic practice, working mostly outdoors in the Mojave Desert in southern California. Lou's work is grounded in domestic craft and intersects with the larger social economy.

<span class="mw-page-title-main">José Manuel Fors</span> Cuban artist

José Manuel Fors is a contemporary Cuban artist born in Havana in 1956. His work is principally based on installations and supported by photography. His first artistic forays, during the early eighties, were part of what has been coined "The Renaissance of Cuban Art". His artwork has been shown in renowned museums and galleries in the United States, Europe and Cuba.

<span class="mw-page-title-main">Iñigo Manglano-Ovalle</span> American conceptual artist

Iñigo Manglano-Ovalle is an American conceptual artist known for multidisciplinary, socially oriented sculpture, video and installations and urban community-based projects of the 1990s. His work often explores a dialectical relationships involving minimalist aesthetics, the utopian ambitions of modernism and science, and the resulting—often negative—social, geopolitical and ecological consequences of such ideologies. New York Times critic Holland Cotter wrote that Manglano-Ovalle was adept in "distilling complex ideas into inviting visual metaphors," while Jody Zellen described his work as "infused with a formal elegance and sociopolitical content." Manglano-Ovalle has been featured in solo exhibitions at the Art Institute of Chicago, MASS MoCA, Museo Tamayo Arte Contemporaneo and Museum of Contemporary Art, Chicago (MCA), and participated in Documenta 12, the Venice Biennale, Whitney Biennial, and Bienal de São Paulo. He has been recognized with MacArthur Foundation, Guggenheim, and National Endowment for the Arts fellowships and his work belongs to the collections of forty major institutions. He has been a professor at Northwestern University since 2012 and lives and works in Chicago.

Iván Navarro is a Chilean artist who works with light, mirrors, and glowing glass tubes to craft socially and politically relevant sculptures and installations. As of 2019, he lives and works in Brooklyn, New York.

Miguel Ángel Rojas is a Colombian conceptual artist born in Bogotá in 1946. His work includes drawing, painting, photography, installations and video and is often related to the sexuality, the marginal culture, the violence and problems involved with drug consumption and production.

Suzanne Anker is an American visual artist and theorist. Considered a pioneer in Bio Art., she has been working on the relationship of art and the biological sciences for more than twenty five years. Her practice investigates the ways in which nature is being altered in the 21st century. Concerned with genetics, climate change, species extinction and toxic degradation, her work calls attention to the beauty of life and the "necessity for enlightened thinking about nature's 'tangled bank'." Anker frequently assembles with "pre-defined and found materials" botanical specimens, medical museum artifacts, laboratory apparatus, microscopic images and geological specimens.

Valeska Soares is a Brooklyn-based Brazilian-American sculptor and installation artist.

<span class="mw-page-title-main">Esperanza Cortes</span> Colombian-born American visual artist (born 1957)

Esperanza Cortés is a Colombian-born American visual artist who lives and works in New York City. Her paintings, sculptures and installations explore the themes of social injustice and cultural invisibility. She draws on the folk traditions of the Americas, including their rituals, music, dance and art.

Elba Damast was a Venezuelan artist.

Maria Virginia Errázuriz Guilisasti, also known as Virginia Errázuriz, is a Chilean painter, professor, printmaker and draftsperson.

<span class="mw-page-title-main">Carla Arocha and Stéphane Schraenen</span> Venezuelan and Belgian visual artist duo

Carla Arocha and Stéphane Schraenen, also shortened to Arocha & Schraenen, are an artist duo that collaborates since 2006. Arocha & Schraenen work across media, producing paintings, drawings and prints. Large-scale mirrored and interactive sculptural installations are at the core of their collaborative project. Their abstract installations and sculptures stem from everyday objects. The artists strip such objects from functionality, thus reducing them to their basic essence and form. Engaging with the rich tradition of geometrical abstract and optical art, the artists’ works are often placed in a spatial context where light and reflection play a crucial role.

<span class="mw-page-title-main">Suzi Ferrer</span> American contemporary feminist visual artist

Suzi Ferrer (born Susan Nudelman, also known as Sasha Ferrer, was a visual artist based in San Juan, Puerto Rico from the mid-1960s to 1975. She is known for her transgressive, irreverent, avant-garde, art brut and feminist work.

References

  1. "School of Visual Arts | SVA | New York City > Faculty". www.sva.edu. Retrieved May 14, 2019.
  2. 1 2 "MAURA SHEEHAN – Station Museum of Contemporary Art" . Retrieved May 14, 2019.
  3. "Manhattan Art Program". mapworld.org. Retrieved May 13, 2019.
  4. Fillip. "What Is a Participatory Practice? (David Goldenberg and Patricia Reed)". Fillip. Retrieved May 14, 2019.
  5. "Glass Garden". Maura Sheehan. Retrieved May 14, 2019.
  6. Brett, David (1989). "New Installations, Orchard Gallery Derry, 13 July – 31 August". Circa (48): 43–45. doi:10.2307/25557478. ISSN   0263-9475. JSTOR   25557478.
  7. Collischan, Judy (March 2010). Made in the U S A: Modern/Contemporary Art in America. iUniverse. ISBN   9781440198540.
  8. Raynor, Vivien (September 6, 1998). "ART; An Exhibition That Equates Craftsmanship With Artistry". The New York Times. ISSN   0362-4331 . Retrieved May 14, 2019.
  9. Perreault, John (1998). Glass House: Bing Hu, Maura Sheehan and Therman Statom. Neuberger Museum.
  10. "Centro Andaluz de Arte Contemporáneo". caac.es. Retrieved May 14, 2019.
  11. "Maura Sheehan | MoMA". The Museum of Modern Art. Retrieved May 14, 2019.
  12. "Joint Opening: Guerrillas in the Midst and Maura Sheehan". FiveMyles Gallery. Retrieved May 14, 2019.