Widescreen images are displayed within a set of aspect ratios used in film, television and computer screens. In film, a widescreen film is any film image with a width-to-height aspect ratio greater than the standard 1.37:1 Academy aspect ratio provided by 35 mm film.
70 mm film is a wide high-resolution film gauge for motion picture photography, with negative area nearly 3.5 times as large as the standard 35 mm motion picture film format. As used in cameras, the film is 65 mm (2.6 in) wide. For projection, the original 65 mm film is printed on 70 mm (2.8 in) film. The additional 5 mm are for four magnetic strips holding six tracks of stereophonic sound. Although later 70 mm prints use digital sound encoding, the vast majority of existing and surviving 70 mm prints pre-date this technology.
CinemaScope is an anamorphic lens series used, from 1953 to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter. Its creation in 1953 by Spyros P. Skouras, the president of 20th Century Fox, marked the beginning of the modern anamorphic format in both principal 2.55:1, almost twice as wide as the previously common Academy format's 1.37:1 ratio. Although the technology behind the CinemaScope lens system was made obsolete by later developments, primarily advanced by Panavision, CinemaScope's anamorphic format has continued to this day. In film-industry jargon, the shortened form, 'Scope, is still widely used by both filmmakers and projectionists, although today it generally refers to any 2.35:1, 2.39:1, 2.40:1, or 2.55:1 presentation or, sometimes, the use of anamorphic lensing or projection in general. Bausch & Lomb won a 1954 Oscar for its development of the CinemaScope lens.
Cinerama is a widescreen process that originally projected images simultaneously from three synchronized 35mm projectors onto a huge, deeply curved screen, subtending 146° of arc. The trademarked process was marketed by the Cinerama corporation. It was the first of a number of novel processes introduced during the 1950s, when the movie industry was reacting to competition from television. Cinerama was presented to the public as a theatrical event, with reserved seating and printed programs, and audience members often dressed in their best attire for the evening.
Albert II is Prince of Monaco, since 2005.
Todd-AO is an American post-production company founded in 1953 by Mike Todd and Robert Naify, providing sound-related services to the motion picture and television industries. For more than five decades, it was the worldwide leader in theater sound. The company now operates one facility in the Los Angeles area.
A roadshow theatrical release or reserved seat engagement is the practice of opening a film in a limited number of theaters in major cities for a specific period of time before the wide release of the film. Roadshows would generally mimic a live theatre production, with an upscale atmosphere as well as somewhat higher prices than during a wide release. They were commonly used to promote major films from the 1920s–60s and build excitement.
The Prince Edward Theatre is a West End theatre situated on Old Compton Street, just north of Leicester Square, in the City of Westminster, London.
Panavision is an American motion picture equipment company founded in 1953 specializing in cameras and lenses, based in Woodland Hills, California. Formed by Robert Gottschalk as a small partnership to create anamorphic projection lenses during the widescreen boom in the 1950s, Panavision expanded its product lines to meet the demands of modern filmmakers. The company introduced its first products in 1954. Originally a provider of CinemaScope accessories, the company's line of anamorphic widescreen lenses soon became the industry leader. In 1972, Panavision helped revolutionize filmmaking with the lightweight Panaflex 35 mm movie camera. The company has introduced other cameras such as the Millennium XL (1999) and the digital video Genesis (2004).
Super Technirama 70 was the marketing name for a special type of deluxe film exhibition that was most popular in the 1960s. It was the 70mm version of the Technirama exhibition format.
Super Panavision 70 is the marketing brand name used to identify movies photographed with Panavision 70 mm spherical optics between 1959 and 1983.
The Seattle Cinerama Theatre is a landmark movie theater in Seattle, Washington, United States. Located in the city's Belltown neighborhood, it was one of only three movie theaters in the world capable of showing three-panel Cinerama films until it closed in May 2020.
Kinopanorama is a three-lens, three-film widescreen film format. Although Kinopanorama was initially known as Panorama in the Soviet Union the name was later revised to include its current name prior to the premiere screenings in Moscow in 1958. In some countries, including Cuba, Greece, Norway and Sweden, it was usually marketed as Soviet Cinerama. In 1958, during which time Great Is My Country and The Enchanted Mirror, were exhibited at the Mayfair Theatre in New York City, it was briefly advertised as Cinepanorama. Kinopanorama is for the most part identical in operation to that of Fred Waller's American-designed Cinerama format.
Ultra Panavision 70 and MGM Camera 65 were, from 1957 to 1966, the marketing brands that identified motion pictures photographed with Panavision's anamorphic movie camera lenses on 65 mm film. Ultra Panavision 70 and MGM Camera 65 were shot at 24 frames per second (fps) using anamorphic camera lenses. Ultra Panavision 70 and MGM Camera 65's anamorphic lenses compressed the image 1.25 times, yielding an extremely wide aspect ratio of 2.76:1.
Anamorphic format is the cinematography technique of shooting a widescreen picture on standard 35 mm film or other visual recording media with a non-widescreen native aspect ratio. It also refers to the projection format in which a distorted image is "stretched" by an anamorphic projection lens to recreate the original aspect ratio on the viewing screen. The word anamorphic and its derivatives stem from the Greek anamorphoun, compound of morphé with the prefix aná. In the late 1990s and 2000s, anamorphic lost popularity in comparison to "flat" formats such as Super 35 with the advent of digital intermediates; however, in the years since digital cinema cameras and projectors have become commonplace, anamorphic has experienced a considerable resurgence of popularity, due in large part to the higher base ISO sensitivity of digital sensors, which facilitates shooting at smaller apertures.
Hermann Leitner was an Austrian film editor and film director. His 1962 documentary film Mediterranean Holiday was entered into the 3rd Moscow International Film Festival.
Grace of Monaco is a 2014 biographical drama film directed by Olivier Dahan and written by Arash Amel. The film stars Nicole Kidman in the titular role as Grace of Monaco. It also features a supporting cast of Frank Langella, Parker Posey, Derek Jacobi, Paz Vega, Roger Ashton-Griffiths, Milo Ventimiglia, and Tim Roth.
Seven Wonders of the World is a 1956 documentary film in Cinerama. Lowell Thomas searches the world for natural and man-made wonders and invites the audience to try to update the ancient Greek list of the "Wonders of the World".
