Plate armour is a historical type of personal body armour made from bronze, iron, or steel plates, culminating in the iconic suit of armour entirely encasing the wearer. Full plate steel armour developed in Europe during the Late Middle Ages, especially in the context of the Hundred Years' War, from the coat of plates worn over mail suits during the 14th century.
The sallet was a combat helmet that replaced the bascinet in Italy, western and northern Europe and Hungary during the mid-15th century. In Italy, France and England the armet helmet was also popular, but in Germany the sallet became almost universal.
The bascinet – also bassinet, basinet, or bazineto – was a Medieval European open-faced combat helmet. It evolved from a type of iron or steel skullcap, but had a more pointed apex to the skull, and it extended downwards at the rear and sides to afford protection for the neck. A mail curtain was usually attached to the lower edge of the helmet to protect the throat, neck and shoulders. A visor was often employed from c. 1330 to protect the exposed face. Early in the fifteenth century, the camail began to be replaced by a plate metal gorget, giving rise to the so-called "great bascinet".
White armour, or alwyte armour, was a form of plate armour worn in the Late Middle Ages characterized by full-body steel plate without a surcoat. Around 1420 the surcoat, or "coat of arms" as it was known in England, began to disappear, in favour of uncovered plate. Areas not covered by plate were protected by mail sewn to the gambeson underneath.
A sabaton or solleret is part of a knight's body armor that covers the foot.
The armet is a type of combat helmet which was developed in the 15th century. It was extensively used in Italy, France, England, the Low Countries and Spain. It was distinguished by being the first helmet of its era to completely enclose the head while being compact and light enough to move with the wearer. Its use was essentially restricted to the fully armoured man-at-arms.
Hans Burgkmair the Elder (1473–1531) was a German painter and woodcut printmaker.
The burgonet helmet was a Renaissance-era and early modern combat helmet. It was the successor of the sallet.
The lobster-tailed pot helmet, also known as the zischägge, horseman's pot and harquebusier's pot, was a type of post-Renaissance combat helmet. It became popular in Europe, especially for cavalry and officers, from c. 1600; it was derived from an Ottoman Turkish helmet type. The helmet gradually fell out of use in most of Europe in the late 17th century; however, the Austrian heavy cavalry retained it for some campaigns as late as the 1780s.
A bevor or beaver is a piece of plate armour designed to protect the neck, much like a gorget.
A lame is a solid piece of sheet metal used as a component of a larger section of plate armor used in Europe during the medieval period. It is used in armors to provide articulations or the joining of the armor elements. The size is usually small with a narrow and rectangular shape. Multiple lames are riveted together or connected by leather straps or cloth lacing to form an articulated piece of armor that provides flexible protection. The armor worn by the samurai class of feudal Japan used lames in the construction of many of their individual armor parts. The Japanese term is ita, which can both refer to the lame or its borderings.
Kasten-brust armour — is a German form of plate armour from the first half of 15th century.
Gothic plate armour was the type of steel plate armour made in the Holy Roman Empire during the 15th century.
The close helmet or close helm is a type of combat helmet that was worn by knights and other men-at-arms in the Late Medieval and Renaissance eras. It was also used by some heavily armoured, pistol-armed cuirassiers into the mid-17th century. It is a fully enclosing helmet with a pivoting visor and integral bevor.
Johann, Johannes or Hans Wechtlin was a German Renaissance artist, active between at least 1502 and 1526, whose woodcuts are his only certainly surviving work. He was the most prolific producer of German chiaroscuro woodcuts, printed in two or more colours, during their period in fashion, though most of his output was of book illustrations.
Greenwich armour is the plate armour in a distinctively English style produced by the Royal Almain Armoury founded by Henry VIII in 1511 in Greenwich near London, which continued until the English Civil War. The armoury was formed by imported master armourers hired by Henry VIII, initially including some from Italy and Flanders, as well as the Germans who dominated during most of the 16th century. The most notable head armourer of the Greenwich workshop was Jacob Halder, who was master workman of the armoury from 1576 to 1607. This was the peak period of the armoury's production and it coincided with the elaborately gilded and sometimes coloured decorated styles of late Tudor England.
A plackart is a piece of medieval and Renaissance era armour, initially covering the lower half of the front torso. It was a plate reinforcement that composed the bottom part of the front of a medieval breastplate. They were predominantly worn in the 15th century. Sometimes they were worn with a metal finish, while the top part of the cuirass was covered in material, the difference in finish making a contrast.
The Helmschmied family of Augsburg were one of late medieval Europe's foremost families of armourers. Their name, sometimes also spelled Helmschmid, translates to helmet smith. The family's most prominent members were Lorenz Helmschmied, Kolman Helmschmied (1471–1532) and Desiderius Kolman Helmschmied (1513–1579).
The Coventry Sallet is a 15th-century helmet now on display at Herbert Art Gallery and Museum. English sallets have been considered both rare and important.
The Armor of Emperor Ferdinand I is a suit of plate armor created by the Nuremberg armorer Kunz Lochner in 1549 for the future Ferdinand I, Holy Roman Emperor. One of several suits of armor made for the Emperor Ferdinand during the wars of Reformation and conflict with the Ottomans, the etched but functional armor is thought by scholars to symbolize and document the role of the Habsburg Catholic monarchs as warriors on Europe's literal and ideological battlefields.
